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Menander, --- Characters.
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This book is a much-needed scholarly intervention and postcolonial corrective that examines why and when and how misunderstandings of Chinese writing came about and showcases the long history of Chinese theories of language. 'Ideography' as such assumes extra-linguistic, trans-historical, universal 'ideas' which are an outgrowth of Platonism and thus unique to European history. Classical Chinese discourse assumes that language (and writing) is an arbitrary artifact invented by sages for specific reasons at specific times in history. Language by this definition is an ever-changing technology amenable to historical manipulation; language is not the House of Being, but rather a historically embedded social construct that encodes "idian human intentions and nothing more. These are incommensurate epistemes, each with its own cultural milieu and historical context. By comparing these two traditions, this study historicizes and decolonializes popular notions about Chinese characters, exposing the Eurocentrism inherent in all theories of ideography. Ideography and Chinese Language Theory will be of significant interest to historians, sinologists, theorists, and scholars in other branches of the humanities.
Chinese characters --- History. --- Chinese characters. --- Language Theory. --- Writing systems.
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There has never been an accurate, comprehensive account of the origin, development, and significance of Balzac's use of recurring characters in the many volumes of the Comedie humaine, although the device is well recognized and such a study has long been deemed essential by Balzac scholars. One cannot read far in the Comedie without encountering characters whom one has met in other novels. Balzac did not introduce recurring characters until after he had written thirty of forty stories, but he kept revising his work from one printing or edition to the next so that earlier stories have as many of the recurring characters as the later ones. Professor Pugh traces the use of the device and unravels its complexities over the whole of Balzac's career by providing a year-by-year account of the author's struggles between 1829 and 1847 to unify his fictional world of some 3,000 characters. This study illuminates the genesis of several novels and sheds totally new light on the validity of the device, by enabling us for the first time to distinguish between examples which belong to the original creative urge, and those introduced during later revisions. The book takes into account the most recent studies of individual Balzac novels, and is unique in the range and thoroughness of its investigation. All serious students of Balzac will need to consult this reference work.
Characters and characteristics in literature. --- Balzac, Honoré de, --- Characters.
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In Tweede levens belichten zeventien auteurs, voornamelijk historici en letterkundigen, verschillende aspecten van de veelvormige relatie tussen persoon en personage. Een gevarieerd gezelschap van personen uit alle eeuwen en windstreken komen aan bod: kunstenaars als Vergilius, Van Gogh en Ravel; politici als Roosevelt, Stalin en Sarkozy. Ook een enkele mythische fi guur, bijvoorbeeld Andromache, en puur fictionele personages als Simenons Maigret en Becketts Krapp worden behandeld. Centraal staat de vraag hoe personen in personages veranderen wanneer ze deel gaan uitmaken van een roman of biog
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Fin da Se questo è un uomo e La tregua, Primo Levi dispiega di fronte al lettore una costellazione di personaggi: personaggi «pescati» dal vivo, «riprodotti con un'impressione soggettiva»; personaggi «spaccati» e «ricombinati» (non solo da tipi umani esistenti ma anche dalla tradizione letteraria). Questo volume offre una prima mappatura critica dei personaggi leviani, e mira a dare avvio a indagini sulla loro costruzione, sulla loro configurazione narrativa e linguistica, così come sul loro statuto ontologico all'interno del mondo possibile dell'universo letterario. Studiare l'opera di Levi attraverso gli «esemplari umani» che la popolano si rivela un ingresso privilegiato: illumina da una nuova prospettiva i debiti verso la tradizione romanzesca del novecento (soprattutto tedesca e anglosassone), l'uso della prima persona e le strategie di proiezione dell'io, la dialettica tra scrittura testimoniale e racconto fantastico, la componente morale in rapporto all'uso di alcune tecniche narrative, prima tra tutte lo straniamento, e infine il rapporto, sempre controverso, tra presa diretta e «arrotondamento» finzionale.
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Films discussed include Jules and Jim, Escape from Alcatraz, The day of the jackal, Reservoir dogs, Persona, The magician, House of games, Nosferatu: a symphony of horror, Nosferatu: the vampyre, Reilly: ace of spies, The mystery of Kaspar Hauser, The thin blue line, Lacombe, Lucien, Daddy Nostalgia, Mephisto, Badlands, Days of Heaven, Five Easy Pieces, and The lacemaker.
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This updated edition of this classic book is devoted to ordinary representation theory and is addressed to finite group theorists intending to study and apply character theory. It contains many exercises and examples, and the list of problems contains a number of open questions.
Characters of groups. --- Finite groups. --- Groups, Finite --- Group theory --- Modules (Algebra) --- Characters, Group --- Group characters --- Groups, Characters of --- Finite groups --- Representations of groups --- Rings (Algebra)
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