Listing 1 - 10 of 127 | << page >> |
Sort by
|
Choose an application
Explosive! Amazing! Terrifying! You won't believe your eyes! Such movie taglines were common in the 1950's, as Hollywood churned out a variety of low-budget pictures that were sold on the basis of their sensational content and topicality. While a few of these movies have since become canonized by film fans and critics, a number of the era's biggest fads have now faded into obscurity. The Cool and the Crazy examines seven of these film cycles, including short-lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950's takes on established genres like the gangster picture. Peter Stanfield reveals how Hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were "ripped from the headlines" on everything from the Korean War to rock and roll. As he offers careful readings of several key films, he also considers the broader historical and commercial contexts in which these films were produced, marketed, and exhibited. In the process, Stanfield uncovers surprising synergies between Hollywood and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950's Western. Delivering sharp critical insights in jazzy, accessible prose, The Cool and the Crazy offers an appreciation of cinema as a "pop" medium, unabashedly derivative, faddish, and ephemeral. By studying these long-burst bubbles of 1950's "pop," Stanfield reveals something new about what films do and the pleasures they provide.
Motion pictures --- United States --- History --- 20th century --- Film --- anno 1950-1959 --- Los Angeles [California]
Choose an application
A critical analysis of a key period in the formation of modern Egypt, the early years of military rule following the coup of 1952. It explores Nasser's emergence as the leader of the military junta and his programme of economic reform, which made Egypt a leader among developing nations.
Egypt --- Politics and government --- Internal politics --- Nasser, Gamal 'Abd --- anno 1950-1959
Choose an application
This book advances the argument that the events of July 14, 1958, when Iraqi military officers overthrew the British-installed Iraqi monarchy, constituted simultaneously as a coup and a revolution for a number of reasons, including military involvement, popular participation, and policies that radically departed from those of the previous regime.
Internal politics --- anno 1950-1959 --- Iraq --- History --- Politics and government. --- Revolution (Iraq : 1958) --- 1958
Choose an application
It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the
English literature --- Drama --- anno 1950-1959 --- English drama --- Homosexuality and literature --- Literature and society --- History and criticism. --- History --- Literature and homosexuality --- Literature
Choose an application
Fought at a strategic crossroads in the Cold War, Algeria's war for independence was a harbinger of the contemporary era. In this history, the author shows how the rebels harnessed the forces of globalization to break up the French Empire.
Algeria --- History --- Decolonization --- Décolonisation --- Algérie --- Histoire --- Internal politics --- International relations. Foreign policy --- anno 1950-1959 --- anno 1960-1969 --- France --- Foreign relations. --- Revolution, 1954-1962.
Choose an application
The British `New Wave' of dramatists, actors and directors in the late 1950's and 1960's created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney
English drama --- Theater --- Realism in literature. --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism. --- History --- Drama --- English literature --- anno 1950-1959 --- anno 1960-1969
Choose an application
Britain emerged from World War II dependent economically and militarily upon the US. Egypt was the hub of Britain's imperial interests in the Middle East, but her inability to maintain a large garrison there was clear to the indigenous peoples. These essays track the decline of the empire.
Nationalism --- Great Britain --- Middle East --- Foreign relations --- Politics and government --- History of the United Kingdom and Ireland --- History of Asia --- anno 1940-1949 --- anno 1950-1959
Choose an application
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L'Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini's Open City in 1946 to Bernardo Bertolucci's Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new "cinephile" generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
Film --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- United States --- Foreign films --- Films, Foreign --- Motion pictures, Foreign --- Motion pictures --- United States of America
Choose an application
Jewish religion --- Sociology of minorities --- Age group sociology --- anno 1940-1949 --- anno 1950-1959 --- France --- Jewish children --- Jewish youth --- Jews --- Children --- Youth, Jewish --- Youth --- Social conditions --- History --- Civilization
Choose an application
Morality is at the core of the nuclear weapons issue. This collection explores the policy that combined nuclear weapons development with power generation. It presents a clear case against nuclear weapons.
Nuclear weapons --- Great Britain --- Military policy. --- Polemology --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009
Listing 1 - 10 of 127 | << page >> |
Sort by
|