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Art and society --- Art and society. --- History
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The volume deals with the mechanisms of the oral communication in the ancient Greek culture. It focuses on the 'cultural message' of the texts, considered under two perspectives: the methodologies of cognitivism, and ethology, to analyze its embrional manifestations, and the tools of historical and literary analysis, to highlight the codification of the cultural message, and its evolutions in the changes of the communication system.
Art and society. --- Art and society --- History
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This book, edited by Christian Grüny and Brandon Farnsworth, explores the intersection of new music and institutional critique, focusing on the evolution of aesthetic practices within and beyond traditional artistic fields. Drawing contributions from various scholars and artists, it examines contemporary issues such as gender dynamics, political implications, and the role of institutions in shaping aesthetic discourse. The editors aim to present a comprehensive analysis of how aesthetic practices are influenced by cultural and historical contexts, encouraging a vibrant cross-disciplinary dialogue. This work is intended for scholars, artists, and students interested in the philosophical and socio-political dimensions of art and music.
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Representations of female Israeli soldiers are a popular subject in photography. However, a notable controversial imparting exists concerning gender and identity: heroic depictions of female Israeli soldiers as shown by the Israeli military in their official representations are in contrast to portraits which are either sexualized or appear as a form of criticism on military service as such and the responsibility of young women soldiers towards the state and the people. This analysis focusses on aspects of the visual language and aesthetics in the context of the cultural history discourse of Zionism, as well as on stereotypes such as the ›beautiful Jewess‹ in European painting since the 18th century. The results offer a unique contribution to Jewish studies by combining methods of gender studies and art history, as well as visual studies.
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Lara Schrijver examines the work of Oswald Mathias Ungers and Rem Koolhaas as intellectual legacy of the 1970s for architecture today. Particularly in the United States, this period focused on the autonomy of architecture as a correction to the social orientation of the 1960s. Yet, these two architects pioneered a more situated autonomy, initiating an intellectual discourse on architecture that was inherently design-based. Their work provides room for interpreting social conditions and disciplinary formal developments, thus constructing a `plausible' relationship between the two that allows the life within to flourish and adapt. In doing so, they provide a foundation for recalibrating architecture today.
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The fourteen essays in this book develop a conception of human culture, which is humane and traditionalist. Focusing particularly on notions of beauty and the aesthetic, it sees within our culture intimations of the transcendent, and in two essays the nature of religion is directly addressed. A number of essays also explore the relation between politics and tradition....
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This book deals with processes of reception in visual arts. Images (in the broadest sense) from different cultures and times are examined. The volume focuses on two key interpretations of reception. On the one hand, reception is understood as a concept of repetition and revision spanning different cultures and time periods. On the other hand, reception is also seen as the process of perceiving images. Both ways of understanding can be described by the metaphor of migration of images: in the first case, images migrate from one medium to another; in the second case, they migrate from the artefact into the human body. The contributions to this volume cover a variety of approaches coming from different disciplines such as Ancient Oriental philology, English and American studies, classical studies, classical archaeology, communication studies, cultural studies, art history, aesthetics, literature, media studies, philosophy, journalism, Romance studies, sociology, Near Eastern archaeology, prehistory, and classical studies.
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This book provides a new history of the changing relationship between art, craft and industry focusing on the transition from workshop to studio, apprentice to pupil, guild to gallery and artisan to artist. Responding to the question whether the artist is a relic of the feudal mode of production or is a commodity producer corresponding to the capitalist mode of cultural production, this inquiry reveals, instead, that the history of the formation of art as distinct from handicraft, commerce and industry can be traced back to the dissolution of the dual system of guild and court. This history needs to be revisited in order to rethink the categories of aesthetic labour, attractive labour, alienated labour, nonalienated labour and unwaged labour that shape the modern and contemporary politics of work in art.
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