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Illuminated documents have long been treated as research stepchildren. Not least because of the use of digital aids, they have increasingly come into the public eye in the past decade. The newly awakened research interest focuses on the changed performativity of certificates through the addition of decorative elements. The richly illustrated volume presents essays by researchers from eleven countries who examine illuminated certificates from different perspectives of their disciplines.
930.22 --- 091.31 --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 930.22 Bronnenstudie. Oorkondenleer. Diplomatiek --- Bronnenstudie. Oorkondenleer. Diplomatiek --- Diplomatics. --- Charters --- Digital humanities. --- History / Europe --- History --- Annals --- Auxiliary sciences of history
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Book history --- manuscripts [documents] --- handschriften --- C3 --- handschrift --- iconografie --- middeleeuwen (x) --- 091 <493 LEUVEN> --- 091:22 --- 091.31 <45> --- 091.31:7.04 --- 476.43 --- Handschriften --- Miniaturen --- Geschiedenis --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091.31 <45> Verluchte handschriften--Italië --- Verluchte handschriften--Italië --- 091:22 Bijbels--(handschriften) --- Bijbels--(handschriften) --- 091 <493 LEUVEN> Handschriftenkunde. Handschriftencatalogi--België--LEUVEN --- Handschriftenkunde. Handschriftencatalogi--België--LEUVEN --- Kunst en cultuur
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Visual Translation breaks new ground in the study of French manuscripts, contributing to the fields of French humanism, textual translation, and the reception of the classical tradition in the first half of the fifteenth century.While the prominence and quality of illustrations in French manuscripts have attracted attention, their images have rarely been studied systematically as components of humanist translation. Anne D. Hedeman fills this gap by studying the humanist book production closely supervised by Laurent de Premierfait and Jean Lebègue for courtly Parisian audiences in the first half of the fifteenth century.Hedeman explores how visual translation works in a series of unusually densely illuminated manuscripts associated with Laurent and Lebègue circa 1404-54. These manuscripts cover both Latin texts, such as Statius's Thebiad and Achilleid, Terence's Comedies, and Sallust's Conspiracy of Cataline and Jurguthine War, and French translations of Cicero's De senectute, Boccaccio's De casibus virorum illustrium and Decameron, and Bruni's De bello Punico primo. Illuminations constitute a significant part of these manuscripts' textual apparatus, which helped shape access to and interpretation of the texts for a French audience. Hedeman considers them as a group and reveals Laurent's and Lebègue's growing understanding of visual rhetoric and its ability to visually translate texts originating in a culture removed in time or geography for medieval readers who sought to understand them. The book discusses what happens when the visual cycles so carefully devised in collaboration with libraries and artists by Laurent and Lebègue escaped their control in a process of normalization. With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.
091.31 <44> --- 091.31 "14" --- 091.31 "14" Verluchte handschriften--15e eeuw. Periode 1400-1499 --- Verluchte handschriften--15e eeuw. Periode 1400-1499 --- 091.31 <44> Verluchte handschriften--Frankrijk --- Verluchte handschriften--Frankrijk --- Manuscrits à peintures --- Humanistes --- Transmission des textes --- Illumination of books and manuscripts, French --- Manuscripts, French --- Translating and interpreting --- Humanism --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- French manuscripts --- French illumination of books and manuscripts --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- History and criticism. --- History --- Translating --- Laurent, --- Lebègue, Jean. --- Laurent de Premierfait, --- Laurentius, --- Premierfait, Laurent de, --- France --- Intellectual life --- Manuscrits à peintures --- Enluminure. --- Humanistes. --- Transmission des textes.
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This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Ševčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.
Illumination of books and manuscripts, Byzantine. --- Illumination of books and manuscripts, Byzantine --- 949.5 BYZANTIUM --- 091.31 --- Geschiedenis van Byzantium en Griekenland --- Verluchte handschriften --- 091=75 --- 091 =75 --- 091.31 Verluchte handschriften --- 949.5 BYZANTIUM Geschiedenis van Byzantium en Griekenland --- 091 =75 Handschriftenkunde. Handschriftencatalogi--Grieks --- Handschriftenkunde. Handschriftencatalogi--Grieks --- Byzantine illumination of books and manuscripts
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Kurt Weitzmann demonstrates that the postulated miniatures of the handbook that goes under the name of Apollodorus migrated into other texts, of which the commentary of Pseudo-Nonnus--attached to several homilies of Gregory of Nazianzus--and the Cynegetka of Pseudo-Oppian are the most important.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Mythology, Greek, in art. --- Ivories, Byzantine. --- Illumination of books and manuscripts, Byzantine. --- Byzantine ivories --- Byzantine illumination of books and manuscripts --- Illumination of books and manuscripts, Byzantine --- Ivories, Byzantine --- Mythology, Greek, in art --- 091.31 --- 091 =75 --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 091 =75 Handschriftenkunde. Handschriftencatalogi--Grieks --- Handschriftenkunde. Handschriftencatalogi--Grieks --- Illumination of book and manuscripts, Byzantine
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"The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John's work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John's commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now"--
Book history --- Manuscripts. Epigraphy. Paleography --- illuminated manuscripts --- anno 500-1499 --- 09 <082 LOWDEN, JOHN> --- 091 --- 091.31 --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 091 Handschriftenkunde. Handschriftencatalogi --- Handschriftenkunde. Handschriftencatalogi --- 09 <082 LOWDEN, JOHN> Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--LOWDEN, JOHN --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--LOWDEN, JOHN --- E-books --- Illumination of books and manuscripts, Medieval. --- Manuscripts, Medieval. --- Painting, Medieval
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Is disseminating information the main purpose of scholarly scientific literature? Recent work in science studies signals a shift of emphasis from conceptual to material sources, from thinking to doing, and from representing the world to intervening in it. Scientific knowledge production is no longer seen as a process of seeking, collecting, organizing, and processing abstract elements, but instead one of assembling the many different material 'bits and pieces' of scientific culture in order to make things work. In Deflating Information, Bernd Frohmann draws on recent work in the social studies of science, finding the most significant material in the coordination of research work, the stabilization of matters of fact, and the manufacture of objectivity. Arguing for a 'deflationary' account of information, Frohmann challenges the central concept of information studies, thereby laying a foundation for a documentalist approach to emerging issues in the field.
Communicatie in de wetenschap --- Communication dans les sciences --- Communication in research --- Communication in science --- Communication scientifique --- Communications scientifiques --- Documentatie --- Documentation --- Informatiewetenschappen --- Information [Sciences de l'] --- Information science --- Science communication --- Science information --- Sciences de l'information --- Scientific communications --- #SBIB:044.IOS --- #SBIB:316.23H2 --- Sociologie van de wetenschappen --- Communication in science. --- Documentation. --- Information science. --- Science --- Sciences de l'information. --- Sciences --- Methodology. --- Social aspects. --- Aspect social. --- Scientific method --- Science and society --- Sociology of science --- Logic, Symbolic and mathematical --- Communication --- Information literacy --- Library science --- Information services --- Methodology --- Social aspects --- 091.31:7.04 --- 091 <456.31> --- 091 VERGILIUS MARO, PUBLIUS --- 091.31 <45> --- 091 =71 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091 =71 Handschriftenkunde. Handschriftencatalogi--Latijn --- Handschriftenkunde. Handschriftencatalogi--Latijn --- 091.31 <45> Verluchte handschriften--Italië --- Verluchte handschriften--Italië --- 091 VERGILIUS MARO, PUBLIUS Handschriftenkunde. Handschriftencatalogi--VERGILIUS MARO, PUBLIUS --- Handschriftenkunde. Handschriftencatalogi--VERGILIUS MARO, PUBLIUS --- 091 <456.31> Handschriftenkunde. Handschriftencatalogi--Vaticaanstad. Kerkelijke Staat --- Handschriftenkunde. Handschriftencatalogi--Vaticaanstad. Kerkelijke Staat
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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
Illumination of books and manuscripts, Manichaean --- Illumination of books and manuscripts, Medieval --- 091 =915 --- 091 =943 --- 091 <43 BERLIN> --- 091.31:7.04 --- 091.31:75.033.3 --- 273.21 --- 091.14 --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- 273.21 Manicheïsme --- Manicheïsme --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091 =943 Handschriftenkunde. Handschriftencatalogi--Turks --- Handschriftenkunde. Handschriftencatalogi--Turks --- 091 =915 Handschriftenkunde. Handschriftencatalogi--Iraans. Perzisch --- Handschriftenkunde. Handschriftencatalogi--Iraans. Perzisch --- 091.31:75.033.3 Verluchte handschriften-:-Schilderkunst--?.033.3 --- Verluchte handschriften-:-Schilderkunst--?.033.3 --- 091 <43 BERLIN> Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--BERLIN --- Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--BERLIN --- Painting, Medieval --- Manichaean illumination of books and manuscripts --- Illumination of books and manuscripts
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miniaturen --- geschiedenis --- manuscripten --- bibliofilie --- heraldiek --- mecenaat --- literatuur --- Filips de Goede (Hertog van Bourgondië) --- Karel de Stoute (hertog van Bourgondië) --- 1404 - 1482 --- 15de eeuw --- Zuidelijke Nederlanden --- Bourgondië --- Miniaturen --- Vlaanderen. --- miniatures [paintings] --- Painting --- Book history --- illustrations [layout features] --- boekillustraties --- Illumination of books and manuscripts [Medieval ] --- Flanders (Belgium) --- Exhibitions --- Miniature painting [Medieval ] --- Vlaanderen --- 15e eeuw --- Geschiedenis --- Kunstgeschiedenis --- 091.31 <493> --- C3 --- handschrift --- middeleeuwen (x) --- Miniaturen ; Middeleeuwen --- 738.7 --- 091.31 <493> Verluchte handschriften--België --- Verluchte handschriften--België --- Kunst en cultuur --- Miniatuur --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Emigratie --- wapenschilden, heraldiek --- miniaturen. --- geschiedenis. --- manuscripten. --- bibliofilie. --- wapenschilden, heraldiek. --- mecenaat. --- literatuur. --- Filips de Goede (Hertog van Bourgondië). --- Karel de Stoute (hertog van Bourgondië). --- 1404 - 1482. --- 15de eeuw. --- Zuidelijke Nederlanden. --- Bourgondië.
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In the fourth century the idea arose that the Cross on which Christ was crucified had been found by Helena, mother of Emperor Constantine. Thus began a legend that would grow and flourish throughout the Middle Ages and cause the diffusion of countless splinters of holy wood. And where there is wood, there was once a tree. Could it be that the Cross was made from that most noble species, the Tree of Life? So, gathering characters along the way, the legend evolved into a tale that stretches from the Creation to the End of Time. A Heritage of Holy Wood is the first reconstruction of the iconographic and literary tradition of the Legend of the True Cross. Its broad scope encompasses relic cults, pilgrimages, travellers' tales and the Tree of Life and involves Church Fathers, crusader kings, Teutonic Knights and mendicant orders, all of which influenced the legend's depiction from its earliest representation in manuscripts, reliquaries and altarpieces, to the great monumental cycles of the high Middle Ages. If the holy wood was the medium of medieval memory, A Heritage of Holy Wood reveals the growth rings of fifteen centuries of imagery.
Holy Cross --- Art, Byzantine. --- Art, Medieval. --- Legends --- Art [Byzantine ] --- Art [Medieval ] --- Art byzantin --- Art médiéval --- Byzantijnse kunst --- Byzantine art --- Kunst [Byzantijnse ] --- Kunst [Middeleeuwse ] --- Medieval art --- Middeleeuwse kunst --- Iconography --- Christian church history --- Christian special devotions --- anno 500-1499 --- 091.31:7.04 --- 246 --- Academic collection --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Christelijke kunst en symbolisme --- Religion Art in Christianity --- Art, Byzantine --- Art, Medieval --- Sainte Croix --- Art médiéval --- Art --- Légendes --- Christian art and symbolism --- Cross --- Feast of the Cross --- Art. --- Holy Cross - Legends - Art.
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