Listing 1 - 10 of 10 |
Sort by
|
Choose an application
Un jour, dans un verger, une dame mord dans une poire de Saint Riule et l’offre discrètement à son soupirant. Depuis la pomme que mordit Adam, il ne se trouva jamais fruit aussi extraordinaire. La saveur, à la fois douce et amère, a pénétré le cœur de l’amoureux et y demeurera à tout jamais. La suite du récit relate l’arrivée du dieu d’Amour, escorté de personnifications courtoises, qui servent de médiatrices entre la dame et son ami. Celui-ci décide de mettre par écrit l’histoire de leur amour et la dame le prie de venir la lui lire. Tel est l’argument narratif du Roman de la Poire, récit allégorique de 3034 vers, composé au milieu du XIIIe siècle par Tibaut, un poète par ailleurs inconnu. Conservé entre autres dans un splendide manuscrit. (BnF fr. 2186), le Roman de la Poire est resté célèbre pour l’insertion de refrains dans sa trame narrative et l’ingéniosité de ses jeux de lettres qui unissent dans un système d’acrostiches le nom de la dame, celui du poète et le mot Amors. Il est ainsi représentatif des goûts d’un lectorat courtois et de la conception médiévale du livre, considéré comme un objet d’art où se rencontrent le profane et le sacré. L’ouvrage ici présenté donne pour la première fois la traduction intégrale du Roman de la Poire d’après l’édition publiée en 1984 par Christiane Marchello-Nizia. Il offre aussi la reproduction en couleurs de l’ensemble du programme iconographique du manuscrit BnF. fr. 2186.
Literature, Romance --- littérature française --- récit allégorique --- roman courtois --- littérature médiévale --- traduction
Choose an application
Longtemps considéré comme un simple épigone de Chrétien de Troyes, Raoul de Houdenc est l’auteur d’une œuvre dense et variée, qui se décline en deux versants : romans arthuriens et récits allégoriques, tous écrits entre 1200 et 1235 environ. Les études ici réunies reviennent sur ce jugement et montrent que, bien qu’il ait écrit après le « maître champenois », Raoul a joui tout au long du Moyen Âge et jusqu’au xvie siècle d’une renommée qui n’avait rien à envier à Chrétien. Paradoxalement, son œuvre est à la fois drôle et désabusée. Drôle parce que Raoul maîtrise à la perfection l’art de la parodie burlesque, du contre-pied et de l’inattendu. Désabusée, car de son œuvre se dégage une nostalgie pour le temps passé et révolu de la courtoisie, définitivement supplantée par l’appât du gain et l’égoïsme de ses contemporains. De ce paradoxe naît une jouissive verve satirique, un plaisir de la fiction utile, qui apportent une compensation, ou du moins une consolation, en ces temps mauvais que faute de pouvoir contrer, on tient dans une distance joyeuse. Raoul propose ainsi des routes nouveles à la fiction qui, si elle doit beaucoup aux prédécesseurs de Raoul – à commencer par Chrétien –,se donne comme utile et plaisante, et rejette l’accusation de vanité dont, dès le tournant du xiiie siècle, fut accusé le roman. Les œuvres ici explorées sont Meraugis de Protlesguez, la Vengeance Raguidel, le Songe d’Enfer, le Roman des eles et le Dis Raoul Hosdaing.
Medieval & Renaissance Studies --- Literature (General) --- parodie --- burlesque --- roman courtois --- roman arthurien --- Moyen-Âge --- récit allllégorique
Choose an application
Ce colloque est le fruit d'une collaboration entre l'Université de Reims, la Bibliothèque municipale à vocation régionale de Troyes et l'École nationale des chartes. Il s'agissait, lors de ces journées, de donner l'occasion à des chercheurs venus d'horizons divers de s'interroger sur la postérité de ce qu'il est convenu d'appeler « romans de chevalerie ». Les différentes interventions n'ont pas eu pour objet de présenter la survie des textes en eux-mêmes, mais plutôt de mettre en lumière le rôle des intermédiaires, qu'ils aient succombé aux charmes de la réécriture, exploité les avancées de la science philologique ou mobilisé les ressources du monde de l'édition pour la conquête de nouveaux publics.
History --- Literature --- XIXe siècle --- littérature --- critique littéraire --- chanson de geste --- XXe siècle --- XVIIe siècle --- XVIIIe siècle --- réception --- roman de chevalerie --- roman courtois --- diffusion
Choose an application
The centuries just after the Norman Conquest are the forgotten period of English Literary History. Yet the years 1066-1300 witnessed an unparalleled ingenuity in the creation of written forms. Using an innovative theory of literary form applied to a series of detailed readings of the more important early Middle English works, Cannon shows how the many and varied texts of the period laid the foundations for the project of English Literature. - ;The centuries just after the Norman Conquest are the forgotten period of English literary history. In fact, the years 1066-1300 witnessed an unparallele
English literature --- Romances, English --- History and criticism. --- Littérature anglaise --- Roman courtois anglais --- Histoire et critique --- Middle English, 1100-1500 --- History and criticism --- Romances [English ]
Choose an application
This is an exploration of English romance across the Middle Ages and the Renaissance. Helen Cooper traces romance motifs - quests and fairy mistresses, passionate heroines and rudderless boats and missing heirs - from the first emergence of the genre in French and Anglo-Norman in the 12th century to the early 17th century.
Romances, English --- English literature --- Literature. --- History and criticism. --- Littérature anglaise --- Roman médiéval --- Roman courtois anglais --- 16e siècle --- Histoire et critique --- 1100-1500 (moyen anglais) --- Themes, motives.
Choose an application
Rédigé vers 1210 le roman de Wigalois conte l’histoire du fils de Gauvain de sa naissance à son couronnement, après maintes aventures initiatiques bien ancrées dans le merveilleux de la Matière de Bretagne et où le héros affronte géant, nain, dragon et revenants… Remontant à une source française perdue dont d’autres textes attestent l’existence, Wigalois est un témoin important qui intéressera tous ceux qui travaillent sur le roman arthurien et la sécularisation des mythes ainsi que les comparatistes.
Guinglain (Legendary character) --- Arthurian romances. --- Romances --- merveilleux --- mythe --- Gauvain --- roman d’aventure --- roman arthurien --- héros --- roman initiatique --- épique --- chevalier --- mythologie celtique --- Guinglain --- Bel Inconnu --- Fair Unknown --- Gingalain --- Gingalin --- Gliglois --- Libeaus --- Viduvilt --- Wieduwilt --- Wigalois --- German fiction --- Romances, German --- Roman allemand --- Roman courtois allemand --- History and criticism --- Histoire et critique --- Wirnt, von Grafenberg, --- Arthurian romances --- Wirnt von Grafenberg
Choose an application
Enide’s tattered dress and Erec’s fabulous coronation robe; Yvain’s nudity in the forest, which prevents maidens who know him well clothed from identifying him; Lanval’s fairy-lady parading about in the Arthurian court, scantily dressed, for all to observe: just why is clothing so important in twelfth-century French romance? This interdisciplinary book explores how writers of this era used clothing as a signifier with multiple meanings for many narrative purposes. Clothing figured prominently in twelfth-century France, where exotic fabrics and furs came to define a social elite. Monica Wright shows that representations of clothing are not mere embellishments to the text; they help form the textual weave of the romances in which they appear. This book is about how these descriptions are constructed, what they mean, and how clothing becomes an active part of romance composition—the ways in which writers use it to develop and elaborate character, to advance or stall the plot, and to structure the narrative generally.
French poetry --- Material culture in literature --- Clothing and dress in literature --- Literature and society --- Romances --- Romance Literatures --- Languages & Literatures --- French Literature --- History and criticism --- History --- Chivalric romances --- Chivalry --- Courtly romances --- French romances --- Medieval romances --- Romances, French --- Romans courtois --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Costume in literature --- Social aspects --- French literature --- Literature, Medieval --- Sociolinguistics --- Material culture in literature. --- Clothing and dress in literature. --- History and criticism. --- Poésie française --- Culture matérielle dans la littérature --- Vêtements dans la littérature --- Littérature et société --- Roman courtois --- Histoire et critique --- Histoire
Choose an application
Alexander the Great of Macedon was no stranger to controversy in his own time. Conqueror of the Greek states, of Egypt and of the Persian Empire as well as many of the principalities of the Indus Valley, he nevertheless became revered as well as vilified. Was he a simply a destroyer of the ancient civilizations and religions of these regions, or was he a hero of the Persian dynasties and of Islam? The conflicting views that were taken of him in the Middle East in his own time and the centuries that followed are still reflected in the tensions that exist between east and west today. The story o
Arabic literature --- Persian literature --- Pakistani literature --- History and criticism --- Alexander, --- Alejandro, --- Alekjhāṇḍara, --- Aleksandar, --- Aleksander, --- Aleksandr, --- Alekʻsandre, --- Aleksandros bar Filipos, --- Aleksandŭr, Makedonski, --- Alessandro, --- Alexander --- Alexandre, --- Alexandros --- Alexandros, --- Alexandros, Megalos, --- Alexandru, --- Alexantros, --- Aleksandŭr, --- Александър, --- Iskandar, --- Maḳdonya, Aleksandros bar Filipos, --- Makedonski, Aleksandŭr, --- Македонски, Александър, --- Megalexandros, --- Megas Alexandros, --- Nagy Sándor, --- Sikandar, --- Iskender, --- Μέγας Ἀλέξανδρος, --- Ἀλέξανδρος, --- Ἀλέξανδρος --- אלכסנדר בן פיליפוס, --- אלכסנדר, --- اسكندر كبير --- اسکندر اعظم --- سکندراعظم --- Romances --- In literature --- Littérature persane --- Littérature arabe --- Congresses. --- Histoire et critique --- Congrès --- Romances. --- Legends. --- Alexandre (0356-0323-av-J-C) --- Roi de Macédoine --- Roman courtois --- Légendes
Choose an application
Pulp Fictions of Medieval England demonstrates that popular romance not only merits and rewards serious critical attention, but that we ignore it to the detriment of our understanding of the complex and conflicted world of medieval England.
Medieval rhetoric --- Middeleeuwse retorica --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Verhaal (Retoriek) --- English fiction -- Middle English, 1100-1500 -- History and criticism. --- Romances, English -- History and criticism. --- Romances, English --- English literature --- Literature and society --- Popular literature --- Books and reading --- Narrative poetry, English --- Rhetoric, Medieval --- English Literature --- English --- Languages & Literatures --- History and criticism --- History --- English fiction --- History and criticism. --- Romances [English ] --- Middle English, 1100-1500 --- England --- To 1500 --- Narrative poetry [English ] --- Books and reading. --- Literature and society. --- Littérature anglaise --- Littérature et société --- Livres et lecture --- Middelengels. --- Mittelenglisch. --- Mondelinge literatuur. --- Narration (Rhetoric). --- Narration. --- Narrative poetry, English. --- Paralittérature --- Popular literature. --- Poésie narrative anglaise --- Rhetoric, Medieval. --- Rhétorique médiévale. --- Roman courtois anglais --- Romancen. --- Romances, English. --- Romanze. --- Middle English. --- Histoire et critique --- Histoire --- Histoire et critique. --- To 1500. --- England. --- literature --- medieval --- romance --- Human cannibalism --- Middle English --- Sir Gowther --- Literature --- Literary Studies: Classical, Early & Medieval --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh --- Ireland
Choose an application
In a poststructuralist study of thirteenth-century French historical texts, Gabrielle Spiegel investigates the reasons for the rise of French vernacular prose historiography at this particular time. She argues that the vernacular prose histories that have until now been regarded as royalist were actually products of the aristocracy, reflecting its anxiety as it faced social and economic change and political threats from the monarchy.
Fiction --- History as a science --- Old French literature --- anno 1200-1299 --- France --- -French prose literature --- French prose literature --- -Romances --- -Literature and history --- Historiography --- -History and literature --- History and poetry --- Poetry and history --- Historical criticism --- History --- Chivalric romances --- Chivalry --- Courtly romances --- French romances --- Medieval romances --- Romances, French --- Romans courtois --- History and criticism --- Roman influences --- Authorship --- Criticism --- Rome --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- -Historiography. --- Historiography. --- Literature and history --- Romances --- History and literature --- French literature --- Literature, Medieval --- France (Provisional government, 1944-1946) --- Literature and history. --- French Literature --- Romance Literatures --- Languages & Literatures --- History and criticism. --- Roman influences. --- Prose française --- Roman courtois --- Littérature et histoire --- Historiographie --- Histoire et critique --- Influence romaine --- Histoire --- 프랑스 --- Falanxi --- Fa-lan-hsi --- 法蘭西 --- Frankrijk --- Frant︠s︡ --- Франц --- Frant︠s︡ Uls --- Франц Улс --- French prose literature - To 1500 - History and criticism. --- French prose literature - Roman influences. --- Romances - History and criticism. --- Historiography - France. --- 13th century french history. --- 13th century french literature. --- ancient history. --- aristocracy. --- disengagement. --- economic change. --- european literature. --- france. --- french literature. --- french vernacular. --- heroic. --- historical setting. --- historical texts. --- historiography. --- lucan. --- medieval literary criticism. --- monarchy. --- new historicism. --- pharsalia. --- political threats. --- politics of the past. --- politics. --- poststructuralism. --- prose. --- pseudo turpin. --- reconciliation. --- royal history. --- royalist. --- social change. --- studies in cultural poetics.
Listing 1 - 10 of 10 |
Sort by
|