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Punk rock music --- Feminism and music. --- Women punk rock musicians. --- Punk rock musicians. --- History and criticism.
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This Music Leaves Stains presents the full story behind the Misfits and their ubiquitous, haunting skull logo, a story of unique talent, strange timing, clashing personalities, and incredible music that helped shape rock as we know it today. James Greene, Jr., maps this narrative from the band's birth at the tail end of the original punk movement through their messy dissolve at the dawn of the 1980s right on through the legal warring and inexplicable reunions that helped carry the band into the 21st century.<
Punk rock musicians --- Alternative rock musicians --- Misfits (Musical group)
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Punk rock music --- Punk rock musicians --- Punk culture --- Punk culture. --- Punk rock music. --- Punk rock musicians. --- Alternative rock musicians --- Alternative rock music --- Subculture --- Cyberpunk culture --- History and criticism --- E-journals --- Periodicals --- Punk (Musique) --- Musiciens punk --- Punk (Mouvement) --- Histoire et critique
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In the late 1970's and early 1980's a new phenomenon emerged in UK popular music - female guitarists, bass-players, keyboard-players and drummers began playing in bands. Before this time, women's presence in rock bands, with a few notable exceptions, had always been as vocalists. This sudden influx of female musicians into the male domain of rock music was brought about by the enabling ethic of punk rock (""anybody can do it!"") and by the impact of the Sex Discrimination Act. With the demise of the punk scene, interest in these musicians evaporated and other priorities became important to music
Punk rock music --- Rock musicians. --- Women rock musicians. --- Rock musicians --- Women musicians --- Musicians --- Rock groups --- History and criticism. --- Punk rock music -- History and criticism. --- Women punk rock musicians. --- History and criticism --- Punk rock musicians --- Women alternative rock musicians
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“Outside. Outside of society. That’s where I want to be. If you’re looking, that’s where you’ll find me.” This is what Patti Smith sang back in 1978. Where is she in 2015? With all the fame and recognition. With thirteen original albums released, her poetry regularly reprinted, her paintings and photographs on show in galleries around the world, an induction in the Rock and Roll Hall of Fame, a National Book Award for her first prose work, Just Kids. Is she still outside? Is she still the iconic, rebellious, rock’n’roll figure of her youth? Patti Smith has lived a rock’n’roll life, a life of words and sounds, of poetry and images. She has slept on doorsteps, on park benches. But perhaps she never meant to be outside. Perhaps she did not want to be a rebel. Perhaps being outside is only a price she had to pay. These are the issues addressed in this collection of essays, not from a historical or sociological angle, but through her artistry. An attempt at locating Patti Smith by assessing her trajectory, her complex, unpredictable moves. “Oh I just move in another dimension,” she sings on “Ain’t It Strange”, before inviting us to come and join her. We have tried and followed her.
Women rock musicians --- Punk rock musicians --- Music and literature --- Musiciennes rock --- Musiciens punk --- Musique et littérature --- Attitudes --- Smith, Patti. --- Poetry --- poésie --- genre --- arts plastiques --- rock --- performance --- poetry --- gender --- visual arts
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Invitation à un voyage ethnographique dans le monde du hardcore, cet ouvrage explore la pluralité des pratiques qui sous-tendent l'existence de cette "subculture musicale". Une minutieuse enquête multisituée et itinérante de plus de dix ans permet à l'auteur de conduire le lecteur dans les galeries les plus locales de cette scène underground. Du quatrième sous-sol d'un club de Yokohama, à une cabane isolée du campus de l'Université de San Diego en passant par Göteborg, Tokyo, Genève ou Lyon, tout un ensemble de logiques et de conventions esthétiques, idéologiques, discursives et kinésiques propres y sont décrites et analysées. Apparu sur la côte est des États-Unis au début des années 1980, le hardcore trouve ses principales origines dans le punk, dont il constitue une forme de radicalisation, aussi bien d'un point de vue musical qu'idéologique. Alors que ses ramifications s'étendent à une échelle quasi globale, ce monde demeure pourtant méconnu du grand public et n'a que très peu suscité l'intérêt des sciences sociales ou de la presse, si ce n'est pour pointer ses aspects les plus spectaculaires : agressivité exacerbée, musique électrique, positionnements idéologiques en opposition au "système dominant". Cet ouvrage entend ainsi dépasser ces représentations caricaturales et poser un regard anthropologique sur le quotidien de ses adeptes, mais aussi sur l'ensemble des médiations collectivement déployées pour construire le monde du hardcore.
Social & cultural anthropology, ethnography --- Hardcore (Music) --- Punk rock musicians --- Punk culture --- Punk rock music --- Hardcore (Music) - History and criticism --- Hardcore. --- Musiciens de rock. --- Punk (mouvement) --- Punk rock. --- Hardcore --- History and criticism --- Histoire et critique. --- punk --- radicalization --- anthropology --- underground scene --- hardcore --- music --- ethnography --- subculture
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