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"A record of a teacher's lifelong love affair with the beauty, wit, and profundity of Paradise Lost, celebrating John Milton's un-doctrinal, complex, and therefore deeply satisfying perception of the human condition. After surveying Milton's recurrent struggle as a reconciler of conflicting ideals, this primer undertakes a book-by-book reading of Paradise Lost, reviewing key features of Milton's "various style, " and why we treasure that style. Cavanagh constantly revisits Milton the singer and maker, and the artistic problems he faced in writing this almost impossible poem. This book is emphatically for first-time readers of Milton, with little or no prior exposure, but with ambition to encounter challenging poetry. These are readers who tell you they "have always been meaning to read Paradise Lost, " who seek to enjoy the epic without being overwhelmed by its daunting learning and expansive frame of reference. Avoiding the narrowly specialized focus of most Milton scholarship, Cavanagh deals forthrightly with issues that recur across generations of readers, gathering selected voices--from scholars and poets alike--from 1674 through the present. Lively and jargon-free, this primer makes Paradise Lost accessible and fresh, offering a credible beginning to what is agreat intellectual and aesthetic adventure"--Publisher's description.
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Metaphor in literature. --- Fall of man in literature. --- Milton, John. --- Milton, John, --- Paradise lost (Milton, John)
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This volume gathers together the papers given at a conference at University of Western Ontario in honour of the Tercentenary of Paradise Lost. The contributors, all eminent Milton scholars of international reputation, include Roy Daniells, Northrop Frye, Hugh MacCallum, Arthur E. Barker, and Balachandra Rajan. Their essays here provide a coherent and masterly study of one of the land marks of English literature. The series of lectures were delivered at the University of York in 1966 and 1967 to make the occasion of the three hundredth anniversary of Paradise Lost (1667). There is one addition of the series -- Mr. J.B. Trapp's contribution containing twenty-eight illustrations which comprise one of the largest collections of iconography of the Fall of Man. All the lectures are published in the order they were delivered; this order was not premeditated and neither was the nature of the series. The lecturers were simply invited to speak on Paradise Lost: the particular approach was subject only to their interests. The variety is wide, ranging from literary and doctrinal aspects of the work to its musical and iconographic extensions. The initial aim has been achieved. As the editor states, "This tribute to Milton is a joint Anglo-American enterprise, in keeping with our ever-increasing awareness that our study of Paradise Lost (as all of great literature) is advanced most when we expose ourselves to one and another's' insights."
Fall of man in literature. --- Milton, John, --- Paradise lost (Milton, John)
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"What is the role of providence in Paradise Lost? In Looking into Providences, Raymond B. Waddington provides the first examination of this engaging subject. He explores the variety of implicit organizational structures or designs that govern Paradise Lost, and looks in-depth at the trials, or testing situations, which require interpretation, choice, and action from its characters. Waddington situates the poem within the context of providentialism's centrality to seventeenth-century thought and life, arguing that Milton's own conception of providence was deeply influenced by the theology of Jacob Arminius. Using Milton's Arminian conception of free will, he then looks at the providential trials experienced by angels and humans. Finally, the work explores the ways in which providentialism infiltrates various kinds of discourse, ranging from military to medical, and from political to philosophical."--Jacket.
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Paradise Lost is widely regarded as one of the most influential poems in the English language. This volume looks at Milton's epic from many different critical and theoretical perspectives and offers students and researchers multiple ways of engaging with a writer whom many critics consider the equal of William Shakespeare. --
Milton, John, --- Comparative literature --- Epic poetry, English --- Fall of man in literature. --- Classical and modern. --- History and criticism. --- Paradise lost (Milton, John)
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An anthology of translated analogues, in whole or in part, on the theme of paradise lost. It is an indispensable resource for any serious student or scholar of Milton's Paradise Lost.
Epic poetry, English --- Comparative literature --- Fall of man in literature. --- Plots (Drama, novel, etc.) --- History and criticism. --- Themes, motives. --- Milton, John, --- Rubinstein, Anton, --- Paradise lost (Milton, John) --- Milton's Paradise lost (Milton, John) --- Paradise lost and other poems (Milton, John) --- Fall of man (Milton, John)
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William Pallister analyses the rhetorical methods that Milton uses throughout the poem and examines the effects of the three distinct rhetorical registers observed in each of the poem's major settings.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Rubinstein, Anton, --- Literary style. --- Paradise lost (Milton, John) --- Milton's Paradise lost (Milton, John) --- Paradise lost and other poems (Milton, John) --- Fall of man (Milton, John)
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No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lost uncovered by Valentin Boss in the Moscow archives.British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked.Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lost and Paradise Regained as Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and perestroika. But no literary character has reflected such changes more dramatically than Milton's Satan, who managed to be both a hero to Romantic poets and Marxist critics.
Devil in literature. --- Russian poetry --- LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union). --- History and criticism. --- Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Influence. --- Paradise lost (Milton, John) --- Milton's Paradise lost (Milton, John) --- Paradise lost and other poems (Milton, John) --- Fall of man (Milton, John)
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