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"This book treats a constellation of French poets whose work began appearing in the 1970s: Jacques Roubaud, Emmanuel Hocquard, Danielle Collobert, Anne Portugal, and Jacques Jouet. Roubaud is the most famous among the five-a giant in current French letters. He and Jouet are both part of Ouvroir de littérature potentielle, or Oulipo, a movement well-known for using constraints in creating their work. Hocquard, who shared Roubaud's interest in Wittgenstein and photography, and Jouet's in the everyday, is known as a "literal" poet. Collobert, whom Roubaud and Hocquard admired, was a Beckett-like writer. And Anne Portugal has a baroque temperament-even kitsch, she says-while reserving great respect for the austere Hocquard and for Roubaud, expert formalist. Rather than address each of these five poets separately, Ann Smock moves among their books, drawing them into a juxtaposition that shows each to great advantage, while providing a milieu suitable for philosophical reflection-on identity, on not-being and being, on communication, and on secrets. Thinkers such as Wittgenstein and Giorgio Agamben contribute to the conversation, as do Jean-Luc Nancy and Maurice Blanchot. Though the poems considered here are often thought difficult, Smock maintains a light touch throughout. Observing their musicality, she writes in an accessible, even pleasurable style while contributing to the scholarly study of literature at the border shared by poetry and philosophy"--
Experimental poetry, French --- French poetry --- History and criticism. --- History and criticism --- Theory, etc. --- Oulipo (Association)
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Literature, Experimental --- Romance Literatures --- Languages & Literatures --- French Literature --- Avant-garde literature --- Experimental literature --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Literary style --- Oulipo (Association)
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L'Ouvroir de littérature potentielle (Oulipo) est né en 1960 et demeure aujourd'hui bien vivace. En dialogue avec un certain Xanthiphas, nous proposons de renouveler la critique oulipienne de manière ontologique et ludique. L'Oulipo est analysé au regard de passages clés du passé, tels que l'ère des Grands Rhétoriqueurs et le traumatisme de la Seconde Guerre mondiale, sans oublier l'influence des surréalistes et de Bourbaki. L'apport pataphysique est nuancé car la généalogie préoulipienne remonte chez ses deux fondateurs, François Le Lionnais et Raymond Queneau, aux années 1930. Sera posée également la question de l'intégration assez tardive des femmes en son sein. Enfin, des informations inédites provenant des archives de l'Oulipo offriront une meilleure contextualisation de l'évolution du groupe.
Literature, Experimental --- History and criticism. --- Oulipo (Association) --- Influence. --- 1900-1999 --- France. --- OULIPO --- Histoire et critique. --- Littérature, Oulipo, Ouvroir de littérature potentielle, Philosophie.
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What sort of society could bind together Jacques Roubaud, Italo Calvino, Marcel Duchamp, and Raymond Queneau-and Daniel Levin Becker, a young American obsessed with language play? Only the Oulipo, the Paris-based experimental collective founded in 1960 and fated to become one of literature's quirkiest movements. An international organization of writers, artists, and scientists who embrace formal and procedural constraints to achieve literature's possibilities, the Oulipo (the French acronym stands for "workshop for potential literature") is perhaps best known as the cradle of Georges Perec's novel A Void, which does not contain the letter e. Drawn to the Oulipo's mystique, Levin Becker secured a Fulbright grant to study the organization and traveled to Paris. He was eventually offered membership, becoming only the second American to be admitted to the group. From the perspective of a young initiate, the Oulipians and their projects are at once bizarre and utterly compelling. Levin Becker's love for games, puzzles, and language play is infectious, calling to mind Elif Batuman's delight in Russian literature in The Possessed. In recent years, the Oulipo has inspired the creation of numerous other collectives: the OuMuPo (a collective of DJs), the OuMaPo (marionette players), the OuBaPo (comic strip artists), the OuFlarfPo (poets who generate poetry with the aid of search engines), and a menagerie of other Ou-X-Pos (workshops for potential something). Levin Becker discusses these and other intriguing developments in this history and personal appreciation of an iconic-and iconoclastic-group.
Literary form. --- Authors, American --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Levin Becker, Daniel. --- Oulipo (Grupo) --- Literary form --- Oulipo (Association) --- Ouvroir de littérature potentielle
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The French Connections of Jacques Derrida offers stimulating and accessible essays that address, for the first time, the issue of Derrida's relation to French poetics, writing, thought, and culture. In addition to offering considerations of Derrida through studies of such significant French authors as Mallarm, Baudelaire, Valry, Laporte, Ponge, Perec, Blanchot, and Barthes, the book also reassesses the development of Derrida's work in the context of structuralism, biology, and linguistics in the 1960s, and looks at the possible relationships between Derrida's writing and that of the Surrealist and Oulipa groups. Derrida is introduced as one whose work is as much poetic as it is philosophical, and who is strikingly French and yet not unproblematically so.[Contributors include Boris Belay, John Brannigan, Christopher Johnson, John P. Leavey, Jr., Ian Maclachlan, Jessica Maynard, Laurent Milesi, Ruth Robbins, Michael Syrotinski, Michael Temple, Burhan Tufail, and Julian Wolfreys.]
Difference (Philosophy). --- French literature --- Literature --- Philosophy, French. --- History and criticism. --- Philosophy. --- Difference (Philosophy) --- Derrida, Jacques. --- Oulipo (Association) --- French philosophy --- Philosophy --- Literature and philosophy --- Philosophy and literature --- Theory --- Derrida, Jacques --- Derrida, J. --- Derida, Žak --- Derrida, Jackes --- Derrida, Zhak --- Deridah, Z'aḳ --- Deridā, Jāka --- Dirīdā, Jāk --- Деррида, Жак --- דרידה, ז'אק --- Ouvroir de littérature potentielle --- DERRIDA, JACQUES, 1930-2004 --- LITERATURE --- FRENCH LITERATURE --- DIFFERENCE (PHILOSOPHY) --- PHILOSOPHY, FRENCH --- PHILOSOPHY --- LITERARY CRITICISM --- Derrida, Jacques, 1930-2004 --- French Literature --- Philosophy, French --- Literary Criticism --- Derrida, jacques, 1930-2004 --- Difference (philosophy) --- Philosophy, french --- Literary criticism
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