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Suzanne Karr Schmidt's Interactive and Sculptural Printmaking in the Renaissance tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions—part text, part image, and part sculpture—engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself.

76 "14" --- 76 "15/17" --- 745.54 --- 82.085.43 --- 82.085.43 Literaire receptie --- Literaire receptie --- 745.54 Kunstvoorwerpen van papier. Papierkunst --- Kunstvoorwerpen van papier. Papierkunst --- 76 "15/17" Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Prints, Renaissance --- Interactive prints --- Estampe de la Renaissance --- printmaking --- Graphic arts --- illustrations [layout features] --- prints [visual works] --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Prints, European --- Art and society --- Art --- Themes, motives. --- History --- Aspect social --- Estampe de la Renaissance. --- Art and sociology --- Society and art --- Sociology and art --- Sculptural prints --- Prints --- Toy and movable books --- European prints --- Social aspects