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ISBN: 128292754X 9786612927546 3709100968 Year: 2010 Publisher: New York : Springer,
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This volume brings together cutting-edge thinkers and scholars together with young researchers and students, proposing a colourful spectrum of media-theoretical, -practical and -educational approaches to current creative practices and techniques of production and consumption on and off the web. Along with the exploration of some of the emerging social media concepts, the book unveils some of the key drivers leading to participatory engagement of the User. Mashup Cultures presents a broader view of the effects and consequences of current remix practices and the recombination of existing digital
Popular music --- Music and technology. --- Mashups (Music) --- Remixes --- Social aspects. --- History and criticism. --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Bastard pop --- Mash-ups (Music) --- Technology and music --- Technology --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Remixing
Book
ISBN: 0472903624 047205628X 0472076280 9780472903627 Year: 2023 Publisher: University of Michigan Press
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Any and all songs are capable of being remixed. But not all remixes are treated equally. Rock This Way examines transformative musical works--cover songs, remixes, mash-ups, parodies, and soundalike songs--to discover what contemporary American culture sees as legitimate when it comes to making music that builds upon other songs. Through examples of how popular discussion talked about such songs between 2009 and 2018, Mel Stanfill uses a combination of discourse analysis and digital humanities methods to interrogate our broader understanding of transformative works and where they converge at the legal, economic, and cultural ownership levels. Rock This Way provides a new way of thinking about what it means to re-create and borrow music, how the racial identity of both the reusing artist and the reused artist matters, and the ways in which the law polices artists and their works. Ultimately, Stanfill demonstrates that the extent to which a work is seen as having new expression or meaning is contingent upon notions of creativity, legitimacy, and law, all of which are shaped by white supremacy.
Copyright --- Popular music --- Remixes --- Music --- Economic aspects --- History and criticism. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Remixing --- Rock music --- Mashups (Music) --- Parodies, imitations, etc.
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ISBN: 3709112621 370911263X Year: 2012 Publisher: Wien ; New York : Springer,
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Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, music, and new media. Navas argues that Remix, as a form of discourse, affects culture in ways that go beyond the basic recombination of material. His investigation locates the roots of Remix in early forms of mechanical reproduction, in seven stages, beginning in the nineteenth century with the development of the photo camera and the phonograph, leading to contemporary remix culture. This book places particular emphasis on the rise of Remix in music during the 1970s and '80s in relation to art and media at the beginning
Music and technology. --- Music --Instruction and study --Technological innovations. --- Rock music -- History and criticism. --- Art, Architecture & Applied Arts --- Fine Arts - General --- Appropriation (Art) --- Sampling (Sound) --- Remixes. --- Mashups (World Wide Web) --- Aesthetics, Modern --- Aesthetics --- World Wide Web --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Digital sound sampling --- Sound sampling --- Computer sound processing --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- History --- Remixing
Book
ISBN: 1613760442 9781613760444 9781558498297 155849829X 9781558498280 1558498281 Year: 2010 Publisher: [Place of publication not identified] University of Massachusetts Press
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Popular music --- Music and technology --- Mashups (Music) --- Remixes --- Turntablism --- Music --- Music, Dance, Drama & Film --- Music Philosophy --- Scratching (Music) --- Arrangement (Music) --- Electronic composition --- Improvisation (Music) --- Phonograph turntable music --- Sound recordings --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Bastard pop --- Mash-ups (Music) --- Technology and music --- Technology --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Social aspects --- History and criticism --- Remixing --- Music and technology. --- Turntablism. --- Social aspects. --- History and criticism. --- Remixes.
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