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Celluloid Nationalism and Other Melodramas looks at representation and rebellion in times of national uncertainty. Moving from mid-century Mexican cinema to recent films staged in Los Angeles and Mexico City, Susan Dever analyzes melodrama's double function as a genre and as a sensibility, revealing coincidences between movie morals and political pieties in the civic-minded films of Emilio Fernández, Matilde Landeta, Allison Anders, and Marcela Fernández Violante. These filmmakers' rationally and emotionally engaged cinema—offering representations of indigenous peoples and poor urban women who alternately endorsed "civilizing" projects and voiced resistance to such totalization—both interrupts and sustains fictions of national coherence in an increasingly transnational world.
Mexican Americans in motion pictures. --- Melodrama in motion pictures. --- Motion pictures --- History.
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American fiction --- Mexican Americans in literature --- Motion pictures --- Mexican Americans in motion pictures --- Mexican Americans in popular culture --- American Literature --- English --- Languages & Literatures --- Popular culture --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- American literature --- History and criticism --- History --- Motion pictures. --- Mexican Americans in motion pictures. --- Mexican Americans in popular culture. --- History.
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