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Breaking new ground in interdisciplinary scholarship of late medieval England, this collection of essays celebrates and addresses the work of renowned medieval scholar A.G. Rigg. George Rigg's interests span medieval Latin, Anglo-Norman, and Middle English literature and philology; the contributors to this volume are an international group of colleagues, students, and friends of Rigg's, whose essays are as wide-ranging as Rigg's own interests. The contributions include: new editions of Middle English texts; an overview of the editions of Chaucer from the nineteenth century to the present which expounds editorial trends through the years; studies of major Middle English writings which cross boundaries into social history and the history of the book; a codicological study of the literary and material evidence for the use of scientific and utilitarian texts in late medieval English manuscripts; and related historical studies. Each essay is anchored in the textual realities that grounded Rigg's own scholarship, and bridge the boundaries between traditional academic disciplines ? a crossing of interstices in homage to a teacher, friend, and colleague.
English literature --- Middle English, 1100-1500 --- Criticism [Textual ] --- History and criticism --- Latin literature [Medieval and modern ] --- England --- Manuscripts [Latin ] (Medieval and modern) --- Manuscripts [Medieval ] --- Manuscripts [English ] (Middle) --- Latin literature, Medieval and modern --- Manuscript, Latin (Medieval and modern) --- Manuscripts, Medieval --- Manuscripts, English (Middle) --- Criticism, Textual. --- History and criticism. --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Rigg, Arthur G. --- Mittellatein. --- Mittelenglisch. --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Kingdom of England --- Engländer --- Großbritannien --- -1707
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This book explores the ways in which discourses of religious, racial, and national identity blur and engage each other in the medieval West. Specifically, the book studies depictions of Muslims in England during the 1330s and argues that these depictions, although historically inaccurate, served to enhance and advance assertions of English national identity at this time. The book examines Saracen characters in a manuscript renowned for the variety of its texts, and discusses hagiographic legends, elaborations of chronicle entries, and popular romances about Charlemagne, Arthur, and various Eng
English literature --- Islam and literature --- National characteristics, English, in literature. --- Romances, English --- Manuscripts, Medieval --- Manuscripts, English (Middle) --- Saracens in literature. --- Crusades in literature. --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English romances --- Literature and Islam --- Literature --- Islamic civilization --- Islamic influences. --- History --- History and criticism. --- Manuscripts. --- Auchinleck manuscript. --- Islamic Empire --- Arab countries --- Arab Empire --- Empire, Islamic --- Middle East --- Muslim Empire --- Foreign public opinion, English. --- In literature. --- National characteristics [English ] in literature --- Manuscripts [English ] (Middle) --- Saracens in literature --- Crusades in literature --- Auchinleck manuscript
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Verse and Transmutation: A Corpus of Middle English Alchemical Poetry identifies and investigates a corpus of twenty-one anonymous recipes for the philosophers’ stone dating from the fifteenth century. These were circulated and received in association with each other until the mid-seventeenth century, when a number of them appeared in Elias Ashmole’s Theatrum Chemicum Britannicum . These editions are the first to make this previously unidentified corpus available to researchers. The accompanying studies discover the complex histories of these alchemica , in plain and illuminated manuscripts, as anonyma and in attribution to famous authors, and in private and institutional, medical and academic book collections. Together, they offer novel insights into the role of alchemy and poetry in late medieval and early modern England.
Alchemy -- Sources. --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Metals, Transmutation of --- Alchemy --- Manuscripts, English (Middle) --- Philosophers' egg --- Philosophers' stone --- Stone, Philosophers' --- Transmutation of metals --- Chemistry --- Occultism --- Sources. --- History --- Early modern period --- Manuscript --- Middle English --- Poetry --- Richard Carpenter (musician) --- Spain
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With reference to features of layout and decoration, Evans interprets Guy of Warwick as a composite work, not separate works as some scholars suggest. Examining Sir Isumbras as a homiletic romance, and Sir Degaré and Sir Orfeo as Middle English lays, he shows how different versions of these romances, in their varied composite manuscript contexts, necessitate different readings of the "same" works and of their subgenres. Evans considers the manuscript structure of groups of works with different authorship and establishes six models of composite literary structure for Middle English literature. Evans argues that manuscript groupings of romances - and of romances with nonromances - enrich our interpretations of individual romances, romance as a genre, and medieval literary structure. This original study will appeal to readers interested in medieval romance and manuscripts, medieval literary structure, and computer applications in the humanities.
Romances, English --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, English. --- Manuscripts, English (Middle) --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English illumination of books and manuscripts --- English romances --- English literature --- Manuscripts. --- Illustrations. --- History and criticism. --- Decoration and ornament, Medieval --- Rhetoric, Medieval. --- Criticism, Textual.
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Manuscripts, English (Middle) --- Intertextuality. --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Criticism, Textual. --- Manuscripts.
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The late thirteenth-century, monolingual Oxford manuscript, Bodleian Library, MS Laud Misc. 108, bears singular importance to medieval studies, for it preserves and anthologizes unique versions of several seminal Middle English texts, including South English Legendary , Havelok the Dane , and King Horn and Somer Soneday . While critics have traditionally classified these poems by genre, this book returns them to their manuscript context in a comprehensive examination of this vernacular codex. Considering the manuscript as a “whole book” rather than a miscellany of romances, saints' lives, and religious poems, these inter-connected essays focus on the physical, contextual, and critical intersections of Bodleian Library, MS Laud Misc. 108. Codicological evidence foregrounds the manuscript’s investment in a particular vision of an English Christian identity. Contributors are A.S.G. Edwards, Thomas R. Liszka, Murray J. Evans, Andrew Taylor, Diane Speed, Susanna Fein, Robert Mills, Andrew Lynch, Daniel Kline, Christina M. Fitzgerald, and J. Justin Brent.
English literature --- Manuscripts, English (Middle) --- Criticism, Textual --- Manuscripts --- Bodleian Library. --- 091 <41 OXFORD> --- 091 =20 --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD --- Handschriftenkunde. Handschriftencatalogi--Engels --- 091 =20 Handschriftenkunde. Handschriftencatalogi--Engels --- 091 <41 OXFORD> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- English literature - Middle English, 1100-1500 - Criticism, Textual --- English literature - Middle English, 1100-1500 - Manuscripts --- Légendier anglais --- Bodleian library --- Laud misc. 108 --- Criticism, Textual. --- Manuscripts.
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Lauryn Mayer examines chronicle histories that have been largely ignored by scholars, bringing these neglected texts into dialogue.
English literature --- Literature and history --- Transmission of texts --- Historiography --- Manuscripts, Medieval --- Manuscripts, English (Middle) --- Manuscripts, English (Old) --- Rhetoric, Medieval. --- Intertextuality. --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Anglo-Saxon manuscripts --- English manuscripts, Old --- Manuscripts, Anglo-Saxon --- Manuscripts, Old English --- Old English manuscripts --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- History and literature --- History and poetry --- Poetry and history --- History --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History and criticism --- Theory, etc. --- Criticism, Textual. --- Editing. --- Great Britain --- Historiography.
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English poetry --- Manuscripts, English (Middle) --- Rhetoric, Medieval. --- Closure (Rhetoric) --- Arthurian romances --- Knights and knighthood in literature --- Rhetoric, Medieval --- English --- Languages & Literatures --- English Literature --- Romances --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English literature --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Rhetoric --- History and criticism. --- History and criticism --- Gawain and the Grene Knight. --- Pearl (Middle English poem) --- Gawain and the Grene Knight --- Sir Gawain and the Grene Knight --- Sir Gawayne and the Grene Knight --- Gawayne and the Grene Knight --- Sir Gawain and the Green Knight.
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Perhaps more than any other kind of book, manuscript miscellanies require a complex and 'material' reading strategy. This collection of essays models and refines the study of these complicated volumes. Using extensive textual and bibliographical evidence, it offers stimulating new readings of literature, politics and religion in the early modern period, and promises to make important interventions in the history of the book.
Manuscripts, English (Middle) --- Manuscripts, Medieval --- English literature --- Authors and readers --- English letters --- Written communication --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Readers and authors --- Authorship --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- History. --- Manuscripts. --- History and criticism. --- 091 <41> --- 091 "15" --- 091 "15" Handschriftenkunde. Handschriftencatalogi--16e eeuw. Periode 1500-1599 --- Handschriftenkunde. Handschriftencatalogi--16e eeuw. Periode 1500-1599 --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- History --- Manuscripts --- History and criticism --- Manuscripts. Epigraphy. Paleography --- anno 1500-1599 --- anno 1600-1699
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