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Writers have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in 1991 led Russian society to become polarized between an increasingly prosperous minority and a very poor majority. This divide is also mirrored within the writing community, with some writers supporting conservative, nationalist pro-Soviet thinking, and others, liberal, democratic, pro-Western thought. Shneidman investigates the Russian literary scene with special emphasis on the relationship between thematic substance and the artistic quality of recently published prose. Despite the many challenges besetting it, Shneidman argues convincingly that literary activity in Russia continues to be dynamic and vibrant: a new generation of talented writers is fast moving past older forms of ideology and embracing new ways of thinking about Russia.--From publisher description.

Russian fiction --- History and criticism. --- Russian literature --- Littérature russe --- History and criticism --- Histoire et critique --- 20th century --- 21st century --- Canada --- Politics and government.

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Russian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.

Russian literature --- Littérature russe --- Lttérature russe --- History and criticism. --- Themes, motives. --- Histoire et critique --- Thèmes, motifs --- Littérature russe --- Lttérature russe --- Thèmes, motifs --- Arts and Humanities --- Literature

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Providing many interesting case studies and bringing together many leading authorities on the subject, this book examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on the consciousness of the Soviet people.

Film adaptations. --- Russian literature --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- Motion pictures --- Film adaptations --- Adaptations --- Adaptations cinématographiques --- Littérature russe --- Cinéma et littérature --- Film and video adaptations. --- Adaptations cinématographiques et télévisées

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"Foregrounding the important role that nineteenth-century spiritualism played in the period's aesthetic, ideological, and epistemological debates, Ilya Vinitsky challenges literary scholars who have considered spiritualism to be archaic and peripheral to other cultural issues of the time. Ghostly Paradoxes ;s an innovative work of literary scholarship that traces the reactions of Russia's major realist authors to spiritualist events and doctrines and demonstrates that both movements can be understood only when examined together."--Jacket.

HISTORY --- Europe / Russia & the Former Soviet Union --- Russian literature --- Literature and spiritualism --- Realism in literature --- Spiritualism --- Languages & Literatures --- Slavic, Baltic and Albanian Languages & Literatures --- History and criticism --- History --- Realism in literature. --- History and criticism. --- Neorealism (Literature) --- Spiritualism and literature --- Magic realism (Literature) --- Mimesis in literature --- Communication with the dead --- Dead, Communication with the --- Metapsychology --- Spiritism --- Occultism --- E-books --- Littérature russe --- Littérature et spiritisme --- Réalisme dans la littérature. --- Spiritisme --- Histoire et critique. --- Histoire --- Russia --- Russie --- Intellectual life --- Vie intellectuelle --- Soviet Union --- 1800-1917

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Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French , Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values. Rejecting French sensationalism and what they perceived as a lack of spirituality among Westerners, these three writers attempted to create moral and philosophical works of art that drew on sources deemed more acceptable to a Russian worldview, particularly Pushkin and the Gospels. Through close readings of A Hero of Our Time , Crime and Punishment , and Anna Karenina , Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to foster a genuinely Russian national tradition, free from imitation of Western models. Winner, University of Southern California Book Prize in Literary and Cultural Studies, American Association for the Advancement of Slavic Studies.

Russian literature --- French influences. --- Tolstoy, Leo, --- Dostoyevsky, Fyodor, --- Lermontov, Mikhail I͡Urʹevich, --- Толстой, Лев, --- Толстой, Лев Николаевич, --- Tolstoĭ, Lev Nikolaevich, --- Dōlsdōy, L. N., --- Ṭālsṭāy, --- Ṭālsṭāy, Liyō, --- Talstoĭ, Leŭ, --- Tʻo-erh-ssu-tʻai, --- Tʻo-erh-ssu-tʻai, Lieh-fu, --- Ṭôlasṭāya, Liyo, --- Толстой, Л. М., --- Tolstoĭ, L. M., --- Толстой, Л. Н. --- Tolstoĭ, L. N. --- Tolstoi, Leo N., --- Tolstoï, Léon, --- Tolstoï, Léon Nikolaevitch, --- Tolstoi, Leone, --- Tolstói, Lev, --- Tolstoi, Lew, --- Tolstoı̂, Lion, --- Tolstoi, Lyof N., --- Tolstoj, Lav Nikolajević, --- Tolstoj, Law, --- Tolstoj, Lev Nikolajevič, --- Tołstoj, Lew, --- Tolstoy, L. N. --- Tolstoy, Léon, --- Tolstoy, Lev, --- Tolsztoj, Lev, --- Ttolsŭttoi, --- Tūlstūy, Līf, --- Tuo'ersitai, --- Tuo'ersitai, Liefu, --- Талстой, Леў, --- טאלסאטי, לעא, --- טאלסטאי, ל. --- טאלסטאי, ל., --- טאלסטאי, ל.נ --- טאלסטאי, ל. נ., --- טאלסטאי, לאװ, --- טאלסטאי, לעא --- טאלסטאי, לעא, --- טאלסטאי, לעװ --- טאלסטאי, לעװ, --- טאלסטאי, לעוו --- טאלסטאי, לעוו, --- טאלסטאי, ליעװ --- טאלסטאי, ליעוו --- טאלסטאי, גראף לעא --- טאלסטוי, ל., --- טאלסטוי, ל. נ., --- טאלסטוי, לאר, --- טאלסטוי, לעא, --- טולסטאי, לב נ., --- טולסטױ, ל. --- טולסטױ, ל., --- טולסטױ, ל. נ. --- טולסטוי --- טולסטוי, ל. --- טולסטוי, ל., --- טולסטוי, ל. נ. --- טולסטוי, ל.נ., --- טולסטוי, ל. נ., --- טולסטוי, לב --- טולסטוי, לב, --- טולסטוי, לב ניקולוביץ, --- טולסטוי, ליב --- טולסטוי, ליב, --- تولستوى، ل، --- لئون تولستوى --- レオ.トルストイ, --- 托爾斯泰, 列夫, --- Tolstojs, L̦evs N., --- Tolstoi, Leo Nikolaievich, --- Tolstojus, L. N., --- ドストエフスキー --- Lai-meng-tʻo-fu, --- Lai-meng-tʻo-fu, Mi-ha-i-erh Yu-li-yeh-wei-chʻi, --- Lermontoph, Michaēl, --- Lermontov, --- Lermontov, M. I︠U︡. --- Lermontov, M. Y., --- Lermontov, Michael, --- Lermontov, Michail Jurjevič, --- Lermontov, Mikhayil Yurevichʹ, --- Lermontov, Mishelʹ, --- Lermontow, Michael Jurjewitsch, --- Lermontow, Michał, --- Ljermontov, Mihail Jurjević, --- Лермонтов, --- Лермонтов, М. Ю. --- Лермонтов, Михаил Юрьевич, --- לערמאנטאװ, מ. יו --- לערמאנטאװ, מ. יו., --- לערמאנטאוו, מ. יו --- לערמאנטאוו, מיכאיל איורעוויטש, --- לרמנטוב, מ. י. --- לרמונטוב --- לרמונטוב, מ. י. --- לרמונטוב, מ. י., --- לרמונטוב, מיכאיל י., --- לרמונטוב, מיכאיל יורביץ׳, --- לרמונטוב, מיכיל יורביץ, --- Criticism and interpretation. --- Tolstoĭ, Lev Nikolaevich --- Tolstoj, Lev Nikolaevič --- Tolstoi, Leo --- Tolstoj, Leo --- Tolstoj, Lew Nikolajewitsj --- Tolstoy, Leo --- Tolstoï, Léon --- Littérature russe --- Influence française --- Lermontov, Mikhail I︠U︡rʹevich, --- Dostoevskij, Fëdor Mihajlovič --- Dostoevskij, Fjodor Mihajlovič --- Dostoevskij, Fedor Mikhajlovich --- Dostojevski, Fjodor Michajlovitsj --- Dostojewski, Fedor --- Dostojevski, Fedor --- Dostojewski, Fjodor --- Dostojevski, Fjodor --- Dostojewski, Fjodor Michailowitsj --- Dostojewskij, Fjodor M. --- Dostoïevski, Fiodor --- Dostoïevsky, Fedor Mihajlovic --- Достоевский, Федор, --- Dostoevskiĭ, Fedor, --- Dostoievski, Fédor Mikhailovitch, --- Dostoievski, Fiodor, --- Dostojevski, F. M., --- Dostojewskij, Fjodor M., --- Tʻo-ssu-tʻo-yeh-fu-ssu-chi, --- Tuosituoyefusiji, --- Dostoevsky, Fyodor, --- Zuboskal, --- Dostoevskiĭ, Fedor Mikhaĭlovich, --- Dostoevskiĭ, F. M. --- Dostojewski, Fjedor Michailowitsch, --- Dustūyafskī, Fīdūr, --- Dostoievsky, F., --- Dosztojevszkij, Fjodor Mihajlovics, --- Tu-ssu-tʻo-yeh-fu-ssu-chi, --- Dusituoyefusiji, --- Dostojewski, --- Dostojewski, Fiodor, --- Dostoevskij, Fedor, --- Dostojewskij, F. M. --- Dostojevskij, F. M., --- Dostojevskij, Fjodor, --- D̲ostogiephski, Ph. M., --- Dostoïevsky, Th. M., --- D̲ostogiephsky, Phiontor Michaēlovits, --- Dostoiewskij, --- Dostojewski, Fjodor, --- Dostoevsky, Fedor, --- Dostoïevsky, Fédor, --- Dostoevsky, F. M. --- Dostojevskis, F., --- Dostoevski, F., --- Dostojewsky, --- Dosṭoyevsḳi, Fyodor Mikhailovits', --- Dostogephskē, Th., --- Dostojewski, Teodor, --- Dāstavaskī, --- D̲ostogephski, --- Dostojevskis, Fjodors, --- D̲ostogievskē, Phiontor, --- Dostoyewski, Fedor, --- Dosztojevszkij, F. M. --- Dosṭoyeṿsḳi, F. M., --- Dostojevskij, Fedor Michajlovič, --- Tāstayēvski, K̲apiyōtar, --- Dostoievski, Fedor, --- Dastoyaveski, Fiyodar, --- Dosṭoyevsḳi, Fyodor, --- Dāstāyivskī, --- דאםטאיעווםקי, פ. --- דאסטאיעווסקי, פ. --- דאסטאיעווסקי, פ. מ. --- דאסטאיעווסקי, פ. מ., --- דאסטאיעוועסקי, פ. --- דאסטאיעװסקי, פ.מ --- דאסטאיעװסקי, פ., --- דוסטויבסקי --- דוסטויבסקי, פדור מיכאילוביץ --- דוסטויבסקי, פיודור מיכאילוביץ, --- דוסטויבסקי, פיודור ניכילוביץ' --- דוסטויבסקי, פיודור, --- דוסטויבסקי, פי., --- דוסטויבסקי, פ. מ., --- דוסטויבסקי, ת. ד. --- דוסטוייבסקי, פיודור --- דוסטוייבסקי, פיודור, --- 陀司妥也夫斯基, --- 陀思妥也夫斯基, --- 陀思妥耶夫斯基, --- F. ドストエフスキー, --- Tolstoj, Lev Nikolaevitsj --- Толстой, Лев Николаевич --- Tolstoj, Lev Nikolajevitsj --- Lermontov, Michaïl Joerjevitsj --- Lermontov, Michail Joerjevitsj --- Lermontov, Mikhail Yuryevich --- Lermontov, Mikhayl Yuryevich --- Lermontov, Mihail Ûrʹevič --- Lermontov, Mihail Jur'evic --- Lermontov, Mihail I︠u︡r'evič --- Lermontoff, Michel Iorgevitch --- Lermontov, M. I. --- Lermontow, Michail --- Lermontov, Mikhail IUrevich,