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1478 was the year in which Leonardo da Vinci, aged 26, obtained his first official commission and witnessed the Pazzi Conspiracy against the Medici family. In that year, he probably opened his independent workshop, leaving that of his master Andrea del Verrocchio, and, in its final months, he began to paint two paintings representing the Virgin Mary. One of these paintings is very likely the Benois Madonna at the State Hermitage, St. Petersburg; a work that marks a strong change in Leonardo's style and power of expression and his representation of light and human emotions.This book provides an in-depth analysis of Leonardo's growth as an artist in this year, detailing his training, his culture, his collaboration with Verrocchio, and his engagement in the artistic and cultural life of 1460s and 1470s Florence.
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The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting , which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.
Painting --- Technique --- Leonardo --- art theory --- painting techniques --- Trattato della Pittura --- Leonardo da Vinci --- E-books --- Leonardo, --- kunstliteratuur --- Leonardo - da Vinci - 1452-1519 - Trattato della pittura --- Leonardo da Vinci, 1452-1519 - Trattato della pittura
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Illuminating Leonardo opens the new series Leonardo Studies with a tribute to Professor Carlo Pedretti, the most important Leonardo scholar of our time, with a wide-ranging overview of current Leonardo scholarship from the most renowned Leonardo scholars and young researchers. Though no single book could provide a comprehensive overview of the current state of Leonardo studies, after reading this collection of short essays cover-to-cover, the reader will come away knowing a great deal about the current state of the field in many areas of research. To begin the series, editors Constance Moffatt and Sara Taglialagamba present an impressive group of essays that offer fresh ideas as a departure point for future studies. Contributors include Andrea Bernardoni, Pascal Broist, Alfredo Buccaro, Francesco Paolo di Teodoro, Claire Farago, Francesca Fiorani, Fabio Frosini, Sabine Frommel, Leslie Geddes, Damiano Iacobone, Martin Kemp, Matthew Landrus, Domenico Laurenza, Pietro C. Marani, Max Marmor, Constance Moffatt, Romano Nanni, Annalisa Perissa-Torrini, Paola Salvi, Richard Schofield, Sara Taglialagamba, Carlo Vecce, Alessandro Vezzosi, Marino Viganò, and Joanna Woods-Marsden.
Leonardo da Vinci --- Artists --- Painting, Italian --- Painters --- Artistes --- Peinture italienne --- Peintres --- Biography. --- Biographies --- Leonardo, --- Criticism and interpretation. --- Da Vinci, Leonardo, --- Leonardo da Vinci, --- Léonard, --- Lieaonaduo, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Leonardo, - da Vinci, - 1452-1519 - Criticism and interpretation. --- Leonardo, - da Vinci, - 1452-1519 --- Leonardo, da Vinci, 1452-1519
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The second volume of Leonardo Studies explores a dual theme of nature and architecture, offering a wide-ranging overview of current Leonardo scholarship on these two abundant subjects. While Leonardo worked on his Treatise on Painting , he noted that understanding the physical properties of nature must precede individual projects of painting or designing buildings. The volume begins with the Trattato , and follows with physics, geology, painting that imitates architectural structure and vice-versa, and proceeds to architectural projects, questions of attribution, urban planning, and and the dissemination of Leonardo’s writings in the Trattato and its historiography. This impressive group of articles constitutes not only new research, but also a departure point for future studies on these topics. Contributors are: Janis Bell, Andrea Bernardoni, Marco Carpiceci, Paolo Cavagnero, Fabio Colonnese, Kay Etheridge, Diane Ghirardo, Claudio Giorgione, Domenico Laurenza, Catherine Lucheck, Silvio Mara, Jill Pederson, Richard Schofield, Sara Taglialagamba, Cristiano Tessari, Marco Versiero, and Raffaella Zama.
Philosophy of nature --- Architecture --- knowledge --- Nature --- Leonardo da Vinci --- Nature. --- Architecture. --- Leonardo, --- Knowledge --- Painters --- Painting, Renaissance --- Architecture, Renaissance --- Nature in art. --- Architecture in art --- Attitudes --- Attitudes. --- Leonardo, - da Vinci, - 1452-1519 --- kunst en wetenschap
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Les valeurs les plus consacrées ont leur histoire. Ce « Tombeau de Léonard de Vinci » rassemble et analyse les textes qui à l’époque des Décadents et des Symbolistes ont contribué à faire de Léonard et de la Joconde les modèles de référence de la culture picturale occidentale. À un moment où les sciences et les techniques occupent une place dans la civilisation moderne qui interroge nécessairement la capacité des pratiques culturelles traditionnelles, Léonard de Vinci, esprit universel et peintre, apparaît comme une figure mythique de conciliation des antagonismes. À un moment où la peinture « moderne » et la photographie mettent en crise la fonction « réaliste » du tableau, la Joconde, un portrait, devient le plus beau tableau du monde. Deux absolus d’autant plus mythiques que le réel est plus irrépressiblement éclaté et la prétention interprétative totalisante des élites plus désespérément vaine. Le culte que le xixe siècle inaugure, apparaît ainsi comme la plus haute dénégation de l’impuissance de la culture telle que nous la vivons encore. Le propos n’est pas technique, il ne vise pas la « vérité », par quelque voie qu’on prétende la constituer, de Léonard et de son œuvre. Il ne s’agit que de décrire un processus complexe d’élaboration des représentations culturelles françaises en matière de peinture. Cela implique que les textes occupent le devant de la scène et que la critique d’art soit prise pour ce qu’elle est : l’organisation d’une croyance et un exercice d’écriture. La critique communique donc davantage avec la littérature qu’avec la connaissance, d’où la coexistence ici de textes qui appartiennent aussi bien à l’essai qu’au roman et qui sont produits par Taine, Michelet, Barrés, Valéry, Laforgue, Péladan... mais aussi, le vincisme français convoquant l’Europe, par Walter Pater, D’Annunzio ou Merejkovsky.
Thematology --- French literature --- Painting --- Leonardo da Vinci --- Literature, Modern --- Painting in literature. --- History and criticism. --- History and criticism --- Leonardo, --- In literature. --- Da Vinci, Leonardo, --- Leonardo da Vinci, --- Léonard, --- Lieaonaduo, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- tombeau --- peinture --- symbolisme --- invention
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Kunsttijdschrift over Leonardo da Vinci (1452-1519), de Italiaanse kunstenaar die o.a. vliegmachines maakte en de Mona Lisa schilderde. Met artikelen, doe-opdrachten en veel kleurenillustraties. Vanaf ca. 10 t/m 13 jaar.J.J.J.M. EngelsGlossy tijdschrift met zes hoofdstukken van meerdere Franse kunstkenners over leven en werk van de Italiaanse Renaissance kunstenaar Leonardo da Vinci (1452-1519). Vele voorbeelden van het brede spectrum van zijn oeuvre worden benoemd, maar zijn talent als tekenaar en kunstschilder staat centraal. Met name de door da Vinci gemaakte (anatomische) voorstudies, ontwikkelde en toegepaste teken- en schildertechnieken en beroemdste (schilder) werken worden inzichtelijk belicht. Ook voorbeelden van invloeden op het werk van tijdgenoten en latere kunstenaars worden besproken. Vele gekleurde afbeeldingen van zijn schetsen en schilderijen, voorzien van toelichting, bieden een goede, noodzakelijke ondersteuning. Tot besluit een resumerend ABC van da Vinci?s leven en werk en uitleg van twee knutsels, gebaseerd op een technische uitvinding van da Vinci en een door hem ontwikkelde schildertechniek. Op de negen laatste pagina?s uitgeversinformatie over o.a. wervingsacties en abonnementen. Summiere inleiding in afwisselend korte en lange zinnen met soms een moeilijk woord in een fraaie grafische vormgeving. Bruikbaar voor o.a. spreekbeurten en werkstukken en voor kunsteducatie in het basis- en voortgezet onderwijs. Vanaf ca. 10 t/m 13 jaar.© NBD Biblion
Beeldopvoeding --- Kunst --- Kunstzinnige opvoeding --- Da Vinci, Leonardo --- Kunstenaars --- Beeldeducatie --- Kunstzinnige vorming --- Kunstenaar --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur --- 477.6 --- Beeldopvoeding (Plastische opvoeding) --- da Vinci, Leonardo --- 700.2 --- leonardo da vinci (ler) --- Renaissance --- Schilderkunst --- Kunstgeschiedenis --- Leonardo da Vinci --- Tekenen / Beeldopvoeding --- Kunst.
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« Étudiant avec passion la nature et les modèles antiques, il était impossible que [Léonard de Vinci] ne combinât pas la précision avec la liberté, la vérité avec la beauté. Là, dans cet affranchissement définitif, dans cette pleine possession du modelé, de l'éclairage et de l'expression, dans cette ampleur et cette liberté, se trouvent la raison d'être et la gloire du maître : d'autres ont pu s'essayer dans des voies différentes ; aucun n'est allé plus loin, aucun n'est monté plus haut. » (Eugène Müntz)À propos de l'auteur :Eugène Müntz, ancien membre de l'Institut de France et conservateur d
Artists --- Leonardo, da Vinci, --- Da Vinci, Leonardo, --- Léonard, --- Leonardo da Vinci, --- Lieh-ao-na-to, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Lieaonaduo, --- Leonardo,
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This book traces the story of the world's greatest treatise on painting - Leonardo Da Vinci's ""Treatise of Painting"". It combines an extensive body of literature about the Treatise with original research to offer a unique perspective on: Its origins, and history of how it survived the dispersal of manuscripts; Its contents, their significance and how Leonardo developed his Renaissance Theory of Art; The development of both the abridged and complete printed editions; How the printed editions have influenced treatises and art history throughout Europe, the Easte
Painting --- Leonardo, --- Da Vinci, Leonardo, --- Léonard, --- Leonardo da Vinci, --- Lieh-ao-na-to, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Criticism and interpretation. --- Lieaonaduo, --- Leonardo da Vinci
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renaissance --- nieuwe tijd --- Didactics of history --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Vorstentijd (1500-1800) --- Kunst --- Leonardo da Vinci --- Pest --- Schilderkunst --- Kinderen --- Didactics of social education --- WO (wereldoriëntatie)
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This selection offers a cross-section from the 6,000 surviving sheets that constitute Leonardo's notebooks, including his thoughts on landscape, optics, anatomy, architecture, sculpture, and painting. Fully updated, this new edition includes some 70 line drawings and a Preface by Leonardo expert Martin Kemp.
Leonardo, --- Da Vinci, Leonardo, --- Léonard, --- Leonardo da Vinci, --- Lieh-ao-na-to, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Lieaonaduo,
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