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The work of the distinguished philosopher Sarah Kofman has, since her tragic death in 1994, become a focus for many scholars interested in contemporary French philosophy. The first critical collection on her thought to appear in English, Enigmas evaluates Kofman's most important contributions to philosophy, psychoanalytic theory, feminism, and literary theory. These insightful essays range from analyses of Kofman's first book, L'Enfance de l'art (1970), to her last, L'Imposture de la beauté (1995). This unique volume represents the major themes in Kofman's scholarship: literature and aesthetics; philosophy and metaphor; women, feminism, and psychoanalysis; and Jews and German nationalism. Selected essays explore and diagnose Kofman's personal struggles as they are reflected in her writing.

Gender Studies. --- Philosophy. --- PHILOSOPHY / Individual Philosophers. --- Kofman, Sarah.

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It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media. In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media. From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.

Culture in motion pictures. --- Disaster films - History and criticism. --- Disaster films -- History and criticism. --- Literature, Modern - 20th century - History and criticism. --- Literature, Modern -- 20th century -- History and criticism. --- Psychic trauma in literature. --- Psychic trauma in motion pictures. --- Terrorism in motion pictures. --- Terrorism in motion pictures --- Disaster films --- Psychic trauma in motion pictures --- Psychic trauma in literature --- Literature, Modern --- Culture in motion pictures --- Film --- Music, Dance, Drama & Film --- Motion pictures --- Modern literature --- Arts, Modern --- Disasters in motion pictures --- History and criticism --- History and criticism. --- 791.41 --- 9/11 --- Deren Maya --- Duras Marguerite --- film --- film en psychoanalyse --- Freud Sigmund --- Hitchcock Alfred --- Irak --- Kofman Sarah --- Moffatt Tracey --- oorlogen --- postkolonialisme --- psychoanalyse --- psychologie --- Rwanda --- Spellbound --- terrorisme --- trauma's --- Social psychology --- Sociology of culture --- Mass communications --- Literature --- Disaster films - History and criticism --- Literature, Modern - 20th century - History and criticism