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No Maps for These Territories offers an archaeology of seemingly tried and trusted concepts: cartography, architecture, urban space. While rethinking Michel Foucault’s theories, Karin Hoepker reconstructs the cartographic dispositives of spatial order. The futuristic fictional cityscapes of science fiction writer William Gibson are the touchstone for this epistemological analysis and typology of spatial formations. In seven probing chapters that focus on architectural blueprints, forms of inhabitation, Wunderkammern , and economic formations of retail, consumption, and entertainment such as shopping malls, amusement parks, and gambling meccas, Hoepker investigates a set of exemplary phenomena crucial to the fields of architecture, geography, philosophy, cartography, history of science, literary studies, and the arts. No Maps for These Territories thus offers close readings of fictional, philosophical, and theoretical texts, and examines instructive examples of the workings of spatial production. In a form of contrastive writing, the monograph sheds critical light on theoretical and fictional texts equally.
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This study introduces the concept of 'anticipation' as a lens through which to re-examine the textual, institutional, and experiential aspects of Chinese literary culture from the 1950s to the first decade of the 21st century. Each of the book's five chapters details how different modes of anticipation find expression in contemporary Chinese literature, with a focus on fictional genres.
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With this book, Steven Shaviro offers a thought experiment. He discusses a number of science fiction narratives: three novels, one novella, three short stories, and one musical concept album. Shaviro not only analyzes these works in detail but also uses them to ask questions about human, and more generally, biological life: about its stubborn insistence and yet fragility; about the possibilities and perils of seeking to control it; about the aesthetic and social dimensions of human existence, in relation to the nonhuman; and about the ethical value of human life under conditions of extreme oppression and devastation.0Shaviro pursues these questions through the medium of science fiction because this form of storytelling offers us a unique way of grappling with issues that deeply and unavoidably concern us but that are intractable to rational argumentation or to empirical verification. The future is unavoidably vague and multifarious; it stubbornly resists our efforts to know it in advance, let alone to guide it or circumscribe it. But science fiction takes up this very vagueness and indeterminacy and renders it into the form of a self-consciously fictional narrative. It gives us characters who experience, and respond to, the vagaries of unforeseeable change.--Page 4 of cover.
Science fiction --- Life in literature. --- Future, The, in literature. --- History and criticism. --- Future in literature
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Alexander Kluge's revolutionary storytelling for the 21st-century pivots on the production of anti-realist hope under conditions of real catastrophe. Rather than relying on possibility alone, his experimental miniatures engender counterfactual horizons of futurity that are made incrementally accessible to lived experience through narrative form. Innovative close readings and theoretical reflection alike illuminate the dimensional quality of future time in Kluge's radical prose, where off-worldly orientation and unnatural narrative together yield new sensory perspectives on associative networks, futurity, scale, and perspective itself. This study also affords new perspectives on the importance of Kluge's creative writing for critical studies of German thought (including Kant, Marx, Benjamin, and especially Adorno), Holocaust memory, contemporary globalization, literary miniatures, and narrative studies of futurity as form. Cosmic Miniatures contributes an experiential but non-empirical sense of hope to future studies, a scholarly field of pressing public interest in endangered times.
German literature --- History and criticism. --- Kluge, Alexander, --- Criticism and interpretation. --- Future, The, in literature. --- Time in literature. --- Experimentelle Prosa --- Literarische Form --- SOCIAL SCIENCE / General. --- Form --- Gestalt --- Prosa --- Future in literature --- Literatur --- Futurity. --- critical theory. --- globalization. --- literary miniatures. --- narrative.
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Science fiction, American --- Future, The, in literature --- Science fiction, English --- Literature and science --- English --- Languages & Literatures --- American Literature --- English science fiction --- English fiction --- Future in literature --- American science fiction --- American fiction --- History and criticism --- Orwell, George,
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Focusing on surprise, spontaneous eruption and the unforeseeable, The Unexpected argues that stories help us to reconcile what we expect with what we experience. Though narrative is often understood a recapitulation of past events, the book argues that the unexpected and the future anterior, a future that is already complete, are guiding ideas for new understandings of the reading process. It also points beyond that to some of the key temporal concepts of our epoch, of unpredictability, the event, the untimely and the messianic.
Narration (Rhetoric) --- Surprise --- Astonishment --- Emotions --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Philosophy. --- Surprise in literature. --- Time in literature. --- Future, The, in literature. --- Future in literature
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A Genealogy of the Cyborgothic imagines a new literary genre emerging from gothic literature and science fiction that will help to envision a cyborg-friendly, non-anthropocentric posthuman society. Dongshin Yi introduces mothering as an aesthetic and ethical practice that can enable a posthumanist relationship between human and non-human beings as he examines novels like The Mysteries of Udolpho and Arrowsmith alongside philosophical and critical works by Edmund Burke, William James, and others.
English literature --- American literature --- Ethics in literature. --- Literature and morals. --- Future, The, in literature. --- History and criticism --- Theory, etc. --- English literature -- History and criticism -- Theory, etc. --- Future in literature. --- Ethics in literature --- Literature and morals --- Future, The, in literature --- Languages & Literatures --- English --- English Literature --- Literature - General --- Theory, etc --- Future in literature --- Literature --- Morals and literature --- Influence --- Moral and ethical aspects --- Ethics --- English literature - History and criticism - Theory, etc. --- American literature - History and criticism - Theory, etc.
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Why do we have the constant feeling that disaster is looming? Beyond the images of atomic apocalypse that have haunted us for decades, we are dazzled now by an array of possible catastrophe scenarios: climate change, financial crises, environmental disasters, technological meltdowns-perennial subjects of literature, film, popular culture, and political debate. Is this preoccupation with catastrophe questionable alarmism or complacent passivity? Or are there certain truths that can be revealed only in apocalypse?In The Future as Catastrophe, Eva Horn offers a novel critique of the modern fascination with disaster, which she treats as a symptom of our relationship to the future. Analyzing the catastrophic imaginary from its cultural and historical roots in Romanticism and the figure of the Last Man, through the narratives of climatic cataclysm and the Cold War's apocalyptic sublime, to the contemporary popularity of disaster fiction and end-of-the-world blockbusters, Horn argues that apocalypse always haunts the modern idea of a future that can be anticipated and planned. Considering works by Lord Byron, J. G. Ballard, and Cormac McCarthy and films such as 12 Monkeys and Minority Report alongside scientific scenarios and political metaphors, she analyzes catastrophic thought experiments and the question of survival, the choices legitimized by imagined states of exception, and the contradictions inherent in preventative measures taken in the name of technical safety or political security. What makes today's obsession different from previous epochs' is the sense of a "catastrophe without event," a stealthily creeping process of disintegration. Ultimately, Horn argues, imagined catastrophes offer us intellectual tools that can render a future shadowed with apocalyptic possibilities affectively, epistemologically, and politically accessible.
Fiction --- Disasters in literature. --- Future, The, in literature. --- Future in literature --- History and criticism. --- Disasters in literature --- Future, The, in literature --- Disaster films --- Future, The, in motion pictures --- Future in motion pictures --- Motion pictures --- Disasters in motion pictures --- History and criticism
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Future, The, in literature. --- African Americans --- Performing arts --- American literature --- Future in literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Show business --- Arts --- Performance art --- English literature --- Agrarians (Group of writers) --- Intellectual life --- History --- History and criticism. --- Women authors --- African American authors --- Black people
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