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This book contributes to the re-emerging field of ""theology through the arts"" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of ""reverse perspective"", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 's

Space and time in art. --- Espace et temps dans l'art --- Icônes --- Florenskii, P. A. --- Space and time in art --- Florenskiĭ, P. A. --- Icons --- Perspective --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Perspective. --- Icons. --- Icônes