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Victorian Investments explores the relationship between the financial system in Great Britain and other aspects of Victorian society and culture. Building on the special journal issue of Victorian Studies devoted to Victorian investments, this volume is the first to define an interdisciplinary field of study emerging in the space between Marxist critiques of capitalism and traditional histories of business and economics. The contributors demonstrate how phenomena such as the expansion of colonial and foreign markets, the broadening of the investor base through the advent of limited liability, and the rise of financial journalism gave rise to a "culture of investment" that affected Victorian Britons at every level of society and influenced every kind of cultural production. Drawing together work by prominent historians as well as literary and cultural critics, Victorian Investments both defines the methodologies and perspectives that characterize an existing body of scholarship and pushes that scholarship in new directions, demonstrating the signal role of economic developments in Victorian culture and society.

Finance in literature. --- Finance --- Investments --- Funding --- Funds --- Economics --- Currency question --- Investing --- Investment management --- Portfolio --- Disinvestment --- Loans --- Saving and investment --- Speculation --- Social aspects --- History --- Finance in literature

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"The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessness that led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction"--

American fiction --- Money in literature. --- Finance in literature. --- Capitalism and literature. --- Financial crises in literature. --- Literature and capitalism --- Literature --- History and criticism.

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Finance Fictions takes the measure of what it means to live in a world ruled by high finance by examining the tension between psychosis and realism that plays out in the contemporary finance novel. When the things traded at the center of the economy cease to be things at all, but highly abstracted speculations, how do we come to see the real? What sorts of narrative can accurately approach the actual workings of a neoliberal economy marked by accelerating cycles of market crashes, economic and political crisis, and austerity? Revisiting such twentieth-century classics of the genre as Tom Wolfe's Bonfire of the Vanities and Bret Easton Ellis’s American Psycho, De Boever argues that the twenty-first century is witnessing the birth of a new kind of realistic novel that can make sense of complex financial instruments like collateralized debt obligations, credit default swaps, and digital algorithms operating at speeds faster than what human beings or computers can record. If in 1989 Wolfe could still urge novelists to work harder to “tame the billion-footed beast of reality,” today’s economic reality confronts us with a difference that is qualitative rather than quantitative: a new financial ontology requiring new modes of thinking and writing. Mobilizing the philosophical thought of Quentin Meillassoux in the close reading of finance novels by Robert Harris, Michel Houellebecq, Ben Lerner and less well-known works of conceptual writing such as Mathew Timmons’ Credit, Finance Fictions argues that realism is in for a speculative update if it wants to take on the contemporary economy—an “if” whose implications turn out to be deeply political. Part literary study and part philosophical inquiry, Finance Fictions seeks to contribute to a new mindset for creative and critical work on finance in the twenty-first century.

Money in literature --- Finance in literature --- Financial crises in literature --- American fiction --- History and criticism --- American fiction. --- Finance in literature. --- Financial crises in literature. --- Money in literature. --- 1900-1999. --- History and criticism. --- Biopolitics. --- Finance Novels. --- Finance. --- Marxism. --- Neoliberalism. --- Popular fiction. --- Psychosis. --- Realism. --- Speculative Realism. --- Wall Street.

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Figures of Finance Capitalism brings into focus Victorian narratives by major middle-class writers in which the workings of finance capitalism are prominently featured, and reads this interest in finance capitalism in the context of middle-class misgivings about a class system still dominated by a patrician elite. This book illustrates the centrality of finance capitalism to the mid-Victorian middle-class social imagination by discussing a selection of major Victorian texts by Dickens, Gaskell, Thackeray and Macaulay. In so doing, it draws on several new perspectives on British histor

English fiction --- Capitalism and literature --- Capitalists and financiers in literature. --- Social classes in literature. --- Capitalism in literature. --- Finance in literature. --- Literature and capitalism --- Literature --- History and criticism. --- History --- Macaulay, Thomas Babington Macaulay, --- Macaulay, --- Macaulay, T. Babington --- Makoleĭ, Tomas-Babington, --- Makolej, T. B., --- מקוליי, תומס בבינגטון,

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In the early eighteenth century, the increasing dependence of society on financial credit provoked widespread anxiety. The texts of credit - stock certificates, IOUs, bills of exchange - were denominated as potential 'fictions', while the potential fictionality of other texts was measured in terms of the 'credit' they deserved. Sandra Sherman argues that in this environment finance is like fiction, employing the same tropes. She goes on to show how the work of Daniel Defoe epitomised the market's capacity to unsettle discourse, demanding and evading 'honesty' at the same time. Defoe's œuvre, straddling both finance and literature, theorizes the disturbance of market discourse, elaborating strategies by which an author can remain in the market, perpetrating fiction while avoiding responsibility for doing so.

Economics --- Finance --- Economics in literature. --- Finance in literature. --- Fiction --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Funding --- Funds --- Currency question --- Economic theory --- Political economy --- Social sciences --- Economic man --- History --- Technique. --- Defoe, Daniel, --- Defoe, Daniel --- Fefoe, Daniel --- De Fo, Daniel' --- De Foe, Daniel --- Defo, Daniel --- Defo, Danielo --- Defo, Daniyel --- English gentleman --- Gabriel John --- Gentleman --- John, Gabriel --- L. M. --- Lay-hand in the country --- Lover of old England --- Lover of truth --- Merchant --- Moreton, Andrew --- Даниель Дефо --- דעפא, דאניעל --- דפו, דניאל --- דפו, דניאל, --- דיפו, דניאל --- דיפו, דניאל, --- דיפואה, --- Johnson, Charle, --- Knowledge --- Economics. --- Economics in literature --- Finance in literature --- Arts and Humanities --- Literature --- Defoe, Daniel, - 1661?-1731 - Knowledge - Economics. --- Economics - England - History - 18th century. --- Finance - England - History - 18th century. --- Knowledge and learning.