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George Eliot's work has been subject to a wide range of critical questioning, most of which relates her substantially to a Victorian context and intellectual framework. This book examines the ways in which her work anticipates significant aspects of writing in the twentieth and indeed twenty first century in regard to both art and philosophy. This new book presents a series of linked essays exploring Eliot's credentials as a radical thinker. Opening with her relationship to the Romantic tradition, Newton goes on to discuss her reading of Darwinism, her radical critique of Victorian values and
Modernism (Literature) --- History --- Eliot, George, --- Criticism and interpretation. --- Crepuscolarismo --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Literary movements --- Postmodernism (Literature)
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Prodigiously learned, alive to the massive social changes of her time, defiant of many Victorian orthodoxies, George Eliot has always challenged her readers. She is at once chronicler and analyst, novelist of nostalgia and monumental thinker. In her great novel Middlemarch she writes of 'that tempting range of relevancies called the universe'. This volume identifies a range of 'relevancies' that inform both her fictional and her non-fictional writings. The range and scale of her achievement are brought into focus by cogent essays on the many contexts - historical, intellectual, political, social, cultural - to her work. In addition there are discussions of her critical history and legacy, as well as of the material conditions of production and distribution of her novels and her journalism. The volume enables fuller understanding and appreciation, from a twenty-first-century standpoint, of the life and work of one of the nineteenth century's major writers.
Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Criticism and interpretation. --- Arts and Humanities --- Literature --- Eliot, George
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In this study, Orr attributes to George Eliot an "incarnational aesthetic"' and reads her work in the light of it. Writing, she argues, might be said to have become the novelist's religion and "its most recognizable tenet was the living out of incarnation". Here, Orr examines Eliot's works more or less chronologically because of the deeply evolutionary quality to Eliot's career. In a personal sense, she is loathe to repeat herself and, while readers might recognize situations that she is revisiting, she always needs to believe in her own development as a writer. In her letters she repeatedly champions her first stories, for example, largely because they contain ideas that she doubts she"...can ever embody again." In a broader sense this is an important idea, however, in that her philosophy was grounded in a belief in the idea of progress. Orr engages in close readings of Eliot's writings to demonstrate how deeply the novelist's religious imagination operate in her fiction and poetry.
Evolution (Biology) --- Religious aspects --- Christianity. --- Eliot, George, --- Religion. --- Criticism and interpretation. --- Anti-evolutionism --- Antievolutionism --- Creationism --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳,
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Novels such as Middlemarch and The Mill on the Floss refect Eliot's complex and sometimes contradictory ideas about society, the artist, the role of women, and the interplay of science and religion. Tim Dolin examines Eliot's life and work and the social and intellectual contexts in which they developed. He also explores the ways in which 'George Eliot' has been recontextualized for modern readers and television viewers. - ;In a landmark essay, Virginia Woolf rescued George Eliot from almost four decades of indifference and scorn when she wrote of the 'searching power and reflective richness'
Women and literature --- Didactic fiction, English --- History --- History and criticism. --- Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Criticism and interpretation.
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Presents George Eliot's shorter poetry. This volume includes an introduction, which discusses Eliot's interest in poetry verse and its relation to her prose and prose fiction; her recurring themes and motifs; the poetry's critical reception and its value to modern readers.
Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Criticism and interpretation. --- English poetry
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Reading George Eliot's work was described by one Victorian critic as like the feeling of entering the confessional in which she sees and hears all the secrets of human psychology-'that roar which lies on the other side of silence'. This new biography of George Eliot goes beyond the much-told story of her life. It gives an account of what it means to become a novelist, and to think like a novelist: in particular a realist novelist for whom art exists not for art's sake but in the exploration and service of human life. It shows the formation and the workings of George Eliot's mind as it plays into her creation of some of the greatest novels of the Victorian era.
Women authors, English --- English women authors --- Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- 1800-1899
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Heroines in literature. --- Eliot, George, --- Characters --- Heroines. --- Heroines --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳,
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Patricia McKee demonstrates that Richardson, Eliot, and James see disorderliness and indeterminacy in the human self, human relations, and literature as primary sources of meaningfulness. The relationships these novels portray as most satisfying are unsettled and unsettling, interfering with rather than contributing to social stability.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Commitment (Psychology) in literature. --- Heroes in literature. --- Social values in literature. --- Alienation (Social psychology) in literature. --- Psychological fiction, English --- History and criticism. --- James, Henry, --- Eliot, George, --- Richardson, Samuel, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Criticism and interpretation.
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In a probing analysis that has broad implications for theories of reading, Bernard J. Paris explores how personal needs and changes in his own psychology have affected his responses to George Eliot over the years. Having lost his earlier enthusiasm for her "Religion of Humanity," he now appreciates the psychological intuitions that are embodied in her brilliant portraits of characters and relationships. Concentrating on Eliot's most impressive psychological novels, Middlemarch and Daniel Deronda, Paris focuses on her detailed portrayals of major characters in an effort to recover her intuitions and appreciate her mimetic achievement. He argues that although she intended for her characters to provide confirmation of her views, she was instead led to deeper, more enduring truths, although she did not consciously comprehend the discoveries she had made. Like her characters, Paris argues, these truths must be disengaged from her rhetoric in order to be perceived.
Psychology in literature. --- Psychoanalysis and literature --- Psychological fiction, English --- Psychology as a theme in literature --- History and criticism. --- Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Characters. --- Knowledge --- Psychology. --- History --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature
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Drawing on original manuscripts and Victorian psychological theory, this study shows that George Eliot was an author who shaped her sentences as carefully as she wanted her public to read them.
Women and literature --- Didactic fiction, English --- English language --- History --- History and criticism. --- Usage. --- Grammar --- Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Literary style. --- Criticism and interpretation. --- English language Usage --- Usage
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