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Fiktion und Wirklichkeit - von diesem Begriffspaar ist die literaturwissenschaftliche Fiktionalitätsdebatte traditionell geprägt. Auffallend bleibt dabei jedoch ein Widerspruch zwischen Literaturtheorie und der Praxis der Textanalyse. Denn was den "Realien" aus literaturästhetischen Erwägungen häufig abgesprochen wird, bestätigt indirekt die Interpretationspraxis: die Wichtigkeit nichtfiktionaler Elemente für das Textverständnis. Mit der vorliegenden Studie wird der Versuch unternommen, die Dichotomie von Fiktion und Wirklichkeit aufzugeben zugunsten eines Modells, das dem kognitiven Charakter sprachlicher Bedeutungen Rechnung trägt und es so ermöglicht, der Funktion nichtfiktionaler Konzepte als Orientierungspunkte bei der Sinnkonstitution fiktionaler Erzähltexte gerecht zu werden. Dabei werden Ergebnisse der kognitiven Semantik für die Literaturwissenschaft fruchtbar gemacht, um ein neues theoretisches Fundament zur Differenzierung zwischen fiktionalen und nichtfiktionalen Teilen fiktionaler Erzählliteratur zu schaffen. Eine textnahe Typologie der Verwendungsweisen nichtfiktionaler Elemente sowie ausführliche Fallstudien zu Texten von so unterschiedlichen Autoren wie Uwe Johnson, Christoph Ransmayr und Lewis Carroll verankern die theoretischen Überlegungen in der konkreten Textanalyse.  Fiction and reality - this dualism has traditionally shaped the debate on fictionality in literary studies. What remains striking, however, is a contradiction between literary theory and the practice of textual analysis. For what is often denied to "realia" for reasons of literary aesthetics, indirectly confirms the practice of interpretation: the importance of non-fictional elements for the understanding of a text. This study attempts to abandon the dichotomy of fiction and reality in favour of a model that takes into account the cognitive character of linguistic meanings. Thus, the model makes it possible to take account of the function of non-fictional concepts as points of reference in the constitution of meaning in fictional narrative texts. The results of cognitive semantics will be made fruitful for literary studies: a new theoretical foundation is established in order to differentiate between fictional and non-fictional parts of fictional narrative literature. A Typology of the different ways in which non-fictional elements are used is established, and detailed case studies of texts by authors as diverse as Uwe Johnson, Christoph Ransmayr and Lewis Carroll anchor the theoretical considerations in concrete textual analyses.

kognitive Semantik --- Erzähltheorie --- Fiktionalität --- Literaturwissenschaft

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"Die Studie geht von der Beobachtung aus, dass Franz Kafka als biographisch Daheimgebliebener seine Geburtsstadt Prag erst gegen Ende seines Lebens verliess, seine Texte jedoch seit jeher den literarischen Aufbruch in die Fremde verhandeln. In dieser Hinsicht untersucht sie den "Schloss"--Roman als 'Contact Zone', als von asymmetrischen Machtverhältnissen seiner Partizipanten geprägten Raum inter- bzw. transkultureller Konfrontation"--Publisher's website, Feb. 11, 2013.

Topographie --- Erzähltheorie --- Orient --- Kafka, Franz --- Contact Zone --- Alterität/Identität --- Das Schloß --- transkulturelle Poetik --- Postkolomialismus --- Naivität --- Kafka, Franz, --- Criticism and interpretation.

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This collection of essays looks at two important manifestations of postclassical narratology, namely transmedial narratology on the one hand, and unnatural narratology on the other. The articles deal with films, graphic novels, computer games, web series, the performing arts, journalism, reality games, music, musicals, and the representation of impossibilities. The essays demonstrate how new media and genres as well as unnatural narratives challenge classical forms of narration in ways that call for the development of analytical tools and modelling systems that move beyond classical structuralist narratology. The articles thus contribute to the further development of both transmedial and unnatural narrative theory, two of the most important manifestations of postclassical narratology.

Fiction --- Literary rhetorics --- Mass communications --- Narration --- Analyse du discours narratif --- Médias et langage --- Médias --- Mass media. --- Narration (Rhetoric) --- Storytelling in mass media. --- Discourse analysis, Narrative. --- Mass media and language. --- 82-3 --- Proza. Fictie. Narratologie --- Erzähltheorie --- Intermedialität --- Narration. --- Médias et langage. --- Analyse du discours narratif. --- Médias. --- Narration (Rhetoric). --- 82-3 Proza. Fictie. Narratologie --- Erzähltheorie. --- Intermedialität. --- Language and mass media --- Language and languages --- Narrative discourse analysis --- Mass media --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Mass communication --- Media, Mass --- Media, The --- Communication --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Narrative theory. --- film studies. --- literary studies. --- media studies. --- Médias et langage. --- Médias.

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'Life and Narrative' examines the perennial mystery of how people encounter, manage, and inhabit a self and a world of their own - and others' - creation and the ramifications of these creations. From both literary and social science perspectives, this volume grapples with the process of how life and narrative interact with each other.

Narrative inquiry (Research method) --- First person narrative. --- Discourse analysis, Narrative. --- Social psychology. --- Discours narratif. --- Diskursanalyse. --- Erzähltechnik. --- Erzähltheorie. --- Histoires de vie. --- Narrative inquiry (Research method). --- PSYCHOLOGY --- Psychologie sociale. --- Récits à la première personne. --- social psychology. --- Social Psychology. --- First person narrative --- Discourse analysis, Narrative --- Social psychology