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The young son of the Chinese traders' association head, who dealt with foreign merchants in the port of Guangzhou, is suddenly burdened with the responsibility of his powerful family. A latter-day Baoyu, but with far stronger sexual impulses, this son must learn to tame his libido while conducting himself prudently in Guangzhou society. This little-known novel, titled Shenlou zhi, is translated here for the first time. Published in 1804, it is the earliest novel to deal with the opium trade and is closely connected to events that occurred in Guangzhou and Huizhou just before its publication: the arrival of a new superintendent of customs in Guangzhou and the outbreak of rebellion in Huizhou. This strikingly original work advances the culture of adolescence first depicted in Honglou meng and showcases, in its account of the rebellion, the romantic conventions of Shuihu zhuan.
Erotic stories, Chinese. --- Chinese erotic stories --- Chinese fiction
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Erotic stories, Chinese --- Chinese fiction --- Chinese erotic stories --- History and criticism.
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Once there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others—fabric weaving, in particular—and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations—indigenous language and woven cloth—and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest.
Quechua Indians --- Quechua language --- Quechua textile fabrics. --- Foxes --- Tales --- Erotic stories --- Social aspects
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"Allen's book will . . . provide the categories that will deepen our understanding of lesbian relationships and of lesbian fiction." --Lesbian Review of Books"Barnes scholars will . . . want to pick up Carolyn Allen's new book, for it not only offers perceptive readings of Nightwood and the "Little Girl" stories . . . , but traces the example of Barnes's exploration of lesbian power and loss in the fiction of Jeanette Winterson, Rebecca Brown, and the underrated Bertha Harris." --Review of Contemporary Fiction" . . . fascinating . . . [a] fine volume . . . " --Choice"Following Djunais a fascinating analysis of the textual erotics and lyrical seductions of the work of Djuna Barnes and the writers she influences. This scintillating genealogy of lesbian intertextuality . . . expands the field of lesbian and feminist literary inquiry and concepts of lesbian literary production." --Judith Roof"As lesbian literary history, here is an instant classic." --Jane Marcus"This is an important and necessary book; even further, speaking as an admirer of the writers and literary works it discusses and as a personal expert on lost love, I find Following Djunairrestible." --Karen Helfrich, Lambda Book ReportCarolyn Allen argues for the importance of women's fiction in understanding women's erotics--emotional and sexual exchanges between women.
BARNES, DJUNA, 1892-1982 --- LESBIANS' WRITINGS --- AMERICAN FICTION --- ENGLISH FICTION --- EROTIC STORIES --- HOMOSEXUALITY IN LITERATURE --- LOSS (PSYCHOLOGY) --- WOMEN IN LITERATURE --- LITERARY CRITICISM --- FAMILY & RELATIONSHIPS --- Barnes, Djuna, 1892-1982 --- Lesbians' Writings --- American Fiction --- English Fiction --- Erotic Stories --- Homosexuality In Literature --- Loss (Psychology) --- Women In Literature --- Literary Criticism --- Family & Relationships --- Barnes, djuna, 1892-1982 --- Lesbians' writings --- American fiction --- English fiction --- Erotic stories --- Homosexuality in literature --- Loss (psychology) --- Women in literature --- Literary criticism --- Family & relationships
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The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade was a man of savage intelligence who carried the philosophy of the French Enlightenment to its logical extreme. His writings effectively release the individual from all social and moral constraint: for ma
Erotic stories, French --- Sadism in literature. --- French erotic stories --- French fiction --- Sade, --- De Sade, --- Marquis de Sade, --- Sad, --- Sade, D.-A.-F. --- Sade, Donatien Alphonse François, --- Sade, Donatien-Alphonse-François, --- סדגרוב, ג׳ודי, --- de Sade, Donatien Alphonse François --- Sade, Donatien Alphonse François de --- Donatien Alphonse François de Sade
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A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.
Romance fiction, American --- Erotic stories, American --- Heroes in literature. --- Masculinity in literature. --- Desire in literature. --- Deserts in literature. --- East and West in literature. --- Social values in literature. --- Masculinity (Psychology) in literature --- American erotic stories --- American fiction --- American romance fiction --- Love stories, American --- History and criticism. --- LITERARY CRITICISM / Gothic & Romance. --- Desert romances. --- Sheikh romances.
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"In 2008, JH Phrydas wrote a story about how bodies talk without words. He wanted the story to not just describe the silent ritual of nonverbal communication but to perform it. The interaction would be visceral - the exchange melancholic, yet full of lust. He wanted words to retain the unsayable: the subtle movements of a body in heat. In the years since, Phrydas kept rewriting this story, using different techniques, different syntaxes and forms, in hopes that he would find a successful method of gestural writing. Imperial Physique is a collection of these attempts. They explore the way our bodies hover between animal and human, civil and wild. The bleakness - and underlying verve - of imagining Western empires in decline serve as a backdrop for a lone figure searching city streets, decaying architecture, and sand dunes for some type of physical connection. What arises is the loss of - and longing for - touch at the edges of imperialism, historical violence, and personal shame"--
Of specific Gay interest --- Gay studies (Gay men) --- Queer studies. --- Gay culture. --- Sexuality --- Fiction. --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexology --- Gay subculture --- Lavender culture --- Subculture --- Sex --- Erotic stories --- queer studies --- LGBT studies --- cruising --- writing --- desire --- sexuality --- theory fiction
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"While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket
Postmodernism (Literature) --- Philosophy, Medieval, in literature --- Semiotics and literature --- Postmodernisme (Littérature --- Philosophie médiévale dans la littérature --- Sémiotique et littérature --- Eco, Umberto --- American fiction --- Gay erotic stories, American. --- Gay men --- Gay men's writings, American. --- Sexual behavior --- Criticism and interpretation.
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This title examines the origins of pornography in Britain and presents a comprehensive overview of women's role in the evolution of obscene fiction. Through various sources, it tracks the shifting politics of pleasure in 18th-century Britain.
English fiction --- Prostitutes in literature. --- Erotic stories, English --- Pornography --- Feminist literary criticism. --- Women in literature. --- Sex in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literary criticism, Feminist --- Feminism and literature --- Feminist criticism --- Literature, Immoral --- Porn --- Porno --- Sex-oriented businesses --- Erotica --- Prostitution in literature --- History and criticism. --- History. --- Sociology of the family. Sociology of sexuality --- Sexology --- Fiction --- History --- Great Britain --- Prostitution in literature. --- Prostitutes in literature --- Feminist literary criticism --- Women in literature --- Sex in literature --- History and criticism --- Sex industry --- Literature --- Sex work --- Book --- Eroticism
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