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If a man is to write A Panegyrick, he may keep vices out of sight; but if he professes to write A Life, he must represent it really as it was.'In the last of his major writings, Samuel Johnson looked back over the previous two centuries of English Literature in order to describe the personalities as well as the achievements of the leading English poets. The major Lives - of Milton, Dryden, Swift, and Pope - are memorable cameos of the life of writing in which Johnson is as attentive to human frailty as to literary prowess. The shorter Lives preserve some of Johnson's most piercing, critical
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Hummingbirds --- Poets, English --- English poets --- Humming-birds --- Trochilidae --- Apodiformes
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A biobibliography of some 4000 entries listing the published works of mid-Victorian poets (1860-1879). Arranged alphabetically by author, each entry consists of brief biographical information, with bibliographical details of published works and cross references.
English poetry --- Poets, English --- English poets --- English literature
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Based upon the London edition of 1834, this text uses a copy annotated, underlined, and marginally marked by Byron's last mistress, Countess Teresa Guiccioli.Originally published in 1969.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Poetry --- Poets, English --- Authorship --- Poetics --- English poets --- Authorship. --- Byron, George Gordon Byron, --- England --- Intellectual life
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Combining historical, literary and linguistic evidence from Old English and Latin, Becoming a Poet in Anglo-Saxon England creates a new, more complete picture of who and what pre-Conquest English poets really were. It includes a study of Anglo-Saxon words for 'poet' and the first list of named poets in Anglo-Saxon England. Its survey of known poets identifies four social roles that poets often held - teachers, scribes, musicians and courtiers - and explores the kinds of poetry created by these individuals. The book also offers a new model for understanding the role of social groups in poets' experience: it argues that the presence or absence of a poetic community affected the work of Anglo-Saxon poets at all levels, from minute technical detail to the portrayal of character. This focus on poetic communities provides a new way to understand the intersection of history and literature in the Middle Ages.
English poetry --- Literature and society --- Literary criticism --- History and criticism. --- History --- European --- English, Irish, Scottish, Welsh. --- Poets, English --- Anglo-Saxon poets --- English poets, Old --- Old English poets --- Poets, Anglo-Saxon --- Poets, Old English
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William Gilbert, poet, theosophist and astrologer, published The Hurricane: A Theosophical and Western Eclogue in Bristol in 1796, while he was on intimate terms with key members of Bristol literary culture: Coleridge published an extract from The Hurricane in his radical periodical The Watchman; Robert Southey wrote of the poem's 'passages of exquisite Beauty'; and William Wordsworth praised and quoted a long passage from Gilbert's poem in The Excursion. The Hurricane is a copiously annotated 450 line blank verse visionary poem set on the island of Antigua where, in 1763, Gilbert was born into a slave-owning Methodist family. The poem can be grouped with other apocalyptic poems of the 1790s-Blake's Continental Prophecies, Coleridge's Religious Musings, Southey's Joan of Arc -all of which gave a spiritual interpretation to the dramatic political upheavals of their time. William Gilbert and Esoteric Romanticism presents the untold story of Gilbert's progress from the radical occultist circles of 1790s London to his engagement with the first generation Romantics in Bristol. At the heart of the book is the first modern edition of The Hurricane, fully annotated to reveal the esoteric metaphysics at its core, followed by close interpretative analysis of this strange elusive poem.
Poets, English --- English poetry --- Romanticism --- English poets --- History and criticism. --- History --- Gilbert, William, --- Criticism and interpretation. --- esotericism --- Wordsworth --- Southey --- Coleridge --- astrology --- Romantic poetry
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In The Poetry of Saying Robert Sheppard explores an array of 'experimental' writers and styles of writing many of which have never secured a large audience in Britain, but which are often fascinatingly innovative. As a published poet in this tradition, Sheppard provides a detailed and thought provoking account of the development of the British poetry movement from the 1950s. As well as analysing the work of individual poets such as Roy Fisher, Lee Harwood and Tom Raworth The Poetry of Saying also examines the influence of the Poetry Society and poetry magazines on the evolution of British poetry throughout this period. The overriding virtue of the poetry of this period is its diversity, a fact that Sheppard has not ignored. As well as providing a fascinating into the work of these poets, The Poetry of Saying offers an 'insider's' commentary on the social, political and historical background during this exciting period in British poetry.
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In narrative and some 120 pictures, Don M. Wolfe traces Milton's life in the context of the public events and common scenes of his time. His illustrations and vignettes, supported by passages from the history of the period as well as the poet's own writings, bring to life the people, politics, and society of seventeenth-century England: maidens carrying fresh cream and cheese on their heads, men with hats and caps to sell; the Long Parliament of 1640; Charles I's summary trial and execution; Cromwell's Protectorate; the London Plague of 1665 and the Great Fire of 1666; the publication of Paradise Lost.The principal figure is, of course, John Milton, seen first as a boy of ten, sober and confident, even "then a poet." He is seen also as a traveler to the continent in 1638-1639, when he filled his mind with scenes and places that he would use in Paradise Lost: the sulphuric Phlegraean Fields outside Naples; Galileo, the "Tuscan artist" with optic glass. Milton the revolutionary is described, the libertarian pamphleteer whose passionate cry that every man had the right "to know, to utter, to argue freely" was realized around the campfires of the New Model Army. Throughout, Milton is depicted also as the poet aspiring to "leave something so written to aftertimes, as they should not willingly let it die"-his creative genius coming forth at last in Paradise Lost and his final major work, Samson Agonistes.Originally published in 1971.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Milton, John --- Poets, English --- Homes and haunts --- Milton, John, --- Great Britain --- England --- History --- Intellectual life --- English poets --- Poets, English - Homes and haunts - England --- Milton, John, - 1608-1674 - Homes and haunts - England --- Great Britain - History - Stuarts, 1603-1714 - Biography --- England - Intellectual life - 17th century --- Milton, John, - 1608-1674
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This cultural history, drawing on emerging disciplines of book history and death studies, explores the many strange stories about the deaths of Romantic and Victorian poets and the 'last words', books, relics, memorials and objects that survived them.
English poetry --- Death in literature. --- Authors and readers --- Poets, English --- Human body in literature. --- Cemeteries in literature. --- Poets in literature. --- Dead in literature. --- English poets --- Body, Human, in literature --- Human figure in literature --- History and criticism. --- History --- Tombs. --- Death. --- Body, Human, in literature.
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