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'Love is harder to explain than hunger, for a piece of fruit does not feel the desire to be eaten': Denis Diderot's Éléments de physiologie presents a world in flux, turning on the relationship between man, matter and mind. In this late work, Diderot delves playfully into the relationship between bodily sensation, emotion and perception, and asks his readers what it means to be human in the absence of a soul. The Atheist's Bible challenges prevailing scholarly views on Diderot's Éléments, asserting its contemporary philosophical importance, and prompting its readers to inspect more closely this little-known and little-studied work. In this timely volume, Warman establishes the place of Diderot's Éléments in the trajectory of materialist theories of nature and the mind stretching back to Epicurus and Lucretius, and explores the fascinating reasons behind scholarly neglect of this seminal work. In turn, Warman outlines the hitherto unacknowledged dissemination and reception of Diderot's Éléments, demonstrating how Diderot's Éléments was circulated in manuscript-form as early as the 1790s, thus showing how the text came to influence the next generations of materialist thinkers. This book is accompanied by a digital edition of Jacques-André Naigeon's Mémoires historiques et philosophiques sur la vie et les ouvrages de Denis Diderot (1823), a work which, Warman argues, represents the first publication of Diderot's Éléments, long before its official publication date of 1875. The Atheist's Bible constitutes a major contribution to the field of Diderot studies, and will be of further interest to scholars and students of materialist natural philosophy in the Age of Enlightenment and beyond.
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Échappant à tous les genres et à tous les canons, mimant le mouvement et l'exagérant, embrassant des formes normalement différenciées d'expression artistique à la limite du vraisemblable, sinon du lisible, Le Neveu de Rameau est une œuvre ouverte, irrésistible d'enjouement et de gaieté parce que l'humour n'est pas la composante la moins essentielle de ce dialogue qui séduit d'emblée par sa liberté de ton et de composition. On a pu lire l'œuvre selon une opposition dialectique où s'affronteraient d'un côté l'affirmation de la philosophie, de l'autre sa négation. Il faudrait encore prendre en compte la valeur critique du cynisme assumé par un Rameau provocateur, certes, mais plein de sagacité. La force de sa peinture acide de la société vient de ce qu'elle est cruellement vraie. Le cynisme permet une démystification des valeurs, des postures et des faux semblants, mais il indispose le lecteur moral que nous sommes en brouillant les catégories du bien et du mal, du beau et du laid. Tout se passe comme si l'ancrage de la réflexion philosophique dans une réalité souvent triviale lui donnait une substance sans équivalent dans l'ordre de la pensée. Cet effet de proximité et de familiarité tient d'abord aux qualités proprement littéraires du Neveu de Rameau. On y retrouve une manière, si propre à Diderot, d'appréhender autrement le discours philosophique, une autre façon également de l'élaborer. De ce point de vue, le face-à-face d'un philosophe et d'un clochard sublime a valeur de leçon.
Diderot, Denis --- Philosophy --- Literature (General) --- philosophie
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Because of its fragmentary, evolving, exploratory, and dialectical character, Diderot's thought has continuously resisted overall synthesis. In the ideas of "order" and "disorder," ideas important in all of eighteenth-century thought, Lester G. Crocker finds the key to an outline of a structure that leads to a genuine synthesis of Diderot's writings on philosophy, morality, politics, and aesthetics.The tensions in Diderot's thought, Professor Crocker shows, reflect his understanding of reality itself-paradoxically, an anarchic order, a dynamic universe governed by laws but always changing in a chaotic way. The book examines Diderot's approach to aesthetics as a human ordering response to the world, and his approach to morals and politics as practical ways of dealing with the problems of order and disorder in the context of life in society. In light of the concepts of order and disorder, the inextricable associations of all of these realms of thought in Diderot's work become clear, and a unity is perceived.Since the problem of order and disorder was fundamental to an age faced with the dissolution of the Christian view of cosmic order, this novel approach to Diderot's work suggests new ways of understanding the Enlightenment as a whole.Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
D..., --- Didero, Deni, --- Diderot, --- Diderot, Pantophile, --- Didro, Deni, --- D̲intero, D̲eni, --- דידרו, דני --- דידרו, דני, --- Diderot, Denis, --- Diderot, Denis --- Philosophy & Religion --- Philosophy --- PHILOSOPHY / History & Surveys / Modern. --- Didero, Deni --- Diderot --- Diderot, Pantophile --- Didro, Deni --- D̲intero, D̲eni --- Dīdiraw --- Dīdirū --- ديدرو --- Diderot, Denis, - 1713-1784 --- Diderot, denis (1713-1784) --- Critique et interpretation
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"The great eighteenth-century French thinker Denis Diderot (1713-1784) once compared himself to a weathervane, by which he meant that his mind was in constant motion. In an extraordinarily diverse career he produced novels, plays, art criticism, works of philosophy and poetics, and also reflected on music and opera. Perhaps most famously, he ensured the publication of the Encyclopedie, which has often been credited with hastening the onset of the French Revolution. Known as one of the three greatest philosophes of the Enlightenment, Diderot rejected the Christian ideas in which he had been raised. Instead, he became an atheist and a determinist. His radical questioning of received ideas and established religion led to a brief imprisonment, and for that reason, no doubt, some of his subsequent works were written for posterity. This collection of essays celebrates the life and work of this extraordinary figure as we approach the tercentenary of his birth"--
Diderot, Denis, --- Diderot, Denis --- D..., --- Didero, Deni --- Diderot --- Diderot, Pantophile --- Didro, Deni --- D̲intero, D̲eni --- דידרו, דני --- דידרו, דני, --- Dīdiraw --- Dīdirū --- ديدرو --- Arts and Humanities --- Literature
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A lively examination of the life and work of one of the great Enlightenment intellectuals Philosopher, translator, novelist, art critic, and editor of the Encyclopédie, Denis Diderot was one of the liveliest figures of the Enlightenment. But how might we delineate the contours of his diverse oeuvre, which, unlike the works of his contemporaries, Voltaire, Rousseau, Schiller, Kant, or Hume, is clearly characterized by a centrifugal dynamic? Taking Hegel's fascinated irritation with Diderot's work as a starting point, Hans Ulrich Gumbrecht explores the question of this extraordinary intellectual's place in the legacy of the eighteenth century. While Diderot shared most of the concerns typically attributed to his time, the ways in which he coped with them do not fully correspond to what we consider Enlightenment thought. Conjuring scenes from Diderot's by turns turbulent and quiet life, offering close readings of several key books, and probing the motif of a tension between physical perception and conceptual experience, Gumbrecht demonstrates how Diderot belonged to a vivid intellectual periphery that included protagonists such as Lichtenberg, Goya, and Mozart. With this provocative and elegant work, he elaborates the existential preoccupations of this periphery, revealing the way they speak to us today.
Enlightenment --- Diderot, Denis, --- Diderot, Denis --- D..., --- Didero, Deni --- Diderot --- Diderot, Pantophile --- Didro, Deni --- D̲intero, D̲eni --- דידרו, דני --- דידרו, דני, --- Dīdiraw --- Dīdirū --- ديدرو --- Criticism and interpretation. --- France --- Intellectual life
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Dramatic Experiments offers a comprehensive study of Denis Diderot, one of the key figures of European modernity. Diderot was a French Enlightenment philosopher, dramatist, art critic, and editor of the first major modern encyclopedia. He is known for having made lasting contributions to a number of fields, but his body of work is considered too dispersed and multiform to be unified. Eyal Peretz locates the unity of Diderot's thinking in his complication of two concepts in modern philosophy: drama and the image. Diderot's philosophical theater challenged the work of Plato and Aristotle, inaugurating a line of drama theorists that culminated in the twentieth century with Bertolt Brecht and Antonin Artaud. His interest in the artistic image turned him into the first great modern theorist of painting and perhaps the most influential art critic of modernity. With these innovations, Diderot provokes a rethinking of major philosophical problems relating to life, the senses, history, and appearance and reality, and more broadly a rethinking of the relation between philosophy and the arts. Peretz shows Diderot to be a radical thinker well ahead of his time, whose philosophical effort bears comparison to projects such as Gilles Deleuze's transcendental empiricism, Martin Heidegger's fundamental ontology, Jacques Derrida's deconstruction, and Jacques Lacan's psychoanalysis.
Diderot, Denis, --- D..., --- Didero, Deni, --- Diderot, --- Diderot, Pantophile, --- Didro, Deni, --- D̲intero, D̲eni, --- דידרו, דני --- דידרו, דני, --- Diderot, Denis --- Didero, Deni --- Diderot --- Diderot, Pantophile --- Didro, Deni --- D̲intero, D̲eni --- Dīdiraw --- Dīdirū --- ديدرو --- Diderot, Denis, -- 1713-1784. --- Aesthetics.
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Denis Diderot's Rameau's Nephew has achieved a literary-philosophical status that no other work by Diderot shares. This interactive, multi-media edition offers not only a brand new translation of Diderot's famous dialogue but provides portraits and biographies of the numerous individuals mentioned in the text, allowing a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces selected by Pascal Duc and performed by students of the Conservatoire nationale de musique, Paris, illuminate the wider musical context of the work, enlarging
Nephews --- Satire, French. --- French satire --- French wit and humor --- dialogue --- translation --- composers --- denis diderot --- satyre --- opera --- Charles Palissot de Montenoy --- Jean-Philippe Rameau --- Rameau's Nephew --- Diderot, Denis,
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Zbornik vključuje besedila treh temeljnih avtorjev zgodovine znanosti in filozofije francoskega razsvetljenstva. Georges-Louis Leclerc de Buffon (1707–1788), največji prirodopisec osemnajstega stoletja, se v uvodni razpravi svojega monumentalnega Prirodopisa (1749–1788) zavzema za specifičnost znanosti o življenju, v poglavju “Osel« pa ponudi presenetljivo izdelan pojem evolucije. Newtonski fizik Pierre-Louis Moreau de Maupertuis (1698–1759) v Eseju o nastajanju organiziranih teles (1754) sistematično in na eksperimentalni osnovi opredeljuje načela dedovanja in se s tem umešča med napovedovalce Mendlove genetike. Enciklopedist Denis Diderot (1713–1784) v Mislih o interpretaciji narave (1754) v slogu Francisa Bacona analizira položaj znanosti v svojem času kakor tudi logiko znanstvenega raziskovanja samega. Vsi avtorji v središče svoje refleksije postavljajo znanost o življenju – biologijo. Pretresajo njene temelje in metodo ter se zavzemajo za njen razvoj. S tem korenito preoblikujejo znanstveno razumevanje živega ter metode preučevanja živih bitij in življenjskih procesov.
biology --- Buffon, Georges-Louis Leclerc --- Diderot, Denis --- Enlightenment --- Enlightenment philosophy --- Maupertuis, Pierre-Louis Moreau --- natural sciences --- philosophy of nature --- biologija --- filozofija narave --- naravoslovje --- razsvetljenska filozofija --- razsvetljenstvo
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In a dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb, Robert Zaretsky invites us to reflect on the fraught relationship between politics and philosophy, and between a man of thought and a woman of action.
Enlightenment --- History. --- Catherine --- Diderot, Denis, --- Catherine the Great. --- D'Alembert's Dream. --- Jacques the Fatalist and His Master. --- Peter III. --- Rameau's Nephew. --- The Nun.
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