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Dans les derniers siècles du Moyen Âge, l'Angleterre a connu des transformations essentielles, à la fois culturelles, politiques et sociales. Elles apparaissent dans toute leur complexité au sein de la production poétique contemporaine, qui a constitué durant cette période un médium de communication fondamental. Ainsi, l'objet de cette étude est-il l'analyse des interactions entre ces différentes transformations et un corpus de poèmes allitératifs composés en anglais dans le courant du XIVe siècle (dont le représentant le plus illustre est le Piers Plowman de William Langland). Il s'agit notamment de dégager toute la richesse de textes littéraires qui doivent être considérés comme des sources historiques à part entière. L'auteur s'attache tout d'abord à replacer ces textes dans leur cadre social et culturel, avant d'analyser leur diffusion. Elle envisage ensuite les nombreux thèmes abordés dans les poèmes, qui montrent les multiples intérêts des poètes : l'organisation de la société, le gouvernement et la justice, l'institution ecclésiastique et la connaissance, la perception du salut de chacun et de tous, la conscience que les auteurs avaient de leur activité littéraire. Les critiques de ces derniers, mais aussi leurs propositions et leurs espoirs, reflètent et enrichissent un dialogue de plus en plus large au sein de la société anglaise.
Civilization, Medieval, in literature. --- Langland, William,
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What were the medieval stylistic, aesthetic, and literary conventions that Chancer drew upon and knew that his audience would understand? In this rich study Mr. Robertson has included 118 illustrations-of medieval sculpture, cathedral interiors, illuminated manuscripts, paintings, ornamental devices and decorations-to show how these conventions affected the visual arts of Chaucer's time. Special attention is directed to fundamental differences between medieval and modern attitudes toward poetry, and to the significance of these differences for an approach to medieval art. By placing Chaucer fully in his own time, Mr. Robertson establishes new perspectives for understanding Chaucer's poetry. His book is like a rich tapestry weaving together many threads.Originally published in 1962.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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The twelve essays in this fiorilegio of the work of Otis H. Green afford a representative view of the thought and scholarship of one of the world's foremost Hispanists. In each of them is developed some important facet of the intellectual milieu of the Middle Ages and Renaissance, reflecting Otis Green's life-long and wide-ranging quest for evidence that would broaden our understanding of those complex periods and correct the misapprehensions which have gathered about them. Included are important sections of his great work, Spain and the Western Tradition and essays from journals now difficu
Renaissance --- Civilization, Medieval, in literature. --- Spanish literature --- History and criticism.
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Il volume intende seguire lo sviluppo degli studi dedicati al tema della topografia dell'aldilà dantesco dal XIV al XX secolo. Dopo una fase iniziale, in cui l'argomento non interessò gli antichi esegeti nella Commedia, fu Piero Bonaccorsi a interrogarsi per primo sull'assetto degli spazi infernali (e purgatoriali), seguito poi - fra Quattro e Cinquecento - da intellettuali di rilievo, da Antonio Manetti a Galileo Galilei. Nei due secoli successivi il dibattito subì una significativa contrazione, ma non si interruppe del tutto, come dimostrano - finora inediti - i contributi minori di Alfonso Gioia e Benedetto Buonmattei. Col secondo Ottocento il tema divenne oggetto d'indagine solo entro più ristretti circuiti di amatori. In questa nuova primavera del dibattito, l'apertura della discussione a specialisti di altri settori (geografi, ,economisti, orientalisti) e il trattamento del tema in una prospettiva non strettamente filologica hanno determinato il moltiplicarsi di ricostruzioni opinabili, con le quali la diatriba topografica si è presto inevitabilmente estinta.
Civilization, Medieval, in literature. --- Middle Ages. --- Dante Alighieri,
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Saints were powerful role models in the early Middle Ages, capable of defining communities. But what roles did saintly biographies play in shaping the medieval West? Can we understand society and its many post-Roman transformations through them? This short book takes readers from the creation of medieval hagiography, through the ways in which it circulated, to a wide-ranging assessment of different modern methodologies used to interrogate hagiographies, from early twentieth-century source criticism, to the insights gained from gender studies, postmodernism and digital humanities.
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Arthur et ses chevaliers de la Table Ronde, Tristan et Yseut, mais aussi Jeanne d'Arc et Charles VII, le poète Villon sont autant de figures du passé médiéval dans lesquelles se reconnaît notre époque. Cet âge reculé se révèle être une source privilégiée d'inspiration avec laquelle les artistes engagent une relation à chaque fois renouvelée. Ainsi en est-il de la littérature des XIXe et XXe siècles, du Romantisme à l'Oulipo et en particulier la fantasy sous l'ombre tutélaire du grand Tolkien. Les supports d'un nouvel imaginaire médiéval sont multiples et fertiles, qu'il s'agisse de l'illustration inspirée de l'art des manuscrits, des études historiques scientifiques aux élucubrations fantaisistes et ésotériques. La chanson contemporaine, l'agencement des jardins ou bien les jeux de rôles, ces univers actuels nous proposent un jeu de miroir avec l'époque médiévale. Ce livre nous invite à un étrange et fécond dialogue entre les siècles.
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A fully updated second edition of J. A. Burrow's hugely successful introduction to medieval English literature. - ;In an updated edition of his hugely successful student introduction to English literature from 1100 to 1500, J. A. Burrow takes account of scholarly developments in the field, most notably devoting a final chapter to the impact of historicism on medieval studies. Full of information and stimulating ideas, and a pleasure to read, Burrow's book deals with circumstances of composition and reception, the main genres, 'modes of meaning' (allegory etc.), and medieval literature's afterlife in modern times. It shows that the literature of authors such as Chaucer, Gower, and Langland is more readily accessible than usually imagined, and well worth reading too. By placing medieval writers in their historical context - the four centuries between the Norman Conquest and the Renaissance - Professor Burrow explains not only how they wrote, but why.
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Die Studie gilt dem System der Ideale Don Quijotes. Wenn in der weitverstreuten Cervantes-Literatur über Don Quijotes Ideale im allgemeinen viele scharfsinnige Bemerkungen gemacht und einzelnen dieser Ideale Spezialstudien gewidmet wurden, so gab es jedoch bislang keine Darstellung der Ideale in ihrer inneren Kohärenz und in ihrem inneren Zusammenhang. Diese Forschungslücke soll hier mit Hilfe eines historischen und thematologischen Methodenansatzes und unter Aufarbeitung der umfangreichen einschlägigen Sekundärliteratur geschlossen werden.
Civilization, Medieval, in literature. --- Social values in literature. --- Social values --- Values --- History. --- Cervantes Saavedra, Miguel de,
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Was haben Verliebte und Dichter gemeinsam? Beide stehen vor der Herausforderung, die rätselhafte Erfahrung von Liebe in Worte zu fassen. In Liedern und Romanen des 12. bis 15. Jahrhunderts erscheint Minne vor allem als gelungene oder gestörte Kommunikation: Sie bringt die Betroffenen zum Nachdenken und zum Reden, um dann auch den Geliebten oder die Geliebte zur Minne zu über-reden. Ganz ähnlich müssen Dichter Ende des 12. Jahrhunderts ihr Publikum mit dem neuen Motiv ""Minne"" und der kulturellen Innovation höfischer Dichtung erst vertraut machen und zur Annahme ihrer Kommunikationsangebote be
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