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La médiatisation du sport prend ses marques dès la Belle Époque. Les études réunies en ces pages lèvent le voile sur une de ses facettes : l'information sportive en région, de Nice à Reims, de Toulouse à Lorient. En une vingtaine de portraits, elles montrent comment ce secteur, balbutiant à la fin du Second Empire, est devenu en 1914 une veine médiatique de premier plan, justifiant l'existence de rubriques spécialisées, parfois de véritables « pages sportives ». Elles observent la succession des modes sportives : turf, gymnastique, cyclisme, automobilisme, aéronautique puis sports collectifs. Elles interrogent la forme de l'information, son rôle dans les stratégies éditoriales, l'identité des journalistes qui la conçoivent. Enfin, elles questionnent les rapports entre le sport et le modèle républicain, les enjeux politiques, économiques, sociaux, régionalistes, coloniaux… Entre histoire du sport et des médias, ce volume suggère au plus général que l'essor du phénomène sportif, aujourd'hui si inféodé au diktat économique et médiatique, est dès les années 1870-1910 organiquement stimulé par la mobilisation de la presse et par son commerce avec un grand nombre de lecteurs. Au-delà de l'histoire des institutions et des pratiques, il invite à considérer l'histoire sociale du sport avant tout comme l'histoire d'une industrie culturelle et médiatique pleinement inscrite, à la Belle Époque, dans l'ère naissante de la consommation et de la culture de masse.
History --- Hospitality Leisure Sport & Tourism --- sports --- presse --- culture de masse
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X Files, Friends, Jimmy Hendrix ou Les Tontons flingueurs… le culte a envahi tous les domaines, du cinéma à la musique, du livre à la télévision. Mais le culte n'est pas simplement une expression passe-partout : il nous invite aussi à analyser de nouveaux modes de rapport aux œuvres. Quelle signification accorder à ce terme issu du champ religieux et appliqué aux publics des grands médias contemporains ? Quelle représentation des publics apparaît à travers cette notion ?
Médias et culture --- Films cultes --- Fans --- Series televisees --- Media --- Aspect sociologique --- Aspect social --- Culture de masse --- Séries télévisées --- Aspect social. --- Culture de masse. --- Fans. --- Cultuur --- Cultuurstudies --- Televisieprogramma's --- Film --- Sociologie --- Cultuursociologie --- Cultuurstudie --- Televisieprogramma --- Film (cinematografie) --- Toerisme --- Erfelijkheidsleer --- Stadssamenleving --- Verpleegkunde --- Art --- Sociology --- culture de masse --- séries télévisées --- sociologie des media --- sociologie de l'art --- fans --- culture populaire --- arts du spectacles
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We live in a world where science and technology shape the global economy and everyday culture, where new biotechnologies are changing what we eat and how we can reproduce, and where email, mobiles and the internet have revolutionised the ways we communicate with each other and engage with the world outside us.Technoculture: The Key Concepts explores the power of scientific ideas, their impact on how we understand the natural world and how successive technological developments have influenced our attitudes to work, art, space, language and the human body. Throughout, the lively discussion of i
Technology --- Technological innovations --- Science --- Popular culture. --- Technologie --- Innovations --- Sciences --- Culture populaire --- Social aspects. --- Aspect social --- Culture de masse --- cultuurfilosofie --- globalisering --- technocultuur --- technologie --- sociologie --- Frankfurter Schule --- Debord Guy --- Baudrillard Jean --- Haraway Donna --- wetenschap --- kunsttheorie --- esthetica --- kunst en wetenschap --- 130.2 --- Popular culture --- Science and society --- Sociology of science --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Social aspects --- Innovations technologiques --- Culture de masse. --- Aspect social. --- Innovation
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One possible description of the contemporary medial landscape in Western culture is that it has gone ‘meta’ to an unprecedented extent, so that a remarkable ‘meta-culture’ has emerged. Indeed, ‘metareference’, id est self-reflexive comments on, or references to, various kinds of media-related aspects of a given medial artefact or performance, specific media and arts or the media in general is omnipresent and can, nowadays, be encountered in ‘high’ art and literature as frequently as in their popular counterparts, in the traditional media as well as in new media. From the Simpsons , pop music, children’s literature, computer games and pornography to the contemporary visual arts, feature film, postmodern fiction, drama and even architecture – everywhere one can find metareferential explorations, comments on or criticism of representation, medial conventions or modes of production and reception, and related issues. Within individual media and genres, notably in research on postmodernist metafiction, this outspoken tendency towards ‘metaization’ is known well enough, and various reasons have been given for it. Yet never has there been an attempt to account for what one may aptly term the current ‘metareferential turn’ on a larger, transmedial scale. This is what The Metareferential Turn in Contemporary Arts and Media: Forms, Functions, Attempts at Explanation undertakes to do as a sequel to its predecessor, the volume Metareference across Media (vol. 4 in the series ‘Studies in Intermediality’), which was dedicated to theoretical issues and transhistorical case studies. Coming from diverse disciplinary and methodological backgrounds, the contributors to the present volume propose explanations of impressive subtlety, breadth and depth for the current situation in addition to exploring individual forms and functions of metareference which may be linked with particular explanations. As expected, there is no monocausal reason to be found for the situation under scrutiny, yet the proposals made have in their compination a remarkable explanatory power which contributes to a better understanding of an important facet of current media production and reception. The essays assembled in the volume, which also contains an introduction with a detailed survey over the possibilities of accounting for the metareferential turn, will be relevant to students and scholars from a wide variety of fields: cultural history at large, intermediality and media studies as well as, more particularly, literary studies, music, film and art history.
Intermediality --- Mass media and the arts --- Intertextuality --- Mass media and literature --- Media literacy --- Intermediality. --- Mass media and the arts. --- Intertextuality. --- Mass media and literature. --- Media literacy. --- Intertextualité --- Intermédialité --- Médias et littérature --- Médias et art --- Culture de masse --- Intertextualité. --- Intermédialité. --- Médias et littérature. --- Médias et art. --- Culture de masse. --- Art, Modern --- Contemporary art --- Modernism (Art) --- E-books --- Arts. --- Mass media. --- Mass communication --- Media, Mass --- Media, The --- Communication --- Semiotics --- Influence (Literary, artistic, etc.) --- Arts, Daghestan --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Intertextualité. --- Intermédialité. --- Médias et littérature. --- Médias et art.
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When readers become victims of the murder mysteries they are immersed in, when superheroes embark on a quest to challenge their authors or when the fictional rock band Gorillaz flirt with Madonna during their performance, then metalepsis in popular culture occurs. Metalepsis describes the transgression of the boundary between the fictional world and (a representation of) the real world. This volume establishes a transmedial definition of metalepsis and explores the phenomenon in twelve case studies across media and genres of popular culture: from film, TV series, animated cartoons, graphic novels and popular fiction to pop music, music videos, holographic projections and fan cultures. Narrative studies have considered metalepsis so far largely as a phenomenon of postmodern or avant-garde literature. Metalepsis in Popular Culture investigates metalepsis' ties to the popular and traces its transmedial importance through a wealth of examples from the turn of the 20th century to this day. The articles also address larger issues such as readerly immersion, the appeal of complexity in popular culture, or the negotiation of fiction and reality in media, and invite readers to rethink these issues through the prism of metalepsis.
Fiction --- Literary rhetorics --- 82-3 --- Proza. Fictie. Narratologie --- Metalepsis --- Narration (Rhetoric) --- Popular culture --- 82-3 Proza. Fictie. Narratologie --- Figures of speech --- Literary style --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Metalepsis - Congresses --- Popular culture - Congresses --- Narration (Rhetoric) - Congresses --- Media. --- Metafiction. --- Narrative. --- Popular Culture. --- Transmediality. --- Culture de masse --- Culture populaire --- Métalepse
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Ce qui caractérise le Team X est une tentative de synthèse entre les contraintes matérielles d'une production de programmes de logements à différentes échelles, la volonté délibérée de prendre en compte le goût ordinaire (la culture de masse) et le contexte local (réalités matérielles et culturelles), mais aussi une exigence intellectuelle et une appartenance proclamée à l'avant-garde artistique. Sa dimension internationale l'inscrit dans le mouvement actuel de mondialisation des références, des modèles et des pratiques. Cet ouvrage offre une analyse critique de programmes de logements collectifs réalisés par des membres de ce courant autour des années 1950-70. Sont ainsi étudiés les projets d'Alison et Peter Smithson à Londres, l'œuvre de Jaap Bakema aux Pays-Bas, l'extension de Bagnols-sur-Cèze menée par l'équipe Georges Candilis, Alexis Josic et Shadrach Woods, la création de la ville nouvelle du Vaudreuil par les architectes Lods, Depond et Beauclair influencés par le Team X, ainsi que l'opération expérimentale de la ZUP de Toulouse-Le Mirail aussi menée par l'équipe G. Candilis, Alexis Josic et Shadrach Woods à partir de 1961 (ou de 1961 à 1981). En contrepoint, le dernier texte présente la maison du paysan Rodakis dans l'île d'Égine en Grèce parce qu'elle a constitué pour Candilis l'essence de l'architecture et un prototype de la maison originelle.
Architecture, Domestic --- High-rise apartment buildings --- Architecture, Modern --- Architecture domestique --- Immeubles d'habitation en hauteur --- Architecture --- Congresses --- Congrès --- Team 10. --- Théorie de l'architecture --- Théorie de l'urbanisme --- Bâtiment d'habitation collectif --- Pratique urbaine --- Pratique architecturale --- Team 10 --- Plan de cellule --- Immeubles d'habitation --- Aspect social --- Congrès --- Team Ten --- Team X --- Architecture, Domestic - Congresses --- High-rise apartment buildings - Congresses --- Architecture, Modern - 20th century - Congresses --- goût ordinaire --- mondialisation --- maison originelle --- culture de masse --- logement collectif --- prototype --- architecture
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Pursuant to Article 151(4) EC, when exercising its competences under the various policy areas within its purview, the European Community must heed the cultural repercussions of its activities, so as to refrain from jeopardising the preservation and further enhancement of Member States’ cultural diversity. Evaluating the degree of accommodation, or lack thereof, of cultural considerations in EC law and action, this book offers valuable insight into the plethora of ways in which the European institutions seek to balance cultural with other legitimate EC policy objectives. The study draws upon a series of policy areas that are (or can be) enriched with a cultural dimension and examines concrete judicial and legislative instances attesting to the efforts deployed to deliver coherent, culture-sensitive policies at EC level.
Concurrentiebeleid. --- Europees recht. --- Interne markt. --- Culture et droit. --- Culture --- Culture and law. --- Law and culture --- Law --- Vie culturelle --- Activités culturelles --- Civilisation --- Cognition et culture --- Communication et culture --- Contribution au concept de culture --- Cultural studies --- Culture et développement durable --- Culture et handicapés --- Culture et jeunesse --- Culturologie --- Équipements culturels --- Et la culture --- Ethnologie --- Études transculturelles --- Langage et culture --- Médias et culture --- Personnalité et culture --- Philosophie de la culture --- Politique et culture --- Psychanalyse et culture --- Religion et culture --- Sémiotique et culture --- Culture scientifique et technique --- Acculturation --- Arts --- Biculturalisme --- Collectionneurs et collections --- Communication interculturelle --- Conflit culturel --- Contre-culture --- Cosmopolitisme --- Culture d'entreprise --- Culture de masse --- Culture dominante --- Culture générale --- Culture juridique --- Culture politique --- Culture populaire --- Culture stratégique --- Diffusion de la culture --- Diversité culturelle --- Éducation --- Ethnocide --- Géographie culturelle --- Histoire des mentalités --- Journaux --- Patrimoine culturel --- Politique culturelle --- Relations culturelles --- Savoir et érudition --- Sociologie de la culture --- Subculture --- Vie artistique --- Vie intellectuelle --- Vie musicale --- Droit --- Administration --- Histoire --- Périodiques --- Aspect économique --- Cahiers, chroniques, etc. -- Comptes rendus --- Pays de l'Union européenne --- EU-landen. --- Politique culturelle. --- Culture and law --- Law - European Union countries --- Adab --- Culture et mondialisation --- Nature et culture --- Décivilisation --- Comptes rendus --- Mondialisation culturelle
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