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The main objective of the present work is to register and understand the trajectory of the Brazilian Popular Comedy Project (CPB) and, consequently, of the Fraternal Companhia de Arte e Malas-Artes through the characters created during 15 years of aesthetic research (1993-2008). The specific projects developed at each stage of the CPB Project, their respective plays and shows, character conceptions, the work and training of the actors and the relationship established with the main target of their theatrical life: the audience are the objects of analysis. In its first phase (1993-1997) - VER, Fraternal creates Brazilian type characters, influenced by comedians Martins Pena, Artur Azevedo and Ariano Suassuna, resuming the dialogue with the fixed types of commedia dell´arte. In the second phase (1998-2001) - LISTEN, the standard characters give prominence to characters inspired by medieval popular festivals, based on the theoretical study by Mikhail Bakhtin. And, in the third phase (2002-2008) - IMAGINAR, actors from the region present the characters through narration and representation. During this period, the Company deepens its practice in the scenic game established between characters, actors and narrators for the dramaturgical and interpretive construction of its shows, inspired by Bertolt Brecht and Luigi Pirandello. The choice of characters as interlocutors of the wishes and history of the Brazilian people reflected, from the beginning, the specific worldview and popular culture adopted by the Fraternal, endorsed in the point of view contrary to that of the dominant class, that of the dominated class. Dario Fo (1999), Mikhail Bakhtin (1987).
Comedy --- Brazilian drama (Comedy) --- History and criticism. --- Fraternal Cia. de Arte e Malas-artes. --- Brazilian drama --- Fraternal Companhia de Arte e Malas-artes --- ART
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"Exploring theatrical representations of homosexuality in Brazil, this is an alternative history of Brazilian theatre. It offers a critical analysis of canonical and non-canonical plays infused with the insights of feminist and queer theory, and looks at the portrayal of AIDS in Brazilian culture." --
Literature and society --- AIDS (Disease) in literature. --- Homosexuality in literature. --- Brazilian drama --- History and criticism.
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This book deals with the theatre produced in Brazil during the 1980's and 1990's, especially its postmodernist directors, women playwrights and theatre companies, and examines the effects of a return to civilian government from military rule.
Theater --- Brazilian drama --- Women dramatists, Brazilian --- Brazilian women dramatists --- History --- History and criticism. --- Theatrical science --- Drama --- Portuguese literature --- anno 1900-1999 --- Brazil
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Rien n’est plus difficile que d’appréhender ou de présenter des cultures aussi singulières, multiformes et instables que celles qui forment le Brésil. À cela s’ajoute la difficulté de retenir, ne serait-ce que pour un seul instant, le caractère insaisissable du phénomène théâtral. Parler de théâtre brésilien n’eût été rien moins qu’une manière arbitraire de prétendre à une unité qui ne tient pas au regard de l’histoire théâtrale et politique du Brésil. Recourir au pluriel dans le titre de cet ouvrage scientifique Les théâtres brésiliens correspond donc à une façon de nommer une hétérogénéité historique, anthropologique, esthétique, scénique et poétique, à l’intérieur même de São Paulo. Revenant sur l’hétérogénéité des influences esthétiques et idéologiques qui ont marqué la pratique théâtrale, du théâtre de Brecht à l’influence de la performance, cet ouvrage collectif revient sur une histoire du théâtre qui commence dans les années 1960 jusqu’à nos jours. En sollicitant les universitaires de l’USP, ainsi que les figures centrales de la mise en scène et de la pratique théâtrale, Les théâtres brésiliens fait le point sur une activité théâtrale qui concerne aussi bien la théorisation des formes scéniques, que l’activité créatrice d’acteurs et de metteurs en scène contmeporains. Les analyses et les entretiens se lisent alors comme une contribution majeure, faite de témoignages de praticiens et de contributions universitaires, à même de permettre une compréhension de l’histoire politique et scénographique du théâtre du XXIe siècle.
Theater --- Theatrical companies --- Brazilian drama --- Brazilian drama. --- Theater. --- Theatrical companies. --- History --- History and criticism. --- 1900 - 2099 --- Brazil. --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Brazilian literature --- Associations, institutions, etc. --- Performing arts --- al-Barāzīl --- Barāzīl --- Brasil --- Brasile --- Brasilia --- Brasili --- Brasilien --- Brazili --- Brazili Federativlă Respubliki --- Brazilia --- Brazilii͡ --- Brazilii͡a Federativ Respublikaḣy --- Braziliya --- Braziliya Federativ Respublikası --- Brazilská federativní republika --- Brazylia --- Brésil --- Burajiru --- Federale Republiek van Brasili --- Federative Republic of Brazil --- Federativna republika Brazil --- Federativna republika Brazilii͡ --- Federat͡siėm Respublikė Brazil --- Fedėratyŭnai͡a Rėspublika Brazilii͡ --- Gweriniaeth Ffederal Brasil --- Pa-hsi --- Pa-se --- Pa-se Liân-pang Kiōng-hô-kok --- Pederatibong Republika sa Brasil --- Pindorama --- República Federal del Brasil --- Republica Federale di u Brasile --- Republica Federativa del Brazil --- República Federativa do Brasil --- Rèpublica fèdèrativa du Brèsil --- Republik Kevreel Brazil --- République fédérative du Brésil --- Tantasqa Republika Wrasil --- Tetã Pindorama --- Wrasil --- Brésil --- art --- théâtre
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Arts and Humanities --- Literature --- theater --- dance --- performing arts --- Theater --- College and school drama, Brazilian --- College and school drama, Brazilian. --- Theater. --- Universidade Federal do Rio Grande do Sul. --- Brazil. --- Brazilian college and school drama --- Brazilian drama --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- al-Barāzīl --- Barāzīl --- Brasil --- Brasile --- Brasilia --- Brasili --- Brasilien --- Brazili --- Brazili Federativlă Respubliki --- Brazilia --- Brazilii͡ --- Brazilii͡a Federativ Respublikaḣy --- Braziliya --- Braziliya Federativ Respublikası --- Brazilská federativní republika --- Brazylia --- Brésil --- Burajiru --- Federale Republiek van Brasili --- Federative Republic of Brazil --- Federativna republika Brazil --- Federativna republika Brazilii͡ --- Federat͡siėm Respublikė Brazil --- Fedėratyŭnai͡a Rėspublika Brazilii͡ --- Gweriniaeth Ffederal Brasil --- Pa-hsi --- Pa-se --- Pa-se Liân-pang Kiōng-hô-kok --- Pederatibong Republika sa Brasil --- Pindorama --- República Federal del Brasil --- Republica Federale di u Brasile --- Republica Federativa del Brazil --- República Federativa do Brasil --- Rèpublica fèdèrativa du Brèsil --- Republik Kevreel Brazil --- République fédérative du Brésil --- Tantasqa Republika Wrasil --- Tetã Pindorama --- Wrasil --- Study and teaching --- Study and teaching. --- Show business --- Arts --- Performance art
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