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American poetry --- South Asian American authors.

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Asian American Studies Now truly represents the enormous changes occurring in Asian American communities and the world, changes that require a reconsideration of how the interdisciplinary field of Asian American studies is defined and taught. This comprehensive anthology, arranged in four parts and featuring a stellar group of contributors, summarizes and defines the current shape of this rapidly changing field, addressing topics such as transnationalism, U.S. imperialism, multiracial identity, racism, immigration, citizenship, social justice, and pedagogy. Jean Yu-wen Shen Wu and Thomas C. Chen have selected essays for the significance of their contribution to the field and their clarity, brevity, and accessibility to readers with little to no prior knowledge of Asian American studies. Featuring both reprints of seminal articles and groundbreaking texts, as well as bold new scholarship, Asian American Studies Now addresses the new circumstances, new communities, and new concerns that are reconstituting Asian America.

Asian Americans --- American literature --- History. --- Social conditions. --- Asian American authors.

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In interpreting contemporary Asian American poetry, it is important to understand the cultural hybridity of Asian America identity, located at the interstices of the fixed identifications ‘American’, ‘Asian American’, and ‘Asian’. This rootedness in more than one culture exposes the inapplicability of binary concepts (foreigner/national, et cetera). Hybridity, opposing essentialism and ‘the original’, favors multivocality and ambivalence. The exploration of Asian American cultural hybridity is linked both to material realities and poetic manifestations. Asian American hybrid subjectivity is explored through in-depth interpretations of works from well-established contemporary poets such as Kimiko Hahn, Marilyn Chin, Li-Young Lee, and Arthur Sze, as well as that of many new talents and hitherto neglected writers. This study examines how language and power interrelate, with translation and linguistic fusion being two approaches adopted by hybrid authors in their creation of alternative discourse. Culturally hybrid subjectivity is independent of and at the same time interconnected with more than one culture, thus enabling innovative political and identitarian positions to be articulated. Also examined are such traditional poetic forms as the zuihitsu, the sonnet, and the ghazal, which continue to be used, though in modernized and often subversive guise. The formal liminal space is revealed as a source of newness and invention deconstructing eurocentric hierarchy and national myth in American society and expanding or undercutting binary constructs of racial, national, and ethnic identities. A further question pursued is whether there are particular aesthetic modes and concepts that unite contemporary Asian American poetry when the allegiances of the practitioners are so disparate (ultimate geocultural provenience, poetic schools, regions in the USA, generations, sexual orientation, et cetera). Wide-ranging interviews with Kimiko Hahn and Chitra Banerjee Divakaruni on identity and roots, language and power, feminism, and the American poetry scene provide illuminating personal yet representative answers to this and other questions.

American poetry --- Asian American poetry (English) --- Oriental poetry (American) --- Asian American authors. --- Oriental authors --- Multiculturalism

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Duy Doan's striking debut reveals the wide resonance of the collection's unassuming title, in poems that explore-now with abundant humor, now with a deeply felt reserve-the ambiguities and tensions that mark our effort to know our histories, our loved ones, and ourselves. These are poems that draw from Doan's experience as a Vietnamese-American while at the same time making a case for-and masterfully playing with-the fluidity of identity, history, and language. Nothing is alien to these poems: the Saigon of a mother's dirge, the footballer Zinedine Zidane, an owl that "talks to his other self in the well"-all have a place in Doan's far-reaching and intimately human art.

American poetry --- Asian American authors. --- Asian American poetry (English) --- Oriental poetry (American) --- Oriental authors

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This book's intended mission is to compliment and extend the vision of a seminal volume, published in 1995, American Studies Today: An Introduction to Methods and Perspectives, which came out of the American Studies Research Centre in Hyderabad, India.

American literature --- Asian American authors --- Study and teaching --- East Asia --- Civilization --- American influences.