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Art styles --- Kunststijlen --- 696 --- Kunstgeschiedenis --- 701.3
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The Baroque period lasted from the beginning of the seventeenth century to the middle of the eighteenth century. Baroque art was artists' response to the Catholic Church's demand for solemn grandeur following the Council of Trent, and through its monumentality and grandiloquence it seduced the great European courts. Amongst the Baroque arts, architecture has, without doubt, left the greatest mark in Europe: the continent is dotted with magnificent Baroque churches and palaces, commissioned by patrons at the height of their power. The works of Gian Lorenzo Bernini of the Southern School and Pet
Art, Baroque. --- Baroque art --- Art styles --- Architecture --- Sculpture --- Painting --- anno 1600-1699
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Art styles --- Impressionist [style] --- anno 1800-1899 --- Kunstgeschiedenis --- schilderkunst --- kunstgeschiedenis --- impressionisme --- Impressionisme
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Arts & Humanities --- Paul Gauguin --- Îles Marquises --- art --- Tahiti --- Art styles not defined by date
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Art styles --- Realist [modern European fine arts styles] --- anno 1800-1899 --- anno 1900-1999 --- Kunstgeschiedenis --- realisme --- kunstgeschiedenis --- kunst --- Realisme
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Art styles --- Minimal --- minimal art --- anno 1900-1999 --- kunst --- kunstgeschiedenis --- Kunstgeschiedenis --- 705.8 --- minimalisme --- kunstgeschiedenis, 20e eeuw
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This volume deals with the significance of the avant-garde(s) for modern Jewish culture and the impact of the Jewish tradition on the artistic production of the avant-garde, be they reinterpretations of literary, artistic, philosophical or theological texts/traditions, or novel theoretical openings linked to elements from Judaism or Jewish culture, thought, or history.
Jewish religion --- Art styles --- avant-garde --- Judaism --- anno 1900-1999 --- Jews --- Jewish learning and scholarship --- Intellectual life. --- Avant-garde Movements. --- Jewish Thought. --- Modern Jewish Culture.
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A renowned scholar’s reflections on the romantic period, its disparate participants, and our unacknowledged debt to them With his usual wit and élan, esteemed historian Peter Gay enters the contentious, long-standing debates over the romantic period. Here, in this concise and inviting volume, he reformulates the definition of romanticism and provides a fresh account of the immense achievements of romantic writers and artists in all media. Gay’s scope is wide, his insights sharp. He takes on the recurring questions about how to interpret romantic figures and their works. Who qualifies to be a romantic? What ties together romantic figures who practice in different countries, employ different media, even live in different centuries? How is modernism indebted to romanticism, if at all? Guiding readers through the history of the romantic movement across Britain, France, Germany, and Switzerland, Gay argues that the best way to conceptualize romanticism is to accept its complicated nature and acknowledge that there is no “single basket” to contain it. Gay conceives of romantics in “families,” whose individual members share fundamental values but retain unique qualities. He concludes by demonstrating that romanticism extends well into the twentieth century, where its deep and lasting impact may be measured in the work of writers such as T. S. Eliot and Virginia Woolf.
Romanticism in art. --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art --- Aesthetics of art --- Art styles --- anno 1800-1899 --- anno 1900-1999
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Art styles --- Expressionist [style] --- anno 1900-1999 --- expressionisme --- kunst --- kunstgeschiedenis --- Kunstgeschiedenis --- 735.8 --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen
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Art styles --- Surrealist --- surrealisme --- anno 1900-1999 --- Kunstgeschiedenis --- Surrealisme --- kunst --- kunstgeschiedenis --- 735.8 --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen
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