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This collection of essays looks at two important manifestations of postclassical narratology, namely transmedial narratology on the one hand, and unnatural narratology on the other. The articles deal with films, graphic novels, computer games, web series, the performing arts, journalism, reality games, music, musicals, and the representation of impossibilities. The essays demonstrate how new media and genres as well as unnatural narratives challenge classical forms of narration in ways that call for the development of analytical tools and modelling systems that move beyond classical structuralist narratology. The articles thus contribute to the further development of both transmedial and unnatural narrative theory, two of the most important manifestations of postclassical narratology.

Fiction --- Literary rhetorics --- Mass communications --- Narration --- Analyse du discours narratif --- Médias et langage --- Médias --- Mass media. --- Narration (Rhetoric) --- Storytelling in mass media. --- Discourse analysis, Narrative. --- Mass media and language. --- 82-3 --- Proza. Fictie. Narratologie --- Erzähltheorie --- Intermedialität --- Narration. --- Médias et langage. --- Analyse du discours narratif. --- Médias. --- Narration (Rhetoric). --- 82-3 Proza. Fictie. Narratologie --- Erzähltheorie. --- Intermedialität. --- Language and mass media --- Language and languages --- Narrative discourse analysis --- Mass media --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Mass communication --- Media, Mass --- Media, The --- Communication --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Narrative theory. --- film studies. --- literary studies. --- media studies. --- Médias et langage. --- Médias.

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"Storytelling is a fundamental mode of everyday interaction. This book is based upon the Narrative Corpus (NC), a specialized corpus of naturally occurring narratives, and provides new paths for its study. Christoph Ruhlemann uses the NC's narrative-specific annotation and XPath and XQuery, query languages that allow the retrieval of complex data structures, to facilitate large-scale quantitative investigations into how narrators and recipients collaborate in storytelling. Empirical analyses are validated using R, a programming language and environment for statistical computing and graphics. Using this unique data and methodological base, Ruhlemann reveals new insights, including the discovery of turntaking patterns specific to narrative, the first investigation of textual colligation in spoken data, the unearthing of how speech reports, as discourse units, form striking patterns at utterance level, and the identification of the story climax as the sequential context in which recipient dialogue is preferentially positioned"--

Anglais (langue) --- Discourse analysis, Narrative. --- Conversation analysis. --- Storytelling. --- Analyse du discours narratif --- Storytelling --- Erzähltechnik. --- Erzählperspektive. --- Konversationsanalyse. --- Oral interpretation of fiction --- 802.0-56 Engels: syntaxis; semantiek --- Engels: syntaxis; semantiek --- Conversation analysis --- Discourse analysis, Narrative --- 802.0-56 --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Narrative discourse analysis --- Narration (Rhetoric) --- Analysis of conversation --- CA (Interpersonal communication) --- Conversational analysis --- Oral communication --- Performance --- Fiction --- English literature --- English language --- Pragmatics --- Englisch. --- Discourse analysis. --- Analyse du discours narratif. --- Discourse analysis --- Arts and Humanities --- Language & Linguistics --- English language - Discourse analysis

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Indices, traces, symptômes... Qu’est-ce qui fait signe dans le roman ? Quel rapport le roman du XIXe siècle entretient-il avec la question herméneutique ? Dans une société hantée par le spectre de l’opacité et de l’insignifiance, le déchiffrement et l’interprétation des signes offrent, en même temps qu’une traversée du réel, un accès véritable à la connaissance. Le présent ouvrage étudie les mille et une formes narratives prises au XIXe siècle par le « paradigme indiciaire » (Carlo Ginzburg), chez Stendhal comme chez Huysmans, chez Gautier comme chez Flaubert, dans la représentation des corps comme dans la conduite de l’intrigue.

French fiction --- Hermeneutics --- Criticism --- History and criticism --- History --- French fiction - 19th century - History and criticism --- Criticism - History --- Literature, Romance --- roman --- signe --- littérature --- nouvelle --- conte --- Roman --- Analyse du discours narratif --- Interprétation (philosophie) --- Sémiotique et littérature --- Herméneutique --- 19e siècle --- Histoire et critique

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Gegenstand des Buches ist der in den Kulturwissenschaften ebenso verbreitete wie umstrittene Begriff des implied author, der seit seiner Einführung vor einem halben Jahrhundert Anlass für literaturtheoretische Kontroversen gewesen ist. Die ersten Kapitel der Studie untersuchen die Geschichte des Begriffs: die Prägung des Konzepts in Wayne C. Booths Rhetoric of Fiction, die vielstimmige Diskussion in Narratologie, Interpretationstheorie und Interpretationspraxis, und die bekanntesten Konkurrenzkonzepte wie Umberto Ecos Modell-Autor oder Wolfgang Isers impliziten Leser. Das Schlusskapitel widmet sich der Frage, wie mit dem implied author in Zukunft umgegangen werden sollte; im Vordergund steht dabei die Analyse und Evaluation von Vorschlägen der Klärung bzw. Ersetzung des Konzepts im Rahmen intentionalistischer Interpretationstheorien.

Implied author (Rhetoric) --- Implied author (Rhetoric). --- Literary rhetorics --- 82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- Rhetoric --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Analyse du discours narratif --- Literary theory. --- narration technique. --- narration. --- narratology. --- narrator (in literature). --- Implicite (linguistique)