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Greek and Roman aesthetics
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ISBN: 9780521547925 9780521839280 0521839289 9780511780325 9780511932519 0511932510 051178032X 1282908138 9781282908130 1107209749 0511852363 9786612908132 0511931174 0511927339 0511924798 0511929838 052154792X Year: 2010 Volume: *18 Publisher: New York, NY : Cambridge University Press,

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Abstract

This anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in literature, in addition to less well-known writings by Philodemus, Cicero, Seneca, Plotinus, Augustine and Proclus. Most of the texts have been newly translated for this volume, and some are available in English for the first time. A detailed introduction traces the development of classical aesthetics from its roots in Platonism and Aristotelianism to its ultimate form in late Antiquity.

Consequences of Enlightenment
Author:
ISBN: 0521484901 052148149X 1107112648 0511116217 0511004869 051114928X 0511302959 0511483104 1280151897 0511053134 9780521484909 9780511004865 0511037899 9780511037894 9780511116216 9780521481496 9780511483103 9781107112643 9781280151897 9780511302954 9780511053139 Year: 1999 Volume: 30 Publisher: Cambridge, U.K. ; New York : Cambridge University Press,

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Abstract

What is the relationship between contemporary intellectual culture and the European Enlightenment it claims to reject? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues against the view that postmodern culture has rejected Enlightenment beliefs and explores instead the continuities contemporary theory shares with Kant's failed ambition to bring the project of Enlightenment to completion. He explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel, and Wittgenstein in order to reverse the tendency to see works of art simply in terms of the worldly practices among which they are situated.

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