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This book is a collection of critical essays on Romanticism and select Romantic texts, designed to help teachers and students to make sense of the period as a whole and of the poems and novels that appear most frequently on school and university curricula.
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Die transareal ausgelegte Vorlesung unternimmt den Versuch, nach der (vielleicht schon verlorenen) Einheit der Romantik hinter der Vielgestaltigkeit romantischer Diskurse zwischen zwei Welten, Europa und Amerika, zu fragen. Gab es eine Romantik oder gab es deren viele? Was zeichnet die Literaturen der Romantik in Frankreich und Deutschland, in Spanien und Italien, im Norden und vor allem im Süden des amerikanischen Doppelkontinents aus? Welche Schreibformen entwickelt eine Dichterin wie Gertrudis Gómez de Avellaneda, die zwischen Spanien und Kuba pendelt; welche Vermittlungsmöglichkeiten sieht Germaine de Staël im deutsch-französischen Dialog; in welcher Beziehung steht die Dichtung Baudelaires zu den Schriften Poes; und was bestimmte die Rezeption deutscher Romantik in Mexiko? Die Vorlesung gibt den Blick darauf frei, in welchem Maße im Jahrhundert der Nationalismen inter- und transkulturelle Beziehungen zwischen Ländern und Kontinenten bestanden, und hinterfragt die Monologe nationalliterarischer Ausrichtung. This transareal lecture inquires into the (perhaps already lost) unity of Romanticism behind the polymorphism of the Romantic discourses that took place between two worlds, Europe and America. This lecture reveals the scope of cultural relations between countries and continents in the century of nationalisms and questions the monological focus on national literatures.
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"Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann--the father of the modern fantastic--with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought."--
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Romanticism. --- Romanticism --- Romanticism
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