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"Argues that, in both form and content, the Tale of Genji re-envisions the elite practice of polygynous marriage and the construction of aristocratic mansions as expressions of familial power. Radically rethinks the Genji by focusing on the figure of the house-encompassing both fictionalized images of mansions and their inhabitants"--
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In Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyse the description of houses, landscapes, and commodities in eighteenth-century fiction. His study argues that such descriptions are important to the British imagination of community. By making visible what it means to own something, they illuminate how competing concepts of property define the boundaries of the individual, of social community, and of political systems. In this way, Schmidgen recovers description as a major feature of eighteenth-century prose, and he makes his case across a wide range of authors, including Daniel Defoe, Henry Fielding, William Blackstone, Adam Smith, and Ann Radcliffe. The book's most incisive theoretical contribution lies in its careful insistence on the unity of the human and the material: in Schmidgen's argument, persons and things are inescapably entangled. This approach produces fresh insights into the relationship between law, literature, and economics.
English fiction --- Law and literature --- Dwellings in literature. --- Landscapes in literature. --- Property in literature. --- Law in literature. --- Literature and law --- Literature --- Landscape in literature --- History and criticism. --- History --- Arts and Humanities
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Brown examines the ambivalence of economically determined objects both as repositories of memory and dreams and as fetishized commodities that become detached from everyday reality. Does the bourgeois possess the interior and its objects, or do the interior and its objects possess the bourgeois?.
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