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Albert Camus a vingt-deux ans quand il commence à écrire régulièrement dans ses « Cahiers » ; il ne cessera pas jusqu’à sa mort. Il en préparait alors la publication ; elle sera posthume, sous le titre de Carnets. Ces textes, aussi inclassables que divers (laboratoire de l’œuvre, « choses vues », notes de lectures, impressions de voyages, réflexions philosophiques et, de plus en plus vers la fin de sa vie, notations intimes) sont souvent cités ; ils n’avaient jamais été étudiés en tant que tels. Ils le sont ici, par des chercheurs d’horizons divers, qui interrogent les modalités et les enjeux de cette écriture très spécifique. Les Carnets prennent ainsi toute leur place dans l’œuvre camusienne, dont ils mettent au jour les ressorts secrets. Au cœur de cette écriture fragmentaire, l’exigence artistique de Camus est aussi manifeste qu’ailleurs ; et c’est à ses Carnets qu’en 1937 - il a alors vingt-quatre ans - il confie sa certitude, qui ne se démentira pas : « Écrire, ma joie profonde ! ». Lire les Carnets se révèle indispensable pour qui veut vraiment connaître Camus...

Camus, Albert, --- Notebooks, sketchbooks, etc. --- Camus, Albert --- Kamju, Al'ber --- Kami︠u︡, Alʹber, --- Kʻa-mu, --- Kamu, --- Chia-mou, --- Jiamou, --- Chia-miu, --- Jiamiu, --- Kʻa-miu, --- Kamiu, --- Albīr Kāmī, --- Kāmī, Albīr, --- Kāmū, Albīr, --- Ḳami, Alber, --- Kamy, Albert, --- Kāmyu, Ālper, --- Kāmyu, Ālpark, --- Mathe, Albert, --- Bauchart, --- Saetone, --- קאמי, אלבר, --- كامو، البير، --- كامي، ألبير --- کامو، البرت، --- کامو، آلبر --- Philosophy --- Literature (General) --- écriture --- Carnets d'écrivains --- genèse --- écriture de l'intime

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Existentialism. --- Existentialism --- Philosophy & Religion --- Philosophy --- Existenzphilosophie --- Ontology --- Phenomenology --- Philosophy, Modern --- Epiphanism --- Relationism --- Self --- Camus, Albert, --- Camus, Albert --- Kamju, Al'ber --- Kami︠u︡, Alʹber, --- Kʻa-mu, --- Kamu, --- Chia-mou, --- Jiamou, --- Chia-miu, --- Jiamiu, --- Kʻa-miu, --- Kamiu, --- Albīr Kāmī, --- Kāmī, Albīr, --- Kāmū, Albīr, --- Ḳami, Alber, --- Kamy, Albert, --- Kāmyu, Ālper, --- Kāmyu, Ālpark, --- Mathe, Albert, --- Bauchart, --- Saetone, --- קאמי, אלבר, --- كامو، البير، --- كامي، ألبير --- کامو، البرت، --- کامو، آلبر --- Philosophy.

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"Like many others of my generation, I first read Camus in high school. I carried him in my backpack while traveling across Europe, I carried him into (and out of) relationships, and I carried him into (and out of) difficult periods of my life. More recently, I have carried him into university classes that I have taught, coming out of them with a renewed appreciation of his art. To be sure, my idea of Camus thirty years ago scarcely resembles my idea of him today. While my admiration and attachment to his writings remain as great as they were long ago, the reasons are more complicated and critical."-Robert Zaretsky On October 16, 1957, Albert Camus was dining in a small restaurant on Paris's Left Bank when a waiter approached him with news: the radio had just announced that Camus had won the Nobel Prize for Literature. Camus insisted that a mistake had been made and that others were far more deserving of the honor than he. Yet Camus was already recognized around the world as the voice of a generation-a status he had achieved with dizzying speed. He published his first novel, The Stranger, in 1942 and emerged from the war as the spokesperson for the Resistance and, although he consistently rejected the label, for existentialism. Subsequent works of fiction (including the novels The Plague and The Fall), philosophy (notably, The Myth of Sisyphus and The Rebel), drama, and social criticism secured his literary and intellectual reputation. And then on January 4, 1960, three years after accepting the Nobel Prize, he was killed in a car accident. In a book distinguished by clarity and passion, Robert Zaretsky considers why Albert Camus mattered in his own lifetime and continues to matter today, focusing on key moments that shaped Camus's development as a writer, a public intellectual, and a man. Each chapter is devoted to a specific event: Camus's visit to Kabylia in 1939 to report on the conditions of the local Berber tribes; his decision in 1945 to sign a petition to commute the death sentence of collaborationist writer Robert Brasillach; his famous quarrel with Jean-Paul Sartre in 1952 over the nature of communism; and his silence about the war in Algeria in 1956. Both engaged and engaging, Albert Camus: Elements of a Life is a searching companion to a profoundly moral and lucid writer whose works provide a guide for those perplexed by the absurdity of the human condition and the world's resistance to meaning.

French literature. --- Biography & Autobiography. --- BIOGRAPHY & AUTOBIOGRAPHY / Literary. --- Camus, Albert, --- Criticism and interpretation. --- Camus, Albert --- Kamju, Al'ber --- Kami︠u︡, Alʹber, --- Kʻa-mu, --- Kamu, --- Chia-mou, --- Jiamou, --- Chia-miu, --- Jiamiu, --- Kʻa-miu, --- Kamiu, --- Albīr Kāmī, --- Kāmī, Albīr, --- Kāmū, Albīr, --- Ḳami, Alber, --- Kamy, Albert, --- Kāmyu, Ālper, --- Kāmyu, Ālpark, --- Mathe, Albert, --- Bauchart, --- Saetone, --- קאמי, אלבר, --- كامو، البير، --- كامي، ألبير --- کامو، البرت، --- کامو، آلبر

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In the first decade of a new century, this collection of bilingual essays examines Camus’s continuing popularity for a new generation of readers. In crucial respects, the world Camus knew has changed beyond all recognition: decolonization, the fall of the Iron Curtain, a new era of globalization and the rise of new forms of terrorism have all provoked a reconsideration of Camus’s writings. If the Absurd once struck a particular chord, Meursault is as likely now to be seen as a colonial figure who expresses the alienation of the settler from the land of his birth. Yet this increasing orthodoxy must also take account of the reasons why a new community of Algerian readers have embraced Camus. Equally, once isolated because of his anti-Communist stance, Camus has been taken up by disaffected members of the Left, convinced that new forms of totalitarianism are abroad in the world. This volume, which ranges from interpretations of Camus’s literary works, his journalism and his political writings, will be of interest to all those seeking to re-evaluate Camus’s work in the light of ethical and political issues that are of continuing relevance today.

Philosophy. --- Political and social views. --- Mental philosophy --- Humanities --- Camus, Albert, --- Camus, Albert --- Kamju, Al'ber --- Kami︠u︡, Alʹber, --- Kʻa-mu, --- Kamu, --- Chia-mou, --- Jiamou, --- Chia-miu, --- Jiamiu, --- Kʻa-miu, --- Kamiu, --- Albīr Kāmī, --- Kāmī, Albīr, --- Kāmū, Albīr, --- Ḳami, Alber, --- Kamy, Albert, --- Kāmyu, Ālper, --- Kāmyu, Ālpark, --- Mathe, Albert, --- Bauchart, --- Saetone, --- קאמי, אלבר, --- كامو، البير، --- كامي، ألبير --- کامو، البرت، --- کامو، آلبر --- Kami͡u, Alʹber, --- Criticism and interpretation --- Political and social views --- Philosophy --- French literature

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Often marginalised on the sidelines of both philosophy and literature, the works of Albert Camus have, in recent years, undergone a renaissance. While most readers in either discipline claim Camus and his works to be 'theirs', the scholars presented in this volume tend to see him and his works in both philosophy and literature.This volume is a collection of critical essays by an international menagerie of Camus experts who, despite their interpretive differences, see Camus through both lenses. For them, he is a novelist/essayist who embodies a philosophy that was never fully developed due to

French fiction --- History and criticism. --- Camus, Albert, --- Camus, Albert --- Kamju, Al'ber --- Kami︠u︡, Alʹber, --- Kʻa-mu, --- Kamu, --- Chia-mou, --- Jiamou, --- Chia-miu, --- Jiamiu, --- Kʻa-miu, --- Kamiu, --- Albīr Kāmī, --- Kāmī, Albīr, --- Kāmū, Albīr, --- Ḳami, Alber, --- Kamy, Albert, --- Kāmyu, Ālper, --- Kāmyu, Ālpark, --- Mathe, Albert, --- Bauchart, --- Saetone, --- קאמי, אלבר, --- كامو، البير، --- كامي، ألبير --- کامو، البرت، --- کامو، آلبر