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Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans for

Nationalism in music. --- Music --- Nationalism and music --- National music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Political aspects --- Social aspects --- History and criticism --- Angola --- Anghūlā --- Colónia de Angola (Portugal) --- Estado de Angola (Portugal) --- Narodnai︠a︡ Respublika Angoly --- People's Republic of Angola --- Portugiesisch Westafrika --- Portuguese West Africa --- Province d'Angola (Portugal) --- Província de Angola (Portugal) --- R.P.A. --- Republic of Angola --- República de Angola --- República Popular de Angola --- République populaire d'Angola --- RPA --- Volksrepublik Angola --- Angola (Revolutionary government in exile, 1962-1975) --- History --- Music and the war. --- Music and the revolution. --- Nationalism in music --- #SBIB:39A5 --- #SBIB:39A73 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Musique --- Nationalisme dans la musique --- Aspect social --- Aspect politique --- Histoire --- Musique et révolution --- Musique et guerre