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Kafka's work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka's writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the following issues: ambiguity as a tool of deconstructing the pre-established philosophical meanings of the universal; the concept of the law as a major symbol for the universal meaning of Kafka's writings; the presence of animals in Kafka's texts; the modernist mode of writing as challenge of philosophical concepts of the universal; and the meaning and relevance of the universal in contemporary Kafka reception. This volume examines central aspects of the interplay between philosophy and literature.

Philosophy in literature --- Kafka, Franz, --- Criticism and interpretation --- Authors, Austrian --- Austrian authors --- Singularity. --- modernism. --- narrative. --- universalism. --- Ḳafḳa, Frants, --- Kʻapʻŭkʻa, --- Kafka, F. --- Kaphka, Phrants, --- Ḳafḳa, Amshel, --- Kafka, Franc, --- Kʻa-fu-kʻa, --- Kʻa-fu-kʻa, Fu-lang-tzʻu, --- Kāk̲apkā, --- Кафка, Франц, --- Кафка, Ф., --- フランツ・カフカ, --- קאפקא, פראנץ, --- קאפקא, פרנץ, --- קאפקה, פראנץ, --- קפקא, --- קפקא, פרנץ, --- كافكا، فرانتس، --- كفكا، فرنز، --- کافکا، فرانز، --- Kafka, Franz

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Dieser Band besteht aus 16 Beiträgen. Sie sind revidierte und erweiterte Fassungen der Vorträge, die 2004 im Rahmen internationaler Tagungen über Theodor Herzl (1860-1904) gehalten wurden, um seines hundertsten Todestages zu gedenken. Der Schwerpunkt des Bandes liegt auf literarischen und kulturpolitischen Fragestellungen zu Herzl sowie auf Themen, die mit der Rezeption seiner Werke sowie seiner Persönlichkeit zu tun haben. Andere Themen, die in diesem Buch diskutiert werden, sind u.a. Herzl zwischen Mythos und Messianismus, Herzls Nationalismus, Herzl und Afrika, Herzl als Dramatiker, Herzl im Film sowie die Herzl-Rezeption in Israel und in Europa. In 2004 the one-hundredth anniversary of Theodor Herzl’s death was commemorated throughout the world. The myth of Herzl, as it has developed over the last century, has perhaps become more important than the historical figure. This volume contains revised and expanded essays, which were originally delivered as lectures at international Herzl centennial conferences in Antwerp, London, and Jerusalem. Topics treated include the Herzl myth, Herzl’s nationalism and Zionism, his self-understanding and image, his authorship of comedies and philosophical tales, Herzl and Africa, as well as his reception in Israeli and other literature. Zweig films are also considered within this same context.

Herzl, Theodor --- Zionism --- Herzl, Theodor, --- Herzl, Binyamin Zeʼev, --- Hertsl, Binyamin Zeʼev, --- Hartzil, Thiyūdūr, --- Gert︠s︡lʹ, Benʹi︠a︡min Zeėv, --- Gert︠s︡lʹ, Teodor, --- Herzl, Teodoro, --- Herzl, Théodore, --- Hertsl, Ṭeodor, --- Hertsel, Binyamin Zeʼev, --- Hertsel, Teʼodor, --- הירצל, טיאודור --- הירצל, תיאודור --- הערצל --- הערצל, בנימין בן יעקב, --- הערצל, בנימין טהעאדאר --- הערצל, טה --- הערצל, טהעאדאר --- הערצל, טהעאדאר, --- הערצל, טעאדאר --- הערצל, טעאדאר, --- הערצל, ט. --- הערצל, ת., --- הערצעל, ט. --- הרצל --- הרצל, בנימין זאב --- הרצל, בנימין זאב, --- הרצל, טיאודור --- הרצל, ט., --- הרצל, תאודור --- הרצל, תאודור, --- הרצל, תיאודור --- הרצל, תיאודור, --- הרצל, תיאודר, --- הרצל, ת., --- טעאדאר הערצעל --- هرتزل، ثيودر، --- Герцль, Беньямин Зеэв, --- Герцль, Теодор,

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Veils --- Veils in literature. --- Social aspects. --- History. --- Political aspects.

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This volume explores the ways in which Jerusalem is represented in Psalms - from its position in the context of liturgical and pilgrim songs to its role as metaphor. Jerusalem in the Book of Psalms is the site of scenes of redemption, joy, and celebration of the proximity to God and the house of the Lord. But it is also the quintessential locus of loss, marked by cries over the devastating destruction of the Temple. These two antithetical poles of Jerusalem are expressed in both personal terms as well as within a collective framework. The bulk of the articles are devoted to questions of reception, to the ways in which the geographies of the Book of Psalms have travelled across their native bounds and entered other historical settings, acquiring new forms and meanings.　 　 　 　 　

223.3 --- 291.35 --- 291.35 Heilige plaatsen: altaren; tempels; pagoden; kerken; moskeeën; bossen; grotten; heilige landen en steden --- Heilige plaatsen: altaren; tempels; pagoden; kerken; moskeeën; bossen; grotten; heilige landen en steden --- 223.3 Psalmen --- 223.3 Psaumes --- Psalmen --- Psaumes --- Bible. --- Biblos Psalmon (Book of the Old Testament) --- Buch der Preisungen (Book of the Old Testament) --- Liber Psalmorum (Book of the Old Testament) --- Mazāmīr (Book of the Old Testament) --- Preisungen (Book of the Old Testament) --- Psalmen (Book of the Old Testament) --- Psalmoi (Book of the Old Testament) --- Psalms (Book of the Old Testament) --- Psalms of David (Book of the Old Testament) --- Psaumes (Book of the Old Testament) --- Pseaumes de Dauid (Book of the Old Testament) --- Salmenes bok (Book of the Old Testament) --- Salmos (Book of the Old Testament) --- Shihen (Book of the Old Testament) --- Sifr al-Mazāmīr (Book of the Old Testament) --- Soltar (Book of the Old Testament) --- Tehilim (Book of the Old Testament) --- Tehillim (Book of the Old Testament) --- תהלים (Book of the Old Testament) --- Zsoltárkönyv (Book of the Old Testament) --- Criticism, interpretation, etc. --- Jerusalem --- In the Bible. --- Psalms, Jerusalem, Bible, Reception. --- RELIGION / Judaism / Theology.

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Dès ses premières critiques littéraires, Maurice Blanchot a commenté les plus grands écrivains allemands : Kafka, Thomas Mann, Rilke, Goethe, Eckermann, Hölderlin, Nietzsche, Musil, Broch, Hesse, Celan... Blanchot a toujours lu en allemand. Il connaît parfaitement la philosophie de Hegel à Heidegger, de Scholem à Adorno, ainsi que les œuvres critiques de la littérature et la philosophie allemandes. La plupart de ses œuvres portent d’ailleurs les traces de la culture allemande : les romantiques pour l’écriture fragmentaire, Kafka pour les premiers romans, ou encore Thomas Mann pour certains motifs littéraires. Il n’est pas rare en fait de trouver dans les romans ou les récits de Blanchot des citations à peine réécrites de certaines œuvres germanophones. Cet ouvrage a pour intention de faire le point sur ces correspondances de pensée tout en insistant sur des auteurs plus secondaires pour Blanchot comme Maître Eckhart, Leibniz, Novalis, Heidegger, Wittgenstein, Schelling, Benjamin, Freud…

Literature (General) --- philosophie --- littérature --- Heidegger --- Benjamin --- Celan --- Blanchot