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Under Ptolemy II Philadelphus, who ruled Egypt in the middle of the third century B.C.E., Alexandria became the brilliant multicultural capital of the Greek world. Theocritus's poem in praise of Philadelphus-at once a Greek king and an Egyptian pharaoh-is the only extended poetic tribute to this extraordinary ruler that survives. Combining the Greek text, an English translation, a full line-by-line commentary, and extensive introductory studies of the poem's historical and literary context, this volume also offers a wide-ranging and far-reaching consideration of the workings and representation of poetic patronage in the Ptolemaic age. In particular, the book explores the subtle and complex links among Theocritus's poem, modes of praise drawn from both Greek and Egyptian traditions, and the subsequent flowering of Latin poetry in the Augustan age. As the first detailed account of this important poem to show how Theocritus might have drawn on the pharaonic traditions of Egypt as well as earlier Greek poetry, this book affords unique insight into how praise poetry for Ptolemy and his wife may have helped to negotiate the adaptation of Greek culture that changed conditions of the new Hellenistic world. Invaluable for its clear translation and its commentary on genre, dialect, diction, and historical reference in relation to Theocritus's Encomium, the book is also significant for what it reveals about the poem's cultural and social contexts and about Theocritus' devices for addressing his several readerships. COVER IMAGE: The image on the front cover of this book is incorrectly identified on the jacket flap. The correct caption is: Gold Oktadrachm depicting Ptolemy II and Arsinoe (mid-third century BCE; by permission of the Museum of Fine Arts, Boston).

Ptolemy II Philadelphus, King of Egypt --- Theocritus --- Ptolemy --- Ptolemaeus --- Ptolemy II Philadelphus --- Poetry --- LITERARY CRITICISM / Ancient & Classical. --- alexandria. --- ancient egypt. --- ancient greece. --- aristophanes. --- arsinoe ii. --- art. --- augustan poetry. --- classical studies. --- clouds. --- egypt. --- encomium. --- genre studies. --- greek culture. --- greek poetry. --- greek world. --- hellenism. --- hellenistic poetry. --- hellenistic world. --- heracles. --- homeric hymn. --- hymn. --- king. --- latin poetry. --- literary criticism. --- monarchy. --- mythology. --- patronage. --- patrons. --- pharaoh. --- pharaonic traditions. --- philadelphus. --- pithom stele. --- poetic meter. --- poetic tribute. --- poetry. --- poets. --- praise. --- ptolemaic dynasty. --- ptolemy ii. --- reign. --- ruler. --- theocritus. --- third century. --- zeus.

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Through a series of innovative critical readings Richard Hunter builds a picture of how the ancients discussed the meaning of literary works and their importance in society. He pays particular attention to the interplay of criticism and creativity by not treating criticism in isolation from the works which the critics discussed. Attention is given both to the development of a history of criticism, as far as our sources allow, and to the constant recurrence of similar themes across the centuries. At the head of the book stands the contest of Aeschylus and Euripides in Aristophanes' Frogs which foreshadows more of the subsequent critical tradition than is often realised. Other chapters are devoted to ancient reflection on Greek and Roman comedy, to the Augustan critic Dionysius of Halicarnassus, to 'Longinus', On the Sublime, and to Plutarch. All Greek and Latin is translated.

Greek literature --- History and criticism. --- Appreciation. --- Appreciation --- History and criticism --- Arts and Humanities --- History

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This book selects central texts illustrating the literary reception of Hesiod's Works and Days in antiquity and considers how these moments were crucial in fashioning the idea of 'didactic literature'. A central chapter considers the development of ancient ideas about didactic poetry, relying not so much on explicit critical theory as on how Hesiod was read and used from the earliest period of reception onwards. Other chapters consider Hesiodic reception in the archaic poetry of Alcaeus and Simonides, in the classical prose of Plato, Xenophon and Isocrates, in the Aesopic tradition, and in the imperial prose of Dio Chrysostom and Lucian; there is also a groundbreaking study of Plutarch's extensive commentary on the Works and Days and an account of ancient ideas of Hesiod's linguistic style. This is a major and innovative contribution to the study of Hesiod's remarkable poem and to the Greek literary engagement with the past.

Greek literature --- History and criticism. --- Hesiod. --- Plutarch. --- Plutarco --- Plutarque --- Ploutarchos --- Ploetarchos --- Plutarch --- Plutarchus --- Plutarkh --- Plutarkhus --- Plutarchus, --- Plutarch, --- Blūtārkhūs --- Плутарх --- Плутах --- Plutarh --- פלוטארכוס --- پلوتارخ --- Πλούταρχος, --- Pseudo-Plutarch --- Plutarkhosz --- Plutarchus Chaeronensis --- Greek literature. --- LITERARY CRITICISM --- POETRY --- Rezeption. --- Poetry. --- Ancient, Classical & Medieval. --- Hesiodus, --- Works and days (Hesiod).

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Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.

Greek poetry, Hellenistic --- Influence (Literary, artistic, etc.) --- Creation (Literary, artistic, etc.) --- Poésie grecque hellénistique --- Influence littéraire, artistique, etc. --- Création (Arts) --- History and criticism. --- Histoire et critique --- History and criticism --- History --- Poésie grecque hellénistique --- Influence littéraire, artistique, etc. --- Création (Arts) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Greek poetry [Hellenistic ] --- To 500 --- Arts and Humanities --- Greek poetry, Hellenistic - History and criticism --- Influence (Literary, artistic, etc.) - History - To 500 --- Creation (Literary, artistic, etc.) - History - To 500 --- Antiquité

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This is a series of innovative studies in the textual and literary criticism of Latin literature, exploring how these two branches of the discipline are mutually supportive. The contributors include many leading scholars in the field. Individual essays are devoted to Catullus, Cicero, Horace, Lucretius, Ovid, Tacitus and Virgil, and there are also essays on the Renaissance reception of Virgil and on principles of editorial practice. The collection celebrates the extraordinary contribution which Michael Reeve has made and continues to make to Latin studies.

Latin literature --- Transmission of texts --- Manuscripts --- Greek & Latin Languages & Literatures --- Languages & Literatures --- Codices --- Books --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- History and criticism --- Editing --- Transmission of texts. --- History and criticism. --- Editing.