Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Motion picture industry --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Finance. --- Economic aspects. --- Production and direction. --- Finance --- Production and direction --- Direction --- Economic aspects --- E-books
Choose an application
Hjort argues that Stanley Kwan's contribution in Center Stage is to develop an approach to nonfiction filmmaking that is realist without being naïve. The value of the film's reflexive dimension, Hjort shows, has nothing to do with poststructuralist skepticism but with the compelling manifestation of a communicative model that serves as an alternative to hierarchical and authoritarian modes of social organization.
Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Kwan, Stanley, --- Criticism and interpretation. --- Kwan, Stanley
Choose an application
Within cinema studies there has emerged a significant body of scholarship on the idea of 'National Cinema' but there has been a tendency to focus on the major national cinemas. Less developed within this field is the analysis of what we might term minor or small national cinemas, despite the increasing significance of these small entities with the international domain of moving image production, distribution and consumption. The Cinema of Small Nations is the first major analysis of small national cinemas, comprising twelve case studies of small national - and sub national - cinemas from around the world, including Ireland, Denmark, Iceland, Scotland, Bulgaria, Tunisia, Burkina Faso, Cuba, Singapore, Taiwan, Hong Kong and New Zealand. Written by an array of distinguished and emerging scholars, each of the case studies provides a detailed analysis of the particular cinema in question, with an emphasis on the last decade, considering both institutional and textual issues relevant to the national dimension of each cinema. While each chapter contains an in-depth analysis of the particular cinema in question, the book as a whole provides the basis for a broader and more properly comparative understanding of small or minor national cinemas, particularly with regard to structural constraints and possibilities, the impact of globalization and internationalisation, and the role played by economic and cultural factors in small-nation contexts. Key features: * the first major study of a range of small national cinemas * detailed and informative studies of particular small national cinemas from around the globe * an implicit comparative element that reveals major similarities and differences across the case studies * a strong line up of international contributors including a number of major internationally recognised experts in the field * written in an accessible style to appeal to students, academics and the general reader alike.
Film --- Motion pictures. --- States, Small. --- National characteristics in motion pictures. --- Motion pictures --- States, Small --- Music, Dance, Drama & Film --- Motion picture industry. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Nations, Small --- Small countries --- Small nations --- Small states --- Political science --- States, Size of --- Middle powers --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History and criticism --- History.
Choose an application
Choose an application
This work explores in detail how innovative academic activism can transform our everyday workplaces in contexts of considerable adversity. Personal essays by prominent scholars provide critical reflections on their institution-building triumphs and setbacks across a range of cultural institutions. Often adopting narrative approaches, the contributors examine how effective programmes and activities are built in varying local and national contexts within a common global regime of university management policy. Here they share experiences based on developing new undergraduate degrees, setting up r
Culture --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Study and teaching (Higher) --- Social aspects
Choose an application
Human rights in motion pictures. --- Motion pictures --- Documentary films --- History and criticism. --- Africa --- In motion pictures. --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
Choose an application
Cinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisation for the concept of national cinema.
National characteristics in motion pictures. --- Motion picture industry --- Motion pictures --- Government policy. --- Political aspects. --- Political sociology --- National movements --- Film
Listing 1 - 7 of 7 |
Sort by
|