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This book provides a rhetorical manual for political and business leaders to motivate followers even in times of hardship. It covers the fine art of persuasion and argues that there are four speeches every leader has to know: the opening speech, the executioner speech, the consolation speech, and the farewell speech. The authors explore how leaders could speak in order to appear credible to an audience, and they argue that the leader has to take on suffering and give meaning to suffering people experience. To be persuasive, the speaking leader therefore has to acknowledge that life is inscribed in the reality of change and suffering. The point is not to glorify suffering, but to acknowledge the depths of the human condition and how this knowledge may shape the art of speaking well. The book analyzes speeches from a wide variety of speakers, including Sir Winston Churchill, Barack Obama, Nelson Mandela, and Angela Merkel, and ends with a rhetorical dictionary for leaders to help readers familiarize themselves with helpful terms from rhetorical theory. Bård Norheim is Associate Professor of Practical Theology at NLA University College, Norway. Joar Haga is Associate Professor II of Church History at NLA University College, Norway, and Associate Professor of Church History at VID Specialized University, Norway.

Narration (Rhetoric) --- Leadership. --- Ability --- Command of troops --- Followership --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Political communication. --- Political leadership. --- Political Communication. --- Political Leadership. --- Business Strategy/Leadership. --- Leadership --- Political communication --- Political science

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This open access book includes forty-one chapters about foreign observers’ discourses on Japan. These include a wide range of perspectives from the travelogues of curious visitors to academic theses by scholars, which offer us a broad spectrum of contents, reflecting a variety of attitudes toward Japan. The works were written during the period from the 1850s to the 1980s, a timespan during which Japan became, in stages, more open to the outside world after a long isolation under the Tokugawa shogunate. From the perspective of “Japanology,” one can discern three distinct periods of rising interest in the country from abroad. The first tide of such interest came shortly after the opening of Japan, when various foreign travelers, including those who could not be included in this book, came over and wrote down their impressions of the country—which was, for them, a land of mystery and mystique, which had just opened its doors to them. The second wave arose at the beginning of the twentieth century, just after the Russo-Japanese War, when Japan again generated a remarkable surge of interest as a “miracle” in Asia that had pulled off the wondrous feat of defeating a white superpower. The third wave was more recent, which took place from the late 1960s to the 1980s, a period of high economic growth when the “miracle” of Japan’s remarkable economic recovery from the defeat of World War II attracted enthusiastic and curious attention from the outside world once again. It is not the intention of this book to directly highlight such historical transitions, but these forty-two brilliant mirrors (forty-one chapters, including forty-two discourses), even when looked in casually, provide us with unexpected insights and various perspectives. Shōichi Saeki (1922–2016) was Professor Emeritus, the University of Tokyo. Tōru Haga (1931–2020) was Professor Emeritus, International Research Center for Japanese Studies. .

Oriental literature. --- Philosophy, Japanese. --- Japan—History. --- Diplomacy. --- International relations—History. --- Asian Literature. --- Japanese Philosophy. --- History of Japan. --- Diplomatic and International History. --- History --- International relations --- Japanese philosophy --- Asian literature --- Japan --- Description and travel. --- Description and travel

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Leadership. --- Fear. --- Rhetoric. --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- Fright --- Emotions --- Anxiety --- Horror --- Ability --- Command of troops --- Followership --- Rhetoric

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The art of origami, or paper folding, is carried out using a square piece of paper to obtain attractive figures of animals, flowers or other familiar figures. It is easy to see that origami has links with geometry. Creases and edges represent lines, intersecting creases and edges make angles, while the intersections themselves represent points. Because of its manipulative and experiential nature, origami could become an effective context for the learning and teaching of geometry.In this unique and original book, origami is an object of mathematical exploration. The activities in this book diff

Origami. --- Polyhedra --- Geometrical models --- Japanese paper folding --- Paper folding, Japanese --- Paper work --- Models.

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With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image - or rather the imagination - of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Volume 3 analyses the impact of Jerusalem on Scandinavian Christianity from the middle of the 18. century in a broad context. Tracing the Jerusalem Code in three volumesVolume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100-1536)Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536-ca. 1750)Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750-ca. 1920)

RELIGION / Religion, Politics & State. --- Modern literature. --- Zionist movement and Scandinavia. --- Scandinavia --- Jerusalem --- Church history. --- In Christianity.