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Chekhov, Anton Pavlovich, --- Criticism and interpretation. --- Tsjechov, Anton --- Tsjechow, Anton P. --- Čechov, Anton Pavlovič --- Chekhov, Anton Pavlovich --- Tchekhov, Anton --- Tchekhov, Antone --- Tschechow, Anton --- チェーホフ, アントーン・パーヴロヴィチ --- Чехов, Антон Павлович, --- Chehov, Anton, --- Chekov, Anton, --- Tschechow, Anton Pawlowits, --- Tchekhov, Anton, --- Czechow, Antoni, --- Tsjechov, Anton, --- Csehov, Anton Pavlovics, --- Cecov, Anton, --- Čechov, Anton Pavlovič, --- Chekhonte, A., --- Chʻi-ho-fu, --- Tjechov, Anton Pavlovitj, --- Cehov, Anton Pavlović, --- Tchekoff, Anton, --- Čexov, Anton, --- Чехов, А. П. --- Chekhov, A. P. --- Cehov, Anton Pavlovici, --- Chʻi-ho-fu, An-tung, --- Chéjov, Antón, --- Чехов, А. --- Chekhov, A. --- Chʻi-kʻo-fu, --- Tshīkūf, --- Tshīkūf, Anṭūn, --- Tšehov, A. P., --- Ts'ekhov, --- Ts'ekhov, Anṭon P., --- Tchekov, A. P., --- Tsjekhov, Anton, --- Cekhava, Enṭana, --- Čechov, A. P., --- Cekhovha, Ayāṇṭan, --- Богемский, А., --- Bogemskiĭ, A., --- Ts'ekhov, A. P., --- Tjekhov, Anton, --- טשחוב, אנטון פװלובוץ׳, --- טשעבאוו, אנטאן, --- טשעחאוו, אנטאן, --- טשעחאוו, א. --- טשעכאָװ, אנטאָן --- טשעכאוו, אנטאן --- טשעכאוו, אנטאן פּאוולאוויטש, --- טשעכאוו, אנטאן, --- טשעכאוו, א. --- טשעכאוו, א. פ. --- טשעכאוו, א. פ., --- טשעכאוו, א., --- טשעכאװ, אנטאן, --- טשעכאװ, א. --- טשעכאװ, א.פ --- טשעכאװ, א.פ., --- צ׳חוב, אנטון --- צ׳חוב, אנטון, --- צ׳חוב, א. פ. --- צ׳יחוב, א. פ. --- צ׳יחוב, א. פ., --- צ׳כוב --- צ׳כוב, אנטוון --- צ׳כוב, אנטון --- צ׳כוב, אנטון פבלוביץ׳ --- צ׳כוב, אנטון פ. --- צ׳כוב, אנתון פאבלוביץ, --- צ׳כוב, א.פ, --- צ'כוב, אנטון, --- שטעכאװ, א. פ. --- چخڤ، انتن پڤلڤچ, --- 契珂夫, --- Tsechōph, Anton, --- Cīk̲h̲auf, Antūn, --- Antūn Cīk̲h̲auf, --- Chikhūf, Āntuvān, --- Chikhūf, Āntwān, --- چخوف، آنتوان --- 체호프, 안톤 --- Чехов, Антон Павлович --- 契诃夫 --- چیخوف
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This engrossing book presents the first collection in more than three decades of one of America's finest drama critics. Richard Gilman chronicles a major period in American theater history, one that witnessed the birth or spread of Off-Broadway, regional theater, nonprofit companies, and avant-garde performance, as well as growing interest in plays by women and minorities and in world drama. His writing, however, is more than a revealing look at an era. It is criticism for the ages. Insightful, provocative, and impassioned, the articles represent the full range of Gilman's interests. There are essays, profiles, and book reviews dealing with such topics as the "new naturalism" in theater, Brecht's collected plays, and the legacy of Stanislavski. There is also a generous sampling of Gilman's comments on plays by O'Neill, Miller, Chekhov, Albee, Ibsen, Anouilh, Beckett, Ionesco, Pinter, Fugard, and many others.
Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors
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