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Lucas Gassel van Helmond : meester van het landschap
Authors: --- --- --- --- --- et al.
ISBN: 9789462623071 9462623074 Year: 2020 Publisher: Zwolle Waanders Uitgevers

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Dé meester van het landschap van de zestiende eeuw (ook wel Brabantse Gouden Eeuw genoemd): dat was Lucas Gassel (ca 1488-1568/69). Museum Helmond presenteerde in het voorjaar van 2020 de eerste, grote overzichtstentoonstelling van zijn werk. Uitgeverij Waanders & de Kunst produceerde het boek bij deze expositie. De schilderijen van Lucas Gassel nodigen uit tot goed kijken. Weidse landschappen met kronkelende wegen en rivieren, verhalende scenes en minutieuze details komen dankzij Gassels schilderkwaliteiten tot leven. Hij was met tijdgenoten als Joachim Patinir en Herri met de Bles mede bepalend voor de ontwikkeling van de Nederlandse landschapsschilderkunst in de zestiende eeuw van decor voor Bijbelse of apocriefe verhalen naar een zelfstandig genre. Kunsthistorisch en materiaal-technisch onderzoek naar een deel van Gassels kernoeuvre leverde een schat aan nieuwe inzichten op. Het brengt het oeuvre van deze zestiende-eeuwse meester voor het eerst op een nieuwe manier voor het voetlicht. 450 jaar na zijn dood is het tijd voor een breed publiek om kennis te maken met Lucas Gassel van Helmond, meester van het landschap.


Book
Frans Francken ... and his milieu : old paths, new roads
Authors: --- --- --- ---
ISBN: 9789057187469 9057187469 Year: 2020 Publisher: Brussel VUBPress

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In May 2014 the Rubenianum in Antwerp hosted the conference ‘Frans Francken and his Milieu, Old Paths, New Roads’, on the initiative of dr. Ann Diels (Vrije Universiteit Brussel) and dr. Natasja Peeters (War Heritage Institute Brussels). Both researchers wanted to draw more attention to research into art in the Southern Netherlands during the late sixteenth century. Dedicating the symposium to one of the most productive history and portrait painters of that period, Frans Francken, opened the door to a range of research tracks. This conference collection includes thirteen essays by national and international specialists in sixteenth-century art of the Netherlands. The essays focus on various aspects of the work and life of the Antwerp history painter Frans Francken the Elder, the Francken dynasty, and his milieu. An artist’s work and life knows many facets, and data have to be culled from many sources. By providing a mosaic of research methods and tracks, the essays makes an attempt to visualize the complexity and richness of the research field. This small selection from the realm of possibilities mainly wants to encourage further research. The book contains, among other writings, an art-historical overview of the study of late sixteenth-century art in the Southern Netherlands by Hans Vlieghe, a historiography and state of current research by the editors, a case study on the late sixteenth-century ‘gothic revival’ by Didier Martens, the restauration report of Frans Francken’s famous Schoolmasters’ and Soapboilers’ altarpiece in Antwerp Cathedral by David Lainé, an in-depth building history reconstruction of Francken’s house by Petra Maclot and an analysis of his books based on his post-mortem inventory by Ria Fabri, a dendrochronological riddle of the Road to Calvary in Dresden by Ursula Härting, and a study of the sensory aspect in history paintings by Ralph Dekoninck.


Book
Les retables d’autel gothiques sculptés dans les anciens Pays-Bas : raisons, formes et usages
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ISSN: 03787923 ISBN: 9782803102488 280310248X Year: 2008 Volume: 26 Publisher: Bruxelles : Académie royale de Belgique,


Book
Retables flamands et brabançons dans les monuments belges
Authors: --- ---
ISBN: 9040301042 9789040301049 Year: 2000 Volume: 4 Publisher: Bruxelles : Ministerie van de Vlaamse gemeenschap. Afdeling monumenten en Landschappen,


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Divine interiors : experience churches in the age of Rubens
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ISBN: 9789085867265 Year: 2016 Publisher: Antwerpen : Bai,

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450 years ago, anecdotes that we would now relate via social media were shared in churches, then the most important places for meeting up with others. In 2016, Museum Mayer van den Bergh is presenting for the first time a selection of church interiors that speak to us about daily life in that period.As well as being places of liturgy, churches were where people celebrated, grieved, paraded, begged, gossiped and even played. Everyday life played out within. And this can be seen in paintings on the subject made in such great quantity in Antwerp in the 16th and 17th centuries. These church interiors are not only masterpieces of perspective, but also present fascinating scenes of existing or lost churches replete with splendid indoor vistas, every corner revealing to us daily life. Museum Mayer van den Bergh is bringing together a number of these church interiors for the first time. This beautifully illustrated catalogue introduces the reader to locations that were the places to meet in the 16th and 17th centuries.


Book
Printing images in Antwerp : the introduction of printmaking in a city Fifteenth century to 1585
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ISBN: 907560713X 9789075607130 Year: 1998 Volume: 2 Publisher: Rotterdam : Sound & vision interactive,

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Antwerpen, dissident drukkerscentrum : de rol van de Antwerpse drukkers in de godsdienststrijd in Engeland (16de eeuw) : Stad Antwerpen, Museum Plantin-Moretus en Stedelijk Prentenkabinet, Antwerpen, 1 oktober - 31 december 1994.
Authors: --- --- ---
ISBN: 9053491457 Year: 1994 Volume: 31 Publisher: Gent : Snoeck-Ducaju,

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Antwerp in the Renaissance
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ISBN: 2503588336 9782503588339 9782503588346 Year: 2020 Volume: 49 Publisher: Turnhout : Brepols,

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This book engages with Antwerp in the Renaissance. Bringing together several specialists of sixteenth-century Antwerp, it offers new research results and fresh perspectives on the economic, cultural and social history of the metropolis in the sixteenth century. Recurrent themes are the creative ways in which the Italian renaissance was translated in the Antwerp context. Imperfect imitation often resulted from the specific social context in which the renaissance was translated: Antwerp was a metropolis marked by a strong commercial ideology, a high level affluence and social inequality, but also by the presence of large and strong middling layers, which contributed to the city's 'bourgeois character. The growth of the Antwerp market was remarkable: in no time the city gained metropolitan status. This book does a good job in showing how quite a few of the Antwerp 'achievements' did result from the absence of 'existing structures' and 'examples'. Moreover, the city and its culture were given shape by the many frictions, and uncertainties that came along with rapid urban growth and religious turmoil.

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