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Art, Roman --- Sources. --- History --- Antique, the --- Roman [ancient Italian culture or period] --- Art --- Antiquity --- anno 1-499 --- Roman art --- Classical antiquities --- Sources --- Art, Roman - Sources --- kunstliteratuur --- Latijnse literatuur --- bronnenonderzoek

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Art --- Art, Romanesque --- Architecture, Romanesque --- Middle Ages --- Civilization, Medieval --- Art roman --- Architecture romane --- Moyen Age --- Civilisation médiévale --- Periodicals. --- Periodicals --- Périodiques --- Art, Medieval --- Architecture, Medieval --- Architecture romane. --- Art médiéval. --- Art roman. --- JEX16 --- Arts and Humanities --- Architecture, Fine and Decorative Arts --- History --- Performing Arts, Travel and Leisure --- anno 500-1499 --- Art, Romanesque - Periodicals --- Architecture, Romanesque - Periodicals --- Art, Medieval - Periodicals --- Architecture, Medieval - Periodicals --- Art roman - Périodiques --- Architecture romane - Périodiques

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Many Romans wrote about the belief that an image - a sculpture or painting, as well as a verbal description or a personage on stage - is not a representation, but the image's prototype or that an image had particular aspects of life. A first group of authors explained these believes as incorrect observation or wrong mental processing by the beholder. Other authors pointed at the excellent craftsmanship of the maker of the image. A third group looked at the supernatural involvement of its prototype, often a god. Together these discourses on the animation of images bring us to what intellectuals from all over the Roman empire saw as reprehensible or acceptable in beholding images as works of art or as cult images. Moreover, these discourses touch upon ontological and epistemological problems. The barrier between life and death was explored and also the conditions to obtain knowledge from observation.

Classical Latin literature --- Art --- Philosophy and psychology of culture --- Sculpture, Roman. --- Art, Roman. --- Naturalism. --- Sculpture --- Aesthetics, Roman. --- Technique. --- Roman aesthetics --- Molding (Clay, plaster, etc.) --- Modeling --- Materialism --- Mechanism (Philosophy) --- Philosophy --- Positivism --- Science --- Roman art --- Classical antiquities --- Roman sculpture

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Probleme der Kopien antiker Kunst in nachantiken Epochen werden in diesem Band in Archäologie und Kunstgeschichte im Einzelfall und am Einzelbeispiel besprochen. Begriffe wie Adaption, Anverwandlung, Imitation, Kopie, Nachahmung, Nachbildung oder Reproduktion bevölkern die Literatur in ebenso großer Vielfalt wie die Objekte, auf die sie angewendet werden, die Museen und Sammlungen der Welt seit der Frühen Neuzeit. Über das Phänomen neuzeitlicher Kopien hinausgehend werden damit verbundene Themen wie Ergänzung und Rekonstruktion oder aber das Problem des Fragments in den Blick genommen. Im Gegensatz zur Vorstellung der Antikenkopie als fester Größe, die es am antiken Original zu überprüfen gilt, werden die Transformationsprozesse im Vorgang des Kopierens betont.

Art --- Antiquity --- Art, Greek --- Art, Roman --- Art grec --- Art romain --- Reproduction. --- Copying --- Reproduction --- Social aspects --- Aspect social --- Art --Reproduction --Social aspects. --- Art --Reproduction. --- Art, Greek --Copying. --- Art, Roman --Copying. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Social aspects. --- Copying. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Roman art --- Classical antiquities --- Greek art --- Art, Aegean --- Art, Greco-Bactrian --- Reproduction of works of art --- Art, Primitive --- Geschichte 1500-2007 --- kopieën naar antieke kunst --- Antiquity/Reception. --- Classicism. --- Critical Studies of Copies. --- Original.

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"From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the National Gallery of Art, Washington, DC"--

Kings and rulers --- Power (Social sciences) in art --- Emperors --- Art, Roman --- Art --- History of civilization --- power --- portraits --- rulers [people] --- Roman emperors --- Portraits --- Power (Social sciences) in art. --- History / Ancient / Rome --- Art / History / General --- Kings and rulers - Portraits --- Emperors - Rome - Portraits --- Art, Roman - Influence --- Kings and rulers. --- Emperors. --- ART / History / General. --- HISTORY / Ancient / Rome. --- Roman art --- Classical antiquities --- Czars (Emperors) --- Rulers --- Sovereigns --- Tsars --- Tzars --- Czars (Kings and rulers) --- Kings and rulers, Primitive --- Monarchs --- Royalty --- Heads of state --- Queens --- Influence. --- Rome (Empire) --- Aeneid. --- Agrippina the Younger. --- Alessandro Farnese (cardinal). --- Ancient Rome. --- Ancient art. --- Ancient history. --- Andrea Fulvio. --- Andrea Mantegna. --- Anselm Kiefer. --- Antistrophe. --- Antoninus Pius. --- Antonio Verrio. --- Assassination. --- Aubrey Beardsley. --- Augustan History. --- Autocracy. --- Banality (sculpture series). --- Bembo. --- Brindisi. --- Bust (sculpture). --- Caesarism. --- Camerino. --- Capitoline Museums. --- Caption (comics convention). --- Caracalla. --- Cardinal Mazarin. --- Chris Riddell. --- Christina, Queen of Sweden. --- Classicism. --- Claudius. --- Commodus. --- Cosimo de' Medici. --- Crucifixion of Jesus. --- Decapitation. --- Della Rovere. --- Denarius. --- Domitian. --- Domus Aurea. --- Egypt (Roman province). --- Elagabalus. --- Engraving. --- Giambattista della Porta. --- Giulio Romano. --- Gonzaga Cameo. --- Hans Memling. --- Heroic nudity. --- Illustration. --- Imperial Armour. --- Imperialism. --- Ippolito Buzzi. --- James Gillray. --- Judas Iscariot. --- Kerameikos. --- La Dolce Vita. --- Lawrence Alma-Tadema. --- Livilla. --- Longevity. --- Manuscript. --- Marcantonio Raimondi. --- Max Beerbohm. --- Messalina. --- Middle class. --- Misogyny. --- Nativity scene. --- Nicolas Coustou. --- Nobility. --- Oliver Cromwell. --- Ostia (Rome). --- Paganism. --- Palinode. --- Peace treaty. --- Petrarch. --- Phrenology. --- Placard. --- Portland Vase. --- Putto. --- Roman Empire. --- Roman Imperial Coinage. --- Roman sculpture. --- Ruler. --- Sandro Botticelli. --- Satire. --- Schatzkammer. --- Scientific Method. --- Sculpture. --- Sophocles. --- Statue. --- Suetonius. --- Sulla. --- Tapestry. --- The Caesars (TV series). --- The Twelve Caesars. --- Thomas Couture. --- Tintoretto. --- Titian. --- Trajan's Column. --- Trajan. --- Vitellius. --- William Makepeace Thackeray. --- Writing. --- cultuurgeschiedenis