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Merlijn Hurx is assistant professor at the Department of History and Art History of Utrecht University. He defended his PhD thesis at Delft University of Technology in 2010, which was published as Architect en aannemer by Vantilt (Nijmegen) in 2012. He was awarded a Veni research grant (EUR 250,000) from NWO (The Netherlands Organisation for Scientific Research) for his project?Architects and bureaucrats? in 2013. As of 2013, he holds the position of Secretary of the European Architectural Historian Network (EAHN), and he has been a member of the Scientific committee for the EAHN third international meeting in Turin, June 2014
Nederlanden --- History of the Low Countries --- Architecture --- architecture [discipline] --- anno 1400-1499 --- Architectural practice --- History --- Architects --- Architecture, Gothic --- Architecture, Renaissance --- Building trades --- Job descriptions --- Social networks --- Architect and client --- Architectural services --- Practice --- Vocational guidance --- Architectural practice - Netherlands - History - To 1500 --- Architectural practice - Netherlands - History - 15th century --- Architectural practice - Belgium - History - To 1500 --- Architectural practice - Belgium - History - 15th century --- architectuur, Nederlanden
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Against the scholarly tendency to treat architectural disegno in highly intellectualized terms, the essays collected in this volume offer a new perspective on this early modern practice, by reinserting it into the messy Lebenswelten of the architectural workshop and the building site. The introduction of paper is one of the major innovations of Early Modern architecture, and it had profound effects on its design processes. Wider use of paper changed representational conventions, while communication networks were affected by the many implications of portability and reproducibility: circulation of models for study and design increased, and new possibilities of remote control of the building site emerged. The material dimensions of these practices are the subject of the present volume, which collects essays that engage with the manifold inter- and multi-medial complexities of Italian Renaissance architectural drawings on paper.
Architectural drawing, Renaissance --- Architectural practice --- History --- Architecture --- Drawing --- architectural drawings [visual works] --- paper [fiber product] --- anno 1400-1499 --- anno 1500-1599 --- Building design --- Dessin d'architecture --- Dessin --- Renaissance
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Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
Renaissance --- Villa Madama [Rome] --- History of Italy --- humanism --- Architecture --- influence --- Raphael --- Sperulo, Francesco --- anno 1400-1499 --- anno 1500-1599 --- Rome --- Architecture, Renaissance --- Humanism in architecture --- Architectural practice --- Group work in architecture --- HISTORY / Renaissance. --- History --- Sperulo, Francesco, --- Influence. --- Criticism and interpretation. --- Friends and associates. --- Villa Madama (Rome, Italy) --- Rome (Italy) --- Buildings, structures, etc. --- architectuur, Italië --- Raphael,
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Architecture --- Architectural practice --- Neurenberg family --- 72 "15/17" --- 724.1 --- Natural stones. Other mineral materials --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Nederland --- Architectuur van de renaissance; barok; rococo en koloniale stijl--België --- Architectuur. Bouwkunst--Moderne Tijd --- Arts Architecture Early Modern (1400 - 1800) --- Neurenberg family. --- 72 "15/17" Architectuur. Bouwkunst--Moderne Tijd --- 72.034 <493> Architectuur van de renaissance; barok; rococo en koloniale stijl--België --- 72.034 <492> Architectuur van de renaissance; barok; rococo en koloniale stijl--Nederland --- 691.2 Natural stones. Other mineral materials --- 720.9492 --- 691.2 --- 72.034 <492> --- 72.034 <493> --- Architect and client --- Architectural services --- Architecture, Dutch --- Arts Architecture Netherlands --- Practice --- Vocational guidance --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Belgium --- Netherlands --- History --- quarries [extracting complexes] --- stonemasons --- Nederlanden --- Architecture - Netherlands --- Architecture - Belgium --- Architectural practice - Belgium --- economische geschiedenis --- architectuur, Nederlanden --- architecture [discipline]
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architects --- urban renewal --- History of the Low Countries --- Architecture --- anno 1500-1599 --- anno 1300-1399 --- anno 1400-1499 --- 72.03 --- 72 <09> --- 949.19 --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Architectuurgeschiedenis. Bouwgeschiedenis --- Geschiedenis van de Nederlanden, van de Benelux --- 949.19 Geschiedenis van de Nederlanden, van de Benelux --- 72 <09> Architectuurgeschiedenis. Bouwgeschiedenis --- 72.03 Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Architectural practice --- History --- architectuur, Nederlanden
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