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Pour l'amour de la peinture : observer, découvrir, transmettre
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ISBN: 9782900446072 Year: 2019 Publisher: Bouvellemont : Édtions Noires terres,

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Cultural studies : theory and practice.
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ISBN: 0761941568 076194155X Year: 2006 Publisher: London Sage

Roman baroque sculpture : the industry of art
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ISBN: 0300043929 0300053665 9780300043921 Year: 1989 Publisher: New Haven London Yale University Press


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Handelingen elfde Colloquium Neerlandicum : colloquium van docenten in de neerlandistiek aan buitenlandse universiteiten
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ISBN: 9072870026 9789072870025 Year: 1992 Publisher: Woubrugge Internationale vereniging voor neerlandistiek


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Art history and emergency : crises in the visual arts and humanities
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ISBN: 9780300218756 9781935998259 1935998250 0300218753 Year: 2016 Publisher: Williamstown, Massachusetts: Sterling and Francine Clark art institute,

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Art History and Emergency assesses art history’s role and responsibilities in what has been described as the “humanities crisis”—the perceived decline in the practical applications of the humanities in modern times. This timely collection of critical essays and creative pieces addresses several thought-provoking questions on the subject. For instance, as this so-called crisis is but the latest of many, what part has “crisis” played in the humanities’ history? How are artists, art historians, and professionals in related disciplines responding to current pressures to prove their worth? How does one defend the practical value of knowing how to think deeply about objects and images without losing the intellectual intensity that characterizes the best work in the discipline? Does art history as we know it have a future ?


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Les académies d'art : passé et présent
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ISSN: 24974625 ISBN: 9782252041277 2252041277 Year: 2018 Volume: 10 Publisher: Place of publication unknown Klincksieck

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Publié pour la première fois en 1940, cet ouvrage retrace les origines et l’évolution des académies d’art du XVIe à la première moitié du XXe siècle. Avec simplicité, sans que pèse jamais son érudition, Nikolaus Pevsner expose les circonstances religieuses, politiques, sociales dans lesquelles s’est développée l’éducation des artistes dans les différents pays d’Europe jusqu’à son « académisation » progressive, qu’il a pu lui-même constater et déplorer. On voyagera ainsi de l’école de dessin fondée par Vasari à Florence au XVIe siècle jusqu’au modernisme du Bauhaus, en passant par une institution qui a joué un rôle majeur dans l’enseignement de l’art, l’Académie royale de peinture et de sculpture fondée sous Louis XIV. Considérée sous un angle singulier les conditions de vie des peintres et sculpteurs, les leçons prodiguées, c’est une véritable histoire de l’art occidental qui se dessine ainsi, en même temps qu’une histoire du goût et des modes artistiques.


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Museum lighting : a guide for conservators and curators
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ISBN: 9781606066379 1606066374 Year: 2020 Publisher: Los Angeles The Getty Conservation Institute

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"This indispensable guide to museum lighting, written by distinguished conservation scientist David Saunders, is the first new volume of its kind in over thirty years"--


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Opening doors : learning in the historic environment: an Attingham Trust report
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Year: 2004 Publisher: Hampton The Attingham Trust

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History and its objects : antiquarianism and material culture since 1500
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ISBN: 9781501708244 9780801453700 9781501708237 0801453704 1501708244 1501708236 Year: 2017 Publisher: Ithaca ; London : Cornell University Press,

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Cultural history is increasingly informed by the history of material culture-the ways in which individuals or entire societies create and relate to objects both mundane and extraordinary-rather than on textual evidence alone. Books such as The Hare with Amber Eyes and A History of the World in 100 Objects indicate the growing popularity of this way of understanding the past. In History and Its Objects, Peter N. Miller uncovers the forgotten origins of our fascination with exploring the past through its artifacts by highlighting the role of antiquarianism-a pursuit ignored and derided by modem academic history-in grasping the significance of material culture.From the efforts of Renaissance antiquarians, who reconstructed life in the ancient world from coins, inscriptions, seals, and other detritus, to amateur historians in the nineteenth century working within burgeoning national traditions, Miller connects collecting-whether by individuals or institutions-to the professionalization of the historical profession, one which came to regard its progenitors with skepticism and disdain. The struggle to articulate the value of objects as historical evidence, then, lies at the heart both of academic history-writing and of the popular engagement with things. Ultimately, this book demonstrates that our current preoccupation with objects is far from novel and reflects a human need to reexperience the past as a physical presence.


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Papers on paper.
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ISBN: 9053491147 9789053491140 Year: 1994 Publisher: Gent,

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Dit boek is de bundeling van de referaten gehouden tijdens het symposium 'Papier, Behoud en Verval', dat doorging te Aalst op 10 en 11 september 1992. Dit symposium kaderde in de eerste editie van de biënnale 'Papier, Beeld en Basis' (6 juni - 20 september 1992), waarbij wisselende aspecten van papier en het artistieke gebruik ervan, zowel historisch als actueel, belicht werden. Braque, Georges ; Buthe, Michael ; Christo ; de Cordier, Thierry ; Decoster, Jean ; Droese, Felix ; Erdély, Miklós ; Foxcroft, Lesley ; Gilbert & George ; Hausmann, Raoul ; Klee, Paul ; Kogler, Peter ; Lanckman, An ; Matisse, Henri ; Michaux, Henri ; Salaj, Zbigniew ; Schwitters, Kurt ; Servranckx, Victor ; Vostell, Wolf ; De Vree, Paul

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