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The motif of the woman and the dragon has been prevalent in Western art since antiquity, yet has hitherto remained understudied, and artworks featuring this motif in Western Mediterranean cultures have been examined primarily in relation to the topos of the male dragon-slayer. This book analyzes artistic images of women and dragons over an extensive period, from Classical Greece and Rome (with forays to Egypt and Mesopotamia) to the early modern period in Western Europe. The unique methodology employed in the study of this motif reveals its sacred core, as well as its relationship to rituals of fertility and oracular knowledge, to the liminal realm between life and death, and to the symbolism of Great Mother goddesses. At the same time, the images explored throughout expose stereotypes and biases against women in unusual positions of power, which were embedded in the motif and persisted in Western European art.
Dragons in art --- Women in art --- History of art: ancient and classical art,BCE to c 500 CE. --- History of art: Byzantine and Medieval art c 500 CE to c 1400. --- ART / History / Ancient & Classical. --- ART / History / Medieval. --- HISTORY / Women * --- Paintings and painting. --- History of art. --- Gender studies: women and girls. --- History --- History, Art History, and Archaeology --- HIS --- Art and Material Culture --- ART & MAT --- Diachronic --- DIACHRONIC --- Gender and Sexuality Studies --- GEND & SEXU --- Women, Dragon, Art, Witch, Sacred --- Iconography --- History of civilization --- dragons --- women [female humans] --- iconography --- cultuurgeschiedenis --- Art and mythology --- Art, Ancient --- Art, Medieval --- Themes, motives. --- Themes, motives
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"At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science."--
Sociology of culture --- Sociology of the family. Sociology of sexuality --- Art --- art history --- Block, Agnes --- Netherlands --- Art, Dutch --- Art néerlandais --- History of art and design styles: c 1600 to c 1800. --- Individual artists, art monographs. --- ART / History / Renaissance. --- ART / Subjects & Themes / Plants & Animals. --- ART / Women Artists. --- History of art. --- Botanical art. --- Collectors and collecting --- Collectionneurs et collections --- Block, Agnes, --- Women and natural history; women participation in networks, women collectors, women cultural producers, women in knowledge communities --- Art néerlandais --- Collectors and collecting. --- Collectionneurs et collections. --- History, Art History, and Archaeology --- HIS --- Art and Material Culture --- ART & MAT --- Cultural Studies --- CULTURAL --- Dutch and The Netherlands --- DUTCH NL --- Early Modern Studies --- EARLY MOD --- Gender and Sexuality Studies --- GEND & SEXU --- Fashion and art. --- Feminism and art. --- Feminism and art --- History --- gender. --- wetenschappen. --- Block, Agnes. --- 17de eeuw. --- Nederlanden.
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