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Iconography --- Art --- racial discrimination --- sex discrimination --- exoticism --- Orientalism
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sex role --- historic gardens --- Block, Agnes --- anno 1600-1699 --- Netherlands
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sex role --- politics --- power --- insurgencies --- women [female humans] --- Isaacz, Pieter
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Die holländische Malerei des 17. Jahrhunderts reflektiert ihr Verhältnis zur sichtbaren Wirklichkeit. Sie thematisiert Ambivalenzen und Widersprüche. Als Avantgarde künstlerischer Medien trägt sie zur Herausbildung einer modernen “bürgerlichen” Subjektivität bei. Sie entlässt die Themen aus ihrer traditionellen ikonologischen Fixierung und evoziert unterschiedliche Imaginationen und Semantisierungen - Aspekte, die in der Forschung bisher kaum wahrgenommen worden sind. Das Buch versteht sich als Plädoyer für eine Kunstgeschichte als Kulturwissenschaft, die das semantische Potential von Kunst innerhalb diskursiver und sozialer zeitgenössischer Praxen untersucht und zugleich ihre Aktualität aufzeigt. Werke von Rembrandt, Metsu, Vermeer und Hoogstraten u. a. dienen als exemplarische Fallbeispiele zur Auseinandersetzung mit aktuellen kunst- und kulturwissenschaftlichen Debatten, beispielsweise zur Repräsentation von Geschlechterdifferenz, zur Text-Bild Beziehung und zum Affektdiskurs. The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.
Painting --- easel paintings [paintings by form] --- Netherlandish Renaissance-Baroque styles --- anno 1600-1699 --- Netherlands --- Painting, Dutch --- Women in art. --- Sex in art. --- Sex in the arts --- Sexuality in art --- Women in art --- Sex in art
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Painting --- sex discrimination --- De Dulle Griet --- Bruegel, Pieter [Elder] --- anno 1500-1599 --- Netherlands --- Belgium
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Sociology of minorities --- Art --- visual arts [discipline] --- racial discrimination --- sex discrimination
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Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack of Mantua in 1630. This book further proposes that we conceptualise the built environment as a performative space, a space formed by the gendered relationships and actors of its time. The Palazzo Te was constituted by the gendered behaviors of sixteenth-century courtiers, but it was not simply a passive receptor of gender performance. Through its multivalent form and ceremonial function, Maria F. Maurer argues that the palace was an active participant in the construction and perception of femininity and masculinity in the early modern court.
Art --- History of civilization --- History of Italy --- sex role --- Mantua, Palazzo del Te --- anno 1500-1599 --- Mantua --- Art, Renaissance --- Architecture --- Sex role --- Architecture and society --- Human factors --- History. --- Psychological aspects. --- Palazzo del Te (Mantua, Italy) --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Environmental psychology --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Design and construction --- Social aspects --- Giulio Romano, Federico II Gonzaga, Palazzo Te, Gender, Space. --- Architecture, Primitive --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- architectuur, Italië
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women [female humans] --- Sexology --- iconography --- nudes [representations] --- Iconography --- painting [image-making] --- eroticism --- sexuality --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Sex customs in art. --- Art, European --- Sex symbolism. --- Space --- Sex --- Vie sexuelle dans l'art --- Art européen --- Symbolisme sexuel --- Espace --- Sexualité --- Themes, motives. --- Social aspects --- Religious aspects --- Christianity. --- Thèmes, motifs --- Aspect social --- Aspect religieux --- Christianisme --- 392 "15" --- 7.04 --- Zeden en gebruiken in het particuliere leven--16e eeuw. Periode 1500-1599 --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 392 "15" Zeden en gebruiken in het particuliere leven--16e eeuw. Periode 1500-1599 --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Art européen --- Sexualité --- Thèmes, motifs --- Sex customs in art --- Sex symbolism --- Metaphysics --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Erotic symbolism --- Symbolism --- Themes, motives --- Religious aspects&delete& --- Christianity --- Sex (Theology)
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"The Routledge History of Sex and the Body" is a landmark publication that provides an overview of the main themes surrounding the history of sexuality from 1500 to the present day. An expanding field in which vibrant debate on, for instance, the history of homosexuality is developing, this volume is a timely contribution to the field, laying out the current scholarship and looking towards future directions. Focusing on the history of sexuality and the body in the West but also interactions with a broader globe, "The Routledge History of Sex and the Body" thematically surveys the major areas of discussion. Covering themes such as science, identity, the gaze, courtship, reproduction, sexual violence and the importance of race, the volume offers a comprehensive view of the history of sexuality and the body. Each thematic part is divided into two chronological chapters by different contributors, and each piece works both independently and in conjuction with each other. Including contributors renowned in their field of expertise, this ground-breaking collection is essential reading for all those interested in the history of sexuality and the body.
Sexualité --- Corps humain --- Histoire --- Sex --- Sexology --- Human body --- Sex. --- Sexology. --- Sexual Behavior --- Human body. --- History. --- history. --- Western countries. --- History of civilization --- Sociology of the family. Sociology of sexuality --- Histoire. --- Western countries --- sexuality --- lichaam (van de mens)
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