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exhibitions [events] --- publications [documents] --- Bosch, Jeroen
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exhibitions [events] --- publications [documents] --- commemorations [events] --- Bosch, Jeroen
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Sculpture --- sculpture [visual works] --- publications [documents] --- fonds [collections] --- Antwerpse school --- anno 1600-1699 --- anno 1700-1799 --- Antwerp
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Art --- Asian literature --- Archeology --- 705 --- Arts Serial publications of fine and decorative arts --- Yearbooks --- Archaeology --- Arts --- Archéologie --- Arts - Periodicals --- Arts - Belgium - Periodicals --- Archaeology - Periodicals --- Jaarboeken
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Die in der Frühen Neuzeit gängige Praxis der Neuauflage druckgraphischer Einzelblätter und Serien war nicht nur von ökonomischen Interessen der Verleger geleitet, sondern zugleich Ausdruck einer innovativen ästhetischen Auseinandersetzung mit bestehenden Bildfindungen. Das Spektrum dieses produktiven Umgangs mit etablierten Inventionen umfasste unveränderte Wiederauflagen respektive Kopien, aber auch konzeptuelle Überarbeitungen und Ergänzungen sowie programmatische Umkontextualisierungen. Im Anschluss an neuere kunsthistorische Forschungen, die im Akt des zeichnerischen, malerischen oder druckgraphischen Reproduzierens ein signifikantes gestalterisches Potenzial erkannt haben, sollen derartige Neukonfigurationen in der nordalpinen Druckgraphik als mediale Formen kreativer Aneignung begriffen werden. In diesem Sinne sind Neuauflagen als (Re-)Inventionen zu verstehen, deren spezifischen visuellen Strategien der Anlehnung an und Abweichung von vorhergehenden Auflagen sich der interdisziplinäre Band widmen möchte. Anhand von Fallstudien wird untersucht, inwieweit sich die nach wie vor diskutierten Fragen nach den sozioökonomischen Faktoren der Produktion und Rezeption von Druckgraphiken mit Überlegungen zu deren Relevanz als kultureller Artikulationsraum und Medium künstlerischer (Selbst-)Reflexion verbinden lassen. This interdisciplinary volume examines a practice that was common in the early modern north Alpine region, namely the making of new edition prints, and argues that it was a complex aesthetic strategy of creative appropriation. It focuses on the socioeconomic factors involved in the production and reception of print (re-)inventions and considers their relevance as a space of cultural articulation and a medium of artistic (self-)reflection.
Book history --- Graphic arts --- reprints --- reproductions [derivative objects] --- anno 1500-1799 --- Europe: North-West --- Printing --- Publishers and publishing --- Reprints (Publications) --- ART / Techniques / Printmaking. --- History.
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Economic relations. Trade --- Drawing --- drawings [visual works] --- art dealers --- art collections --- Constantin, Guillaume Jean --- Paris --- 655.42 <44 PARIS> --- 741 --- 76 Grafische kunsten. Grafiek. Prentkunst --- Grafische kunsten. Grafiek. Prentkunst --- 76 Graphic arts. Graphics --- Graphic arts. Graphics --- 741 Tekenkunst --- Tekenkunst --- 655.42 <44 PARIS> Boekhandel--algemeen--Frankrijk--PARIS --- 655.42 <44 PARIS> Bookselling in general. Selling of publications. General, antiquarian and wholesale bookselling--Frankrijk--PARIS --- Boekhandel--algemeen--Frankrijk--PARIS --- Bookselling in general. Selling of publications. General, antiquarian and wholesale bookselling--Frankrijk--PARIS
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C'est par l'intermédiaire de leur catalogue que les premiers cabinets de curiosités se sont fait connaître dans toute l'Europe. Pris entre le bruit du monde et les grandes orgues de la « littérature », ces livres sont pourtant méconnus, délaissés par la critique. Or, leurs mots, leur langue, leurs stratégies éditoriales, rien n'est indifférent aux auteurs conscients des enjeux d'une production qui passe les frontières génériques. Écrits pour le lecteur affamé de narrations épiques comme pour l'érudit en quête d'observations savantes, entre lieu de mémoire et éloge du bizarre, ces textes prétendent patrimonialiser les curiosités, tout en rendant expressive l'intensité de leur présence. Cette étude est la première à affronter la question d'une poétique de la curiosité. À la lumière de textes inédits ou nouvellement traduits, elle analyse la complexité de ces « légendes » chargées de penser, classer et faire parler les objets inertes, ouvrant une réflexion sur les premiers cartels de nos musées.
Cabinets d'amateurs --- Cabinets of curiosities --- Collectors and collecting --- Literature, Modern --- Literature, M --- History. --- History and criticism --- History and criticism. --- Book history --- cabinets of curiosities [rooms] --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Publications --- Art objects --- Catalogues --- Édition --- Histoire. --- History
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History of Italy
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History of Belgium and Luxembourg
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Annuaires
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Jaarboeken
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Archives
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Periodicals
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Périodiques
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Belgium
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Belgique
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History
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Sources
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Histoire
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sources
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#TS:KOHU
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#BIBC:tijdschradm
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Book history --- Books --- Book Industry and trade --- Publishers and publishing --- Livres --- Editeurs et édition --- History --- Encyclopedias --- Histoire --- Encyclopédies --- Printing --- Book industries and trade --- Books and reading --- 09 <035> --- Handschriften. Oude en merkwaardige drukken. Curiosa--Grote handboeken. Compendia --- 09 <035> Handschriften. Oude en merkwaardige drukken. Curiosa--Grote handboeken. Compendia --- Editeurs et édition --- Encyclopédies --- Printing, Practical --- Typography --- Graphic arts --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Book trade --- Cultural industries --- Manufacturing industries --- Books - History - Encyclopedias --- Printing - History - Encyclopedias --- Book industries and trade - History - Encyclopedias --- Livres et lecture --- Industrie et commerce
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The Journal of the Warburg and Courtauld Institutes is an interdisciplinary forum, uniting scholars specializing in cultural history including the history of art, and intellectual history including the history of ideas. It publishes articles based on new research, normally from primary sources. The subject matter encompasses intellectual themes and traditions, the arts in their various forms, religion, philosophy, science, literature and magic, as well as political and social life, from antiquity to the dawn of the contemporary era. Just as the work of the Warburg and Courtauld Institutes is known for crossing cultural borders, the JWCI provides a home for research into the many connections between European cultures and the wider world—especially the Near East, Asia and the Americas.
Art --- Civilization --- Religions --- Civilisation --- Periodicals --- History --- Périodiques --- Histoire --- Arts and Humanities. --- General and Others --- Society and Culture. --- #ANTILTPNE9602 --- Arts and Humanities --- Society and Culture --- Périodiques --- EJARCHE EJARCHI EJART EJHISTO EJLITTE EJRELIG EPUB-ALPHA-J EPUB-PER-FT JSTOR-E --- Kunst --- Periodicals. --- E-journals --- #ANTILTPND9603 --- 052 --- General serial publications English --- Arquitectura --- Civilització --- Civilització clàssica --- Història --- Influència --- Civilization - History - Periodicals --- Religions - History - Periodicals --- Art - Periodicals --- Civilització antiga --- Classicisme --- Ciències auxiliars de la història --- Cultura --- Patrimoni cultural --- Construcció --- Edificis --- Enginyeria --- Art visual --- Arts visuals --- Belles arts --- Iconografia --- Estètica --- Comparative religion --- Denominations, Religious --- Religion, Comparative --- Religions, Comparative --- Religious denominations --- World religions --- Gods --- Religion
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