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Disabled people in art --- Gehandicapten in de kunst --- Handicaped people in art --- Handicapés dans l'art --- People with disabilities in art --- People with disabilities and the arts --- Handicapés --- People with disabilities and the arts. --- People with disabilities in art. --- Dans l'art --- History --- Dans l'art. --- Iconography --- handicapped
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Une histoire raisonnée de l'infirmité et du rapport des sociétés au corps déviant ou diminué, dévoilant les peurs, les rejets, les acceptations selon les cultures. La problématique de l'intégration des personnes handicapées est aussi abordée.
People with disabilities --- Handicapés --- Social conditions --- History --- Conditions sociales --- Histoire --- Handicapés --- Sociology of culture --- Ethnology. Cultural anthropology --- History of human medicine --- handicapped
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"Studies in the literary and artistic responses to disease and disability in the premodern era. Humanity has always shown a keen interest in the pathological, ranging from a morbid fascination with 'monsters' and deformities to a genuine compassion for the ill and suffering. Medieval and early modern people were no exception, expressing their emotional response to disease in both literary works and, to a somewhat lesser extent, in the plastic arts. Consequently, it becomes necessary to ask what motivated writers and artists to choose an illness or a disability and its physical and social consequences as subjects of aesthetic or intellectual expression. Were these works the result of an intrusion in their intent to faithfully reproduce nature, or do they reflect an intentional contrast against the pre-modern portrayal of spiritual ideals and, later, through the influence of the classics, the rediscovered importance and beauty of the human body? The essays contained in this volume address these questions, albeit not always directly but, rather, through an analysis of the societal reactions to the threats and challenges that essentially unopposed disease and physical impairment presented. They cover a wide range of responses, variable, of course, according to the period under scrutiny, its technological moment, and the usually fruitless attempts at treatment"
History of human medicine --- Iconography --- Thematology --- illness --- handicapped --- anno 500-1499 --- anno 1500-1799 --- Sociology of health --- Art --- anno 1500-1599 --- Medicine in art --- Literature, Medieval --- Art, Medieval --- People with disabilities in literature. --- People with disabilities in art. --- Diseases in literature. --- Diseases in art. --- History and criticism. --- Themes, motives. --- Handicapés --- Dans l'art --- Dans la littérature
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"This volume is the first in-depth analysis of how infirm bodies were represented in Italy from c.1400-1650. Through original contributions and methodologies, it addresses the fundamental yet undiscussed relationship between images and representations in medical, religious, and literary texts. By exploring the works of artists such as Caravaggio, Leonardo, and Michelangelo, this study considers the idealised body altered by diseases including leprosy, plague, goiter, and cancer. The interdisciplinary approach makes this study the perfect resource for both students and specialists of the history of art, medicine and religion, and social and intellectual history across Renaissance Europe"--
Diseases in art. --- People with disabilities in art. --- Sick in art. --- Art and society --- History. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Handicapped in art --- Physically handicapped in art --- Social aspects --- Diseases in art --- People with disabilities in art --- Wounds and injuries in art --- Medicine in art --- Art, Renaissance --- Iconography --- illness --- zieke --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Italy
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Les personnes avec une déficience sortent-elles de l'ombre séculaire où elles furent laissées ? Les plus grands peintres n'ont pas hésité à placer les corps déformés dans la lumière de leurs œuvres. Un parcours superficiel pourrait conclure à des mises en scène grotesques ou pitoyables, dérisoires ou accusatrices, contribuant au rejet des corps meurtris dans les ténèbres sociales. Intrigués et séduits par les corps infirmes, les peintres nous offrent au contraire des visions magnifiques et inattendues des défaillances, dénonçant, par des retournements subtils et admirables, le sort qu'on leur fait, nous renvoyant à notre condition commune, limitée et mortelle. L'art pictural dévoile le visible caché derrière les apparences et contribue à changer notre regard, sans faire la morale. De Pierre Bruegel à Frida Kalho, nous pénétrons dans les profondeurs de notre modernité quand elle rencontre les corps différents et passe de la prégnance du Crucifié à une indécision radicale sur l'humain. Tout presse la communauté internationale et chaque communauté nationale à prendre la mesure des souffrances et de la passion de vivre de ceux qui doivent lutter contre la dépréciation dont ils sont l'objet. Prendre cette mesure, c'est aussi fouiller la mémoire des siècles et convoquer les sciences à comprendre toutes les dimensions d'une question qui affecte chaque collectivité humaine. Les travaux croisés d'histoire, de sociologie, d'anthropologie sont aussi rares qu'indispensables. Le présent ouvrage est le premier, en français, à restituer les visions picturales du corps abîmé, indissociables de celles de notre corporéité commune
Iconography --- Painting --- physically handicapped --- anno 1500-1799 --- anno 1800-1999 --- Abnormalities, Human, in art. --- Diseases in art. --- Painting, European. --- People with disabilities in art. --- Handicapés physiques dans l'art --- Art --- Handicapés --- Malformations --- Corps humain --- Thèmes, motifs --- Dans l'art --- Histoire
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How has our understanding and treatment of disability evolved in Western culture? How has it been represented and perceived in different social and cultural conditions? In a work that spans 2,500 years, these ambitious questions are addressed by over 50 experts, each contributing their overview of a theme applied to a period in history. The volumes describe different kinds of physical and mental disabilities, their representations and receptions, and what impact they have had on society and everyday life.Individual volume editors ensure the cohesion of the whole, and to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1. - Antiquity (500 BCE - 500 CE); 2. - Middle Ages (500 - 1450); 3. - Renaissance (1400 - 1650) ; 4. - Long Eighteenth Century (1650 - 1800); 5. - Long Nineteenth Century (1800 - 1920); 6. - Modern Age (1920 - 2000+). Themes (and chapter titles) are: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; mental health. The page extent is approximately 2,000 pages with c. 200 illustrations. Each volume opens with Notes on Contributors, a series preface and an introduction, and concludes with notes, bibliography and an index.
History of human medicine --- History of civilization --- handicapped --- Disabilities --- People with disabilities --- Sociology of disability --- History --- Sociology of disablement --- Sociology of impairment --- Cripples --- Disabled --- Disabled people --- Disabled persons --- Handicapped --- Handicapped people --- Individuals with disabilities --- People with physical disabilities --- Persons with disabilities --- Physically challenged people --- Physically disabled people --- Physically handicapped --- Persons --- Disability --- Disabling conditions --- Handicaps --- Impairment --- Physical disabilities --- Physical handicaps --- Diseases --- Wounds and injuries --- Animals with disabilities --- Sociological aspects --- anno 500-1499 --- anno 1400-1499 --- anno 1500-1599 --- Handicap --- Handicapés --- History. --- Histoire --- Histoire. --- Antiquity --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999 --- Ancient history --- Handicapés
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Introduces the work of the seventeenth-century Dutch portrait draughtsman to a wider audience. Until recently, the Dutch draughtsman Johannes Thopas, who was born deaf in 1626, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers. Beginning with his earliest works (two beautiful miniatures of 1646 in the Fundation Custodia in Paris), Thopas produced incredibly refined drawings, usually with lead point on parchment. Apart from lead-point drawings, Thopas made several drawings in colour, on parchment and on Japanese paper. In most cases these drawings were done after life. Furthermore, he produced at least one brilliant copy after a painting by Cornelis Cornelisz van Haarlem, Venus, Mars and Cupid, and even a painting, portraying a dead child. He must have made more paintings and certainly more drawings than the seventy we know today (all of which are catalogued and illustrated here). In this exhibition his only known painting and the one mythological drawing are shown and accompanied by thirty of his most beautiful portraits, from private collections in the US, Canada, United Kingdom and the Netherlands, as well as museums, such as the Albertina in Vienna, the Amsterdam Rijksmuseum, the Städel in Frankfurt and the Victoria and Albert Museum in London.
Thopas, Jan --- tekeningen --- portretten --- Thopas, Johannes --- Portrait drawing --- Artists with disabilities --- Deaf artists --- Portraits --- Medicine --- Persons With Hearing Impairments --- Portraits as Topic --- History, 17th Century --- 17th Cent. History (Medicine) --- 17th Cent. History of Medicine --- 17th Cent. Medicine --- Historical Events, 17th Century --- History of Medicine, 17th Cent. --- History, Seventeenth Century --- Medical History, 17th Cent. --- Medicine, 17th Cent. --- 17th Century History --- 17th Cent. Histories (Medicine) --- 17th Century Histories --- Cent. Histories, 17th (Medicine) --- Century Histories, Seventeenth --- Century History, 17th --- Century History, Seventeenth --- Histories, 17th Cent. (Medicine) --- Histories, 17th Century --- Histories, Seventeenth Century --- History, 17th Cent. (Medicine) --- Seventeenth Century Histories --- Seventeenth Century History --- Portraiture --- Drawing --- History --- history --- Thopas, Johannes. --- Thopas, Johan --- Topas, Johan --- Museum Het Rembrandthuis (Amsterdam, Netherlands) --- Suermondt-Ludwig-Museum Aachen. --- Germany --- Netherlands --- Holland --- Kingdom of the Netherlands --- Health Workforce --- Art --- Biography --- Pictures --- Handicapped artists --- Physically handicapped artists --- People with disabilities --- tekeningen. --- portretten.
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