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tapestries --- History --- Applied arts. Arts and crafts --- Oudenaarde --- Flandre orientale --- Kunstnijverheid --- Métiers d'art --- Oost-Vlaanderen --- Tapestry, Flemish --- Audenarde --- Tapisseries
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History of Belgium and Luxembourg --- anno 1500-1799 --- Anciens métiers --- Catalogues d'expositions --- Oude ambachten --- Tentoonstellingscatalogi --- ambachten --- onderwijs --- Ancien Régime --- gilden --- sociale geschiedenis --- 1500 - 1800 --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- Enseignement, histoire --- Exposition --- Histoire --- Ieper --- Métiers --- Professions --- #VCV monografie 2003 --- onderwijs, wetenschap en studie --- crafts [art genres] --- 1500 - 1800. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw.
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History --- lace [needlework] --- Applied arts. Arts and crafts --- Europe --- Europa --- Geschiedenis --- Histoire --- Kunstnijverheid --- Métiers d'art --- 746.2 <4> --- #GGSB: Kunst --- 746.294 --- Kantwerk. Kantkunst--Europa --- Exhibitions --- 746.2 <4> Kantwerk. Kantkunst--Europa --- Kunst --- 760 --- kantwerk --- kunstnijverheid --- arts appliqués
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The importance of training and education is on the increase. While the production of human capital is seen as a motor for a competitive economy, skills and expertise proof to be necessary for social mobility. Remarkably, in conceiving modern forms of apprenticeship, several mechanisms from the acien régime, seem to return. The difference between public and private initiative is disappearing, education and training is being confused, and in order to acquire generic skills as flexibility, communicability, self-rule, creativity and so on, youngsters have to learn in context. Even for maths, scholars now talk of situated learning. Before the advent of a formal schooling system, training took place on the shop floor, under the roof of a master. The apprentice not only worked but also lived in his masters house and was thus trained and educated at the same time. In cities, this system was formally complemented by an official apprenticeship system, prescribing a minimum term to serve and an obligatory masterpiece for those who wanted to become masters themselves. Traditionally, historians see this as an archaic and backward way of training, yet this book?s aim is to show that is was instead a very flexible and dynamic system, perfectly in tune with the demands of an early modern economy. In order to understand it fully, however, we should differentiate the informal training system organised via a free market of indentures on the one hand and the institutionalised system of craft guilds on the other. In Antwerp, early modern guilds had a project of emancipating their members. They didn't simply produce certain skills, but through a system of quality marks defended the honour of craftsmen. This is the difference with current practices. By representing hands-on skills as superior, guilds supplied a sort of symbolic capital for workers.
History of Antwerp --- anno 1500-1799 --- Guilds --- Apprenticeship programs --- History. --- Compagnonnage --- --Métiers --- --Anvers --- --Histoire des techniques --- --XVe-XVIIIe s., --- History --- 338 <09> --- Economische geschiedenis --- 338 <09> Economische geschiedenis --- Corporations --- Apprentissage professionnel --- Histoire --- Craft guilds --- Gilds --- Labor organizations --- Merchant companies --- Workers' associations --- Artisans --- Employers' associations --- Labor unions --- Apprentices --- Apprenticeship --- Programs, Apprenticeship --- Employees --- Societies, etc. --- Training of --- Belgium --- Antwerp (Belgium) --- guilds --- apprenticeship --- Métiers --- Histoire des techniques --- XVe-XVIIIe s., 1401-1800 --- Guilds - Belgium - Antwerp - History --- Apprenticeship programs - Belgium - Antwerp - History --- Anvers --- Apprentis --- Apprentissage --- Anvers (Belgique) --- 15e-18e siècles
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Cathedrals in art. --- Cathédrales dans l'art --- Villes médievales --- Metiers de la construction --- Cathédrales dans l'art --- 726.6 --- 726.6 Kathedralen. Domkerken --- Kathedralen. Domkerken --- Cathédrales --- Architecture médievale --- Construction --- Histoire --- Architecture, Medieval. --- Painting --- Architecture médiévale --- Peinture --- Themes, motives. --- Thèmes, motifs --- Religious architecture --- cathedrals [buildings] --- anno 500-1499 --- Cathédrales - Europe --- Construction - Europe - Histoire - 500-1500 (Moyen Age) --- Metiers de la construction - Histoire - 500-1500 (Moyen Age) --- cathedrals [works by context] --- Cathédrales conception construction architectes moyen âge maîtres oeuvre moyen âge chantiers construction moyen âge --- Chantiers de construction --- Architecture medievale --- Architecture religieuse --- Art chretien --- Maîtres d'oeuvre --- Architectes --- Architecture gothique --- Architecture romane --- Moyen âge --- France --- Constructions --- Conception et construction
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Applied arts. Arts and crafts --- anno 1700-1799 --- Liege --- Geschiedenis van de nieuwe tijden --- Histoire des temps modernes --- Kunstnijverheid --- Liège (province) --- Luik (provincie) --- Métiers d'art --- Liège --- Mobilier, histoire --- meubelen --- Luik --- 18e eeuw --- meubelgeschiedenis --- meubelkunst --- België --- 749(493) --- meubelkunst, meubelontwerp - België --- Furniture --- Belgium --- History --- 18th century --- 760 --- mobilier liégeois --- kunstnijverheid --- arts appliqués --- Meubles liegeois --- 18e siecle
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Exhibition has been organised as part of Antwerp 93 Cultural Capital of Europe. Dutch title : N13730 : Jacob Jordaens (1593-1678) : Tekeningen en Prenten
Jordaens, Jacob --- Catalogues d'expositions --- Jordaens, J. --- Kunstnijverheid --- Métiers d'art --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Jordaens, Jacob, --- Exhibitions. --- Antwerpen --- Exposition --- Peintres --- Tapisserie, histoire --- Drawing --- Painting --- Graphic arts --- Applied arts. Arts and crafts --- Arts graphiques --- Dessins (genres) --- Grafische kunst --- Tekenen --- schilderkunst --- Jordaens, Jacques
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silver [metal] --- Art --- Bruges --- Applied arts. Arts and crafts --- Flandre occidentale --- Kunstnijverheid --- Métiers d'art --- West-Vlaanderen --- 739 <493> --- 247 --- #GGSB: Kunst --- #GGSB: Architectuur --- 739.23 --- 709.493 --- #gsdbA --- Edelsmeedkunst. Kunstsmederij.--België --- Mobilier et decorations des eglises --- Arts Silversmithing --- Arts Europe Belgium --- 739 <493> Edelsmeedkunst. Kunstsmederij.--België --- Kunst, volwassenen --- Kunst --- Architectuur --- edelsmeedkunst
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Kunstnijverheid --- Métiers d'art --- Hallmarks --- Silverware --- Forgeries --- Hollow ware, Silver --- Silver plate --- Tableware, Silver --- Plate --- Silverwork --- Hall-marks --- Marks on plate --- Gold --- Silver --- Standards of fineness --- Applied arts. Arts and crafts --- marks [symbols] --- forgeries [derivative objects] --- Netherlands --- marks [identifying markings] --- edelsmeedkunst --- zilvermerken
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Geschiedenis van de stad - Groei, bloei en teloorgang van de wandtapijtennijverheid - De merken, de boorden, de ontwerpen - Iconografische thema's - 25 jaar restauratieatelier - Kleurenanalyse op Oudenaardse wandtapijten
tapestries --- decorative arts --- toegepaste kunsten --- wandtapijten --- Applied arts. Arts and crafts --- anno 1500-1799 --- Oudenaarde --- History --- Catalogues d'expositions --- Flandre orientale --- Kunstnijverheid --- Métiers d'art --- Oost-Vlaanderen --- Tentoonstellingscatalogi --- 745.522 --- #A0005A --- 625.4 Toegepaste kunst --- Tapijten ; wandtapijten ; Oudenaarde ; 16de tot 18de eeuw --- 746.3 --- (069) --- #gsdbA --- 746.39493 --- Tapijtkunst. Tapisserie. Gobelins --- Textielkunst ; borduurwerk --- (Musea. Collecties) --- Arts Textile Tapestries Belgium --- 745.522 Tapijtkunst. Tapisserie. Gobelins --- decorative arts [discipline] --- geschiedenis --- iconografie --- restauratie --- conservatie --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Zuidelijke Nederlanden. --- Oudenaarde.
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