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Raphael's Poetics makes the connection between the world famous and the unknown; it reconstructs the visual grammar that underlies the famous works of Raphael and which derives from the classical and contemporary Latin poetry that was so omnipresent in his surroundings but is now largely forgotten. By focusing on principles that from the basis of poetry Rijser explains the context in which Raphael's works were functioning, and arrives at an interpretation that they may have had for their intended audience. Highly innovative, thanks to the emphasis on a literary standpoint while looking at visual objects, Rijsers research results in a truly interdisciplinary methodology.

Poetry --- Iconography --- Raphael --- Art, Renaissance --- Ekphrasis --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Renaissance art --- Themes, motives --- Raphael, --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Criticism and interpretation. --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Ekphrasis. --- Kunst. --- Literatur. --- Malerei. --- Renaissance. --- Themes, motives. --- Bibel --- Italien. --- Italy

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"Quid est sacramentum ? : visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700" investigates how sacred mysteries (in latin, sacramenta or mysteria) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them.

Sacraments in art --- Christian art and symbolism --- Art and society --- #GBIB: jesuitica --- 265 <09> --- 248.2 --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- 248.2 Mystieke theologie. Mystiek. Mysticisme --- Mystieke theologie. Mystiek. Mysticisme --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Sacramenten:--algemeen--Geschiedenis van --- Social aspects --- 265 <09> Sacramenten:--algemeen--Geschiedenis van ... --- 265 <09> Sacrements:--general--Geschiedenis van ... --- Sacramenten:--algemeen--Geschiedenis van ... --- Sacrements:--general--Geschiedenis van ... --- Sacraments --- Sacrements --- Art chrétien --- In art. --- Dans l'art. --- Aspect social --- Iconography --- Thematology --- religious symbolism --- sacraments --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Art and society. --- Bildliche Darstellung. --- Christian art and symbolism. --- Kultur. --- Kunst. --- Literatur. --- Sacraments in art. --- Sakrament. --- Symbolik. --- Europa. --- Europe. --- 7.046 --- 7.04 --- 7.034.1 --- 7.034.1 Renaissancekunst --- Renaissancekunst --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Christelijke kunst --- Art chrétien