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"This indispensable guide to museum lighting, written by distinguished conservation scientist David Saunders, is the first new volume of its kind in over thirty years"-- "Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of the impact of light on a wide range of objects, including paintings, manuscripts, textiles, bone, leather, and plastics. With analyses of the effects of light on visibility and deterioration, Museum Lighting provides practical information to assist curators, conservators, and other museum professionals in making critical decisions about the display and preservation of objects in their collections."--from Getty Publications website
Museums --- Museum conservation methods. --- Museum techniques. --- Lighting. --- Museology --- design [discipline] --- museography --- Light sources --- Study and teaching --- Study and teaching. --- Optics. Quantum optics --- Architecture --- Museum conservation methods --- Museum techniques --- Muséologie --- Eclairage --- Lighting --- Museums - Lighting --- lichtarchitectuur --- organisatie --- tentoonstellingen --- musea
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Mit der Malerei des 17. Jahrhunderts erst wird das Licht selbst bildkonstitutiv. Es ist den Dingen immanent, es bildet den Raum des Helldunkel und dynamisiert die Szenen. Das barocke Licht ist Paradigma zugleich von Kunst und Naturphilosophie. In der Naturphilosophie etablieren sich optische Modelle des Denkens, die Praxis des Linsenschleifens entfaltet sich, Lichtinszenierungen unterhalten das Publikum. Der Band versammelt auf Anregung der Berliner ‚Forschungsgruppe Historische Lichtgefüge’ die maßgeblichen Wissenschaftler aus Kunst-, Wissenschaftsgeschichte und Philosophie, um die Charakteristika dieses Lichtes vergleichend zu diskutieren, in dem sowohl das moderne, naturwissenschaftliche Konzept des Lichtes seinen Ausgangspunkt hat, wie die Prämissen unserer visuellen Kultur.
Light in art --- Light --- Electromagnetic waves --- Light sources --- Spectrum analysis --- Light and darkness in art --- Chiaroscuro --- Rembrandt Harmenszoon van Rijn, --- Vermeer, Johannes, --- Vermeer, Johannes --- Van der Meer, Jan, --- Van der Meer van Delft, Jan, --- Vermeer, Jan, --- Vermeer van Delft, Jan, --- Meer, Jan van der, --- Der Meer, Jan van, --- Vermeer de Delft, Jan, --- Vermer Delftskiĭ, Ĭokhannes, --- Vermer, Ĭokhannes, --- Ferumēru, Yohanesu, --- フェルメール, ヨハネス, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Rembrandt --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Philosophy --- Optics. Quantum optics --- Painting --- light [energy] --- philosophy of art --- anno 1600-1699
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